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Emelie

  • 2015
  • Not Rated
  • 1h 22min
NOTE IMDb
5,4/10
16 k
MA NOTE
Sarah Bolger, Joshua Rush, Thomas Bair, and Carly Adams in Emelie (2015)
Trailer for Emelie
Lire trailer2:17
3 Videos
23 photos
HorreurMystèreThriller

Ajouter une intrigue dans votre langueA couple's replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities.A couple's replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities.A couple's replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities.

  • Réalisation
    • Michael Thelin
  • Scénario
    • Richard Raymond Harry Herbeck
    • Michael Thelin
  • Casting principal
    • Sarah Bolger
    • Joshua Rush
    • Carly Adams
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    16 k
    MA NOTE
    • Réalisation
      • Michael Thelin
    • Scénario
      • Richard Raymond Harry Herbeck
      • Michael Thelin
    • Casting principal
      • Sarah Bolger
      • Joshua Rush
      • Carly Adams
    • 135avis d'utilisateurs
    • 98avis des critiques
    • 62Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos3

    Emelie
    Trailer 2:17
    Emelie
    Emelie
    Trailer 2:16
    Emelie
    Emelie
    Trailer 2:16
    Emelie
    EMELIE U.S. Theatrical Trailer
    Trailer 2:16
    EMELIE U.S. Theatrical Trailer

    Photos22

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 19
    Voir l'affiche

    Rôles principaux42

    Modifier
    Sarah Bolger
    Sarah Bolger
    • Emelie
    Joshua Rush
    Joshua Rush
    • Jacob
    Carly Adams
    • Sally Thompson
    Thomas Bair
    • Christopher
    Susan Pourfar
    Susan Pourfar
    • Joyce Thompson
    Chris Beetem
    • Dan
    Randi Langdon
    Randi Langdon
    • Anna
    Bob Bozek
    Bob Bozek
    • Skinny Man
    • (as Robert Bozek)
    Dante Hoagland
    Dante Hoagland
    • Howie
    Hilary R. Walker
    • Mother
    • (as Hilary Walker)
    Annette Wilson
    Annette Wilson
    • Howie's Mom
    • (as Annette Christian)
    Elizabeth Stillwell
    Elizabeth Stillwell
    • Maggie
    • (as Elizabeth Jayne)
    Sara Kow-Falcone
    • Hostess
    Daniel James
    • Waiter
    Michael Joseph Dugan
    • Cabbie
    Brian Mysliwy
    • Officer Serinos
    Carl Bailey
    • Officer Morton
    Christopher Srock
    • Paramedic #1
    • (as Chris Srock)
    • Réalisation
      • Michael Thelin
    • Scénario
      • Richard Raymond Harry Herbeck
      • Michael Thelin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs135

    5,415.6K
    1
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    10

    Avis à la une

    5jtindahouse

    An interesting enough concept that never goes anywhere

    'Emelie' is one of those films that is a lot more fun if you just turn your brain off and don't think about it too much. Unfortunately for me I don't like to do that. It you stop and think about the whole story for a second you'll quickly realise none of it makes a whole lot of sense. Without spoiling any character's motives, I'll just say that there isn't a lot of common sense or reasoning going on, most of which is lacking in order to stretch this movie out to an already short 80 minute run time. The writing in thrillers is rarely perfect, but there has to be a limit to the amount of absurdity and foolishness you can accept.

    It's not all bad though. Sarah Bolger in the lead role did a fantastic job. She had an eerie creepiness about her character, while always keeping some charisma in the mix. The children also did a very good job, giving performances that were above average. Often in these types of movies the kids become annoying very quickly and ruin the experience, but that was never the case here. There was some potential behind all this that I think has been squandered with some sloppy writing in parts. Director Michael Thelin in his first film did a fine job with what he had to work with and can keep his head up. Tweak the script here and there and you'd have yourself a very fine thriller.
    5HorrorOverEverything

    Doesn't Really Do Anything Wrong But Fails To Do Anything New

    By reading the premise for this film I'm sure you know that this isn't going to be some edge of your seat sophisticated thriller, it is a straightforward (mostly predictable horror/thriller that entertains enough but fails to accomplish much).

    The flick started interesting enough, had me intrigued right off the bat, however from there it just kind of slows down and starts following the exact same path that many other similar movies have. As the babysitter's intentions become clear the movie got kind of bland, I just didn't really care about most of the stuff that was going on. The film managed to hold my interest enough to stop from turning the movie off but it failed to create any real tension/suspense.

    It wasn't all bad, I thought the cast did a really good job, especially the child actors who all gave very realistic performances and succeeded at not really being annoying or obnoxious at all. There were a few memorable scenes as well, one that was really unintentionally funny in my opinion.

    Overall this wasn't a bad movie, it did it's job of killing 1 hour & 20 minutes. It's just the whole thing has a very bland and familiar atmosphere that prevents it from being anything more than just another lower budget horror movie.

    5/10
    6Jared_Andrews

    Eerie, Moody Thriller

    Led by the committed performance of Sarah Bolger, 'Emelie' unfolds as a creepy and atmospheric slow burn through the first hour or so, then it shifts into a kinetic, violent thriller. It never quite becomes what I consider to be a horror flick, though certain moments will evoke horror in viewers, as the twisted babysitter torments the three siblings in increasingly unsettling ways.

    The music sets the tone early - right from the opening scene. A girl mentions to her friend on the phone that she isn't happy that she's been roped into babysitting tonight, then she's abruptly kidnapped by a passing car. Cut to a dad picking up a different girl and driving her to his house to babysit, and we immediately suspect that this "babysitter" is not who she claims to be. At first, she plays nice with the kids (two boys and a girl), returning to the oldest boy the game that his mom took away and letting them all paint on the wall. But her façade only holds up for so long. After she subjects the children to a particularly scarring video, they become suspicious of her, and I become suspicious of the film's concepts. The babysitter's goals and the film's goals are not in harmony. She wants something and needs to behave normally to get it, but the film wants to scare us, and to do that she must behave abnormally. At some point the film leans too heavily toward the scare efforts, which makes the babysitter's actions and plan far less believable. The first hour or so sets the mood. It's creepy and unnerving in a tame way that's particularly effective, but this approach is then abandoned in favor of one that resembles a more conventional violent thriller. Then we see the classic tropes: Characters make illogical, flat-out-dumb decisions and viewers are ambushed by a few jump scares. The stylistic turn mostly works but is nonetheless disappointing. The early moody creepfest had me so uncomfortable that I had to watch through the partially obstructed view of my fingers. It was cringey to the maximum. Though the second half of the film contained more action, I felt less suspense. The reveal was far less affecting than the eerie unknown.

    Perhaps if the filmmakers put a bit more effort into the babysitter's backstory and plan, the entire movie would have held together more effectively. A few alterations could have lifted this from a watchable thriller to a terrific one.
    5Seth_Rogue_One

    Shows initial promise, but does not deliver the goods

    The movie started out promising enough but once the (dodgy) motive was revealed half-way through, the logical loopholes in the plot and weaknesses overall of the script started to show and it just became rather... meh.

    And there was very little pay off in the end, it was supposed to be a thrilling ending but it just didn't work at all.

    I don't know what more to say really, it's not a whole lot you can say about it as it is such a simple movie and it's impossible to talk about the plot without spoiling it.

    But the acting was alright (Sarah Bolger will probably go on to do bigger and better things) and the cinematography was stellar, but yeah overall it just wasn't a great movie.
    5Sleepin_Dragon

    It started well, but fell apart too quickly.

    Initially I thought this film was going to be great, it was unusual, and very different. The atypical babysitter under siege horror this was not, so I applaud them for twisting the original format. Unfortunately after a bright start, where you were left wondering what on Earth was going on, it just fell really flat, the plot made virtually no sense, I mean how on Earth did she know she'd end up there? What was the point in the entire charade? It makes no sense. At times I thought the script was a little tasteless to say the least, putting kids through what she did was unnecessary at times, I didn't care much for it.

    So it's a real mixed bag, a great idea, but unfortunately the execution was poor, the acting was great and the production values were strong. Sarah Bolger was the best thing about it.

    Too many wasted opportunities. 5/10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Emelie's middle name is Medea. Medea was a Greek heroine who killed her own children.
    • Gaffes
      When Jake turns his bedside lamp off, the light clicks off before he reaches the mechanism.
    • Citations

      Jacob: No real babysitter would give us a gun to play with.

    • Connexions
      Featured in Making Emelie (2016)
    • Bandes originales
      One Way or Another
      Written by Debbie Harry and Nigel Harrison

      Performed by Until The Ribbon Breaks

      Courtesy of Peter Lawrie Winfield

    Meilleurs choix

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    FAQ

    • How long is Emelie?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 mars 2016 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Емелі
    • Lieux de tournage
      • Buffalo, New York, États-Unis
    • Sociétés de production
      • Uncorked Productions
      • Sandbar Pictures
      • ULTRAMEDIA
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 6 147 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 22 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 2.35 : 1

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    Sarah Bolger, Joshua Rush, Thomas Bair, and Carly Adams in Emelie (2015)
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    By what name was Emelie (2015) officially released in India in English?
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