Café Society
- 2016
- Tous publics
- 1h 36min
NOTE IMDb
6,6/10
84 k
MA NOTE
Dans les années 1930, un jeune homme du Bronx s'installe à Hollywood et tombe amoureux d'une jeune femme qui fréquente un homme marié.Dans les années 1930, un jeune homme du Bronx s'installe à Hollywood et tombe amoureux d'une jeune femme qui fréquente un homme marié.Dans les années 1930, un jeune homme du Bronx s'installe à Hollywood et tombe amoureux d'une jeune femme qui fréquente un homme marié.
- Réalisation
- Scénariste
- Stars
- Récompenses
- 8 nominations au total
Edward James Hyland
- Bobby's Neighbor
- (as Edward Hyland)
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Regular but cute...
I liked it, fun, adorable... I found the rhythm a little slow, the narration always helps, not to get lost in space time, but the story could captivate more, a little dragged, but cute, it lacked a little bit of chemistry, despite being a fan of the two... Jesse Eisenberg s2 Kristen...
One of Woody Allen's weaker projects
There is a lot going against this movie. Jesse Eisenberg's character comes off as a complete asshole within 10 minutes of the film, thanks to a really terrible scene between him and a Jewish hooker. None of the humor in that scene landed, which just made the situation really sad and uncomfortable to watch, and then kind of difficult to root for Eisenberg at all after that. Steve Carell isn't bad by any means, but he seems incredibly miscast in a role like this (not to say that he can't act in roles that are more serious, but this Hollywood film executive didn't really suit him). Both of the Dorfman parents come off as really awkward on screen and thus kill any of the jokes that they're meant to deliver. The only actor that gives a notable performance in this movie is Corey Stoll as the brother, but it's not enough. Kristin Stewart was mostly fine, but occasionally started picking up some of her infamous Kristin Stewartisms throughout. Carell and Eisenberg become really close out of nowhere, both of the couples' relationships are sped up by Woody Allen's narration (which doesn't really add anything to this film), and this movie is only 90 minutes long, so I feel as if they could have definitely spent more time with all of these relationships, instead of just having Woody tell us what was happening. And on top of all of this, while this is a beautiful film to look at, there is nothing new in this movie. It's another Woody Allen movie with the same romances and love triangles centered around white people who like jazz with a pretty inconclusive and unsatisfying ending.
You either get it or you dont
In my humble opinion most Woody Allen movies have a feel but some you can feel more than others and I do believe this is one of those stronger ones. Im sure it has something to do with the beautiful cinematography, scenery and costumes but also the love story was just so believable and Jessie Eisenberg and Kristen Stewart were just so genuine. Funny I don't normally even like those two actors but put them in a Woody Allen movie and it's a whole new performance. Lastly, I couldnt help but notice that most reviews on here are really good or really bad and that's most likely because you either get his movies or you don't. And I really got this one.
Beautiful Visuals and Charming Performances!!
The movie "Café Society" is a romantic comedy-drama and it follows a young man who moves to Hollywood in the 1930s and falls in love with his uncle's assistant. Woody Allen has once again delivered an excellent plot with his signature ingredients: Jewish characters, the mob, family dynamics, infidelity, jazz music, and the glamorous underworld of Hollywood studios and New York bars.
The always-Italian Vittorio Storaro's stunning cinematography brings back the nostalgia of the 1930s. The movie's big surprise is two newcomers at the time: Jesse Eisenberg as Bobby and Kristen Stewart as Vonnie, who manage to convey all the chemistry of lovers in doubt.
The movie has its ups and downs, but it manages to keep the viewer engaged until the end. Allen skillfully avoids falling into the trap of predictable and clichéd endings that are common in other Hollywood movies.
The always-Italian Vittorio Storaro's stunning cinematography brings back the nostalgia of the 1930s. The movie's big surprise is two newcomers at the time: Jesse Eisenberg as Bobby and Kristen Stewart as Vonnie, who manage to convey all the chemistry of lovers in doubt.
The movie has its ups and downs, but it manages to keep the viewer engaged until the end. Allen skillfully avoids falling into the trap of predictable and clichéd endings that are common in other Hollywood movies.
It was a very romantic look at a moment in time.
I myself am a sucker for a movie that gives a take on old school Hollywood and Woody Allen did a beautiful job with Cafe Society.
The cinematography on this one did a great job of capturing the feel of 1930s California and New York city. I can't get over how beautiful this thing was shot. A knock out combination of lights setting and music to bring out the mood.
And the jazz numbers that lace this flick did just that for setting that beautiful tone
Jesse Eisenberg started off a little too much Woody Allen at first (one particular scene in the beginning that acts like a hilarious sketch routine, where Jesse's character Bobby buys a hooker). It did get some getting use to, before it became his own thing.
Corey Stoll's character Ben, a though Jew who becomes a night club owner, whole involvement in the film taste like Scorsese light, which only made it even that more interesting.
It's a good Woody Allen comedy,but They are all good to me. If you like one you like them all (but I'm more partial to the ones he does not star in, like this one), and it's super impressive he does one of these on annual basis and he's able keep the quality constant.
It'a funny film with laugh out loud moments, and very crafty narrative narrated by Allen himself. This movie is just another love letter with the city he loves (and a thoughtful P.S you're OK too California), and makes Woody feel like such a helpless romantic, but that's what makes the movie so good to watch.
http://cinemagardens.com/?p=55
The cinematography on this one did a great job of capturing the feel of 1930s California and New York city. I can't get over how beautiful this thing was shot. A knock out combination of lights setting and music to bring out the mood.
And the jazz numbers that lace this flick did just that for setting that beautiful tone
Jesse Eisenberg started off a little too much Woody Allen at first (one particular scene in the beginning that acts like a hilarious sketch routine, where Jesse's character Bobby buys a hooker). It did get some getting use to, before it became his own thing.
Corey Stoll's character Ben, a though Jew who becomes a night club owner, whole involvement in the film taste like Scorsese light, which only made it even that more interesting.
It's a good Woody Allen comedy,but They are all good to me. If you like one you like them all (but I'm more partial to the ones he does not star in, like this one), and it's super impressive he does one of these on annual basis and he's able keep the quality constant.
It'a funny film with laugh out loud moments, and very crafty narrative narrated by Allen himself. This movie is just another love letter with the city he loves (and a thoughtful P.S you're OK too California), and makes Woody feel like such a helpless romantic, but that's what makes the movie so good to watch.
http://cinemagardens.com/?p=55
Le saviez-vous
- AnecdotesThis is the first film since Twilight: Chapitre 1 - Fascination (2008) that Kristen Stewart had to audition for to win the role.
- GaffesWhen Bobby comes to Phil's house and Phil tells him he is getting a divorce, there is a brief glimpse of the modern-day LA skyline in the upper right hand corner of the screen behind Phil.
- Bandes originalesI Didn't Know What Time It Was
Composed by Richard Rodgers & Lorenz Hart
Performed by Benny Goodman and His Orchestra
Courtesy of RCA Records
By arrangement with Sony Music Licensing
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- How long is Café Society?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 103 205 $US
- Week-end de sortie aux États-Unis et au Canada
- 359 289 $US
- 17 juil. 2016
- Montant brut mondial
- 43 763 247 $US
- Durée
- 1h 36min(96 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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