Ajouter une intrigue dans votre langueA feature documentary on African American ballerina Misty Copeland that examines her prodigious rise, her potentially career ending injury alongside themes of race and body image in the elit... Tout lireA feature documentary on African American ballerina Misty Copeland that examines her prodigious rise, her potentially career ending injury alongside themes of race and body image in the elite ballet world.A feature documentary on African American ballerina Misty Copeland that examines her prodigious rise, her potentially career ending injury alongside themes of race and body image in the elite ballet world.
- Récompenses
- 1 victoire et 1 nomination au total
Jessica Lauren Taylor
- Self
- (non crédité)
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Believe me - When you watch this documentary's footage of ballet dancer, Misty Copeland twirling around like a top on the very tips of her toes - You will be delightfully dazzled and awestruck by this woman's astounding agility, balance, and control.
If you are someone who is interested in the fine art of dance - "A Ballerina's Tale" is definitely the kind of bio-documentary that is guaranteed to hold your rapt attention right to the very end.
In this 84-minute presentation - Misty Copeland confidently tells her story (with a little help from her friends) about her personal triumphs and professional achievements that put her directly into the spotlight of being the very first black dancer (in the American Ballet Theater's 75-year history) to be chosen for major parts in their lavish stage productions.
If you are someone who is interested in the fine art of dance - "A Ballerina's Tale" is definitely the kind of bio-documentary that is guaranteed to hold your rapt attention right to the very end.
In this 84-minute presentation - Misty Copeland confidently tells her story (with a little help from her friends) about her personal triumphs and professional achievements that put her directly into the spotlight of being the very first black dancer (in the American Ballet Theater's 75-year history) to be chosen for major parts in their lavish stage productions.
I don't know why I didn't watch this years ago as I love ballet and before the world closed I loved to watch ballet performances in Seattle (where I live).
As others have said this isn't necessarily earth shattering and Misty is a beautifully, super talented dancer.
I personally would have like to see them address the colorism. Yes she is black, but she is super light-skinned and has very straight hair.
I love the dance theater Alvin Ailey for this reason. You see amazing dancers in various hues.
I want ballet to be more diverse, but where are the performers that look like me? that have kinky hair and deep chocolate skin? What are the girls that look like that supposed to aspire to?
I can't recall the woman's name but the one she was in the scene with that she said she admired was lighter than Misty! But she was able to see herself in that woman as a child.
I just want there to be a principal dancer for the dark chocolate girls with afro puffs to see themselves in too.
And I don't think that was captured in this documentary.
An In-depth look at the world of ballet made ever more entrancing by the gorgeous Misty Copeland. Initially, I feared the film would fully focus on the plight of the African- American in ballet. It touched on the subject just enough to make the viewer realize the awesome accomplishments of Ms.Copeland. From her injury rehab to her triumphant return and glimpses of her world performances, this peek into the art of ballet is fulfilling and thrilling. Congratulations, Misty Copeland!
Not clear whether the mixed race parents she spoke about were her biological parents or her adoption parents. It would have been a more complete and accurate life story to know the relations between those parenting groups. Also missing was the vast turmoil that dominated her early life in regard to who was guiding her, and with the substratum of economic ramifications. Not discussed and certainly an important part of her story.
If it wasn't constantly conveyed that she has some African genetics (i.e. she's black), at first I thought that she was Mediterranean or perhaps near/middle East or even India subcontinent. So the biracial emphasis seemed almost displaced, and also that she was told by her mother to always check the "black" box unless it was for advantages in economic and other affirmative action assistances.
Again, strange that even though she was promoted as a trail blazer for women of color in ballet, it was only towards the end that there was acknowledgment of such women present in that art from half a century and more previously (especially in the more accepting Europe). Most egregious was the lack of mention of Maria Tallchief who went to even greater ballet acclaim world wide despite an even more discriminatory cultural, political and economic milieu for Native peoples than was faced by African-Americans (an easy history check if doubted). Making me question the accuracy of "A Ballerina's Tale" were two comments concerning Balanchine where he was intimated to be a primary source of American ballet's supposed obsession with overly white ballerinas, yet guess who he championed - Maria Tallchief.
If it wasn't constantly conveyed that she has some African genetics (i.e. she's black), at first I thought that she was Mediterranean or perhaps near/middle East or even India subcontinent. So the biracial emphasis seemed almost displaced, and also that she was told by her mother to always check the "black" box unless it was for advantages in economic and other affirmative action assistances.
Again, strange that even though she was promoted as a trail blazer for women of color in ballet, it was only towards the end that there was acknowledgment of such women present in that art from half a century and more previously (especially in the more accepting Europe). Most egregious was the lack of mention of Maria Tallchief who went to even greater ballet acclaim world wide despite an even more discriminatory cultural, political and economic milieu for Native peoples than was faced by African-Americans (an easy history check if doubted). Making me question the accuracy of "A Ballerina's Tale" were two comments concerning Balanchine where he was intimated to be a primary source of American ballet's supposed obsession with overly white ballerinas, yet guess who he championed - Maria Tallchief.
With the subject being the first black (not Native American, or Latinx) woman to land such a hard earned position- I thought this film did a terrific job of keeping the content informative, yet appropriate for all ages. By summarizing her early childhood, and keeping the focus on her more recent acclaim, injury, rehabilitation, and return- it kept the runtime at an enjoyable level, without feeling bogged down by too much filler. I liked it so much I saw it twice when it was on Netflix last year, and I wish it was still available, as this is definitely something my 16 year old stepdaughter would enjoy.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 131 995 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 388 $US
- 18 oct. 2015
- Montant brut mondial
- 131 995 $US
- Durée
- 1h 25min(85 min)
- Couleur
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