NOTE IMDb
7,1/10
41 k
MA NOTE
L'histoire de Ruth Bader Ginsburg, ses luttes pour l'égalité des droits et ce qu'elle a dû surmonter pour devenir juge à la Cour suprême des États-Unis.L'histoire de Ruth Bader Ginsburg, ses luttes pour l'égalité des droits et ce qu'elle a dû surmonter pour devenir juge à la Cour suprême des États-Unis.L'histoire de Ruth Bader Ginsburg, ses luttes pour l'égalité des droits et ce qu'elle a dû surmonter pour devenir juge à la Cour suprême des États-Unis.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 12 nominations au total
Francis X. McCarthy
- Judge Daugherty
- (as Francis Xavier McCarthy)
Avis à la une
Most bad critics about this movie (which led me to postpone it too long) are based on a confusion. This is not a biopic about R.B.G. This is a movie about her early years in law school and her first case. It's meant to show the kind of woman she was and her struggle for equality. That's it. If you want a bio, go watch a documentary, or even better, go read a book
Now, I don't know much about RGB (I'm not from the U.S.) so I can't speak to the historical accuracy of the movie.But from an entertainment point of view, I quite liked it. Felicity Jones delivers a good performance (and I'm not much of a fan of her), as does the rest of the cast. I didn't find anything "terrible" about the script either.
I would totally recommend it. It may not be a complete biography, but it draws attention to RGB, and it will probably lead more than one to search for more about her.
Now, I don't know much about RGB (I'm not from the U.S.) so I can't speak to the historical accuracy of the movie.But from an entertainment point of view, I quite liked it. Felicity Jones delivers a good performance (and I'm not much of a fan of her), as does the rest of the cast. I didn't find anything "terrible" about the script either.
I would totally recommend it. It may not be a complete biography, but it draws attention to RGB, and it will probably lead more than one to search for more about her.
"Women have been losing the same argument for 100 years!" Ruth Bader Ginsberg (Felicity Jones)
Concerning sexual equality, the above quote best expresses the feisty young lawyer, RBG, and her early fight through the courts to overturn a tax code provision that discriminated against men. Thanks to her husband, Marty (Armie Hammer), who found a discriminatory clause in the code, she was able to fight on behalf of her client and therefore women in their ambition to be equal.
On the Basis of Sex is an entertaining and informative docudrama not only about her early days at Harvard Law and as a mother and professor, but also the daunting task women had of competing with men for professional jobs that were denied them uniformly and openly. To see RBG denied legal job after legal job is almost to feel the anxiety this top-of-her-class graduate endured in finally taking a job as a professor by default.
Her eventual success in the tax case came not in a Hollywood glamorous moment but slowly after grinding research and disappointments in the court room. Anyone in law school should see this carefully crafted drama for the truths it tells about the hard work it was for this diminutive battler. Helping Marty defeat cancer was just another battle the future Supreme Court Justice would fight and eventually win but not easily.
On the Basis of Sex is an old-fashioned courtroom drama about a judicial titan whose life is still inspiring as she approaches its end. "He's not going to take me seriously," she says in an early encounter with a judge. We know how that turns out for liberalism's "Obi Wan Kenobi."
Concerning sexual equality, the above quote best expresses the feisty young lawyer, RBG, and her early fight through the courts to overturn a tax code provision that discriminated against men. Thanks to her husband, Marty (Armie Hammer), who found a discriminatory clause in the code, she was able to fight on behalf of her client and therefore women in their ambition to be equal.
On the Basis of Sex is an entertaining and informative docudrama not only about her early days at Harvard Law and as a mother and professor, but also the daunting task women had of competing with men for professional jobs that were denied them uniformly and openly. To see RBG denied legal job after legal job is almost to feel the anxiety this top-of-her-class graduate endured in finally taking a job as a professor by default.
Her eventual success in the tax case came not in a Hollywood glamorous moment but slowly after grinding research and disappointments in the court room. Anyone in law school should see this carefully crafted drama for the truths it tells about the hard work it was for this diminutive battler. Helping Marty defeat cancer was just another battle the future Supreme Court Justice would fight and eventually win but not easily.
On the Basis of Sex is an old-fashioned courtroom drama about a judicial titan whose life is still inspiring as she approaches its end. "He's not going to take me seriously," she says in an early encounter with a judge. We know how that turns out for liberalism's "Obi Wan Kenobi."
A documentary is a documentary and a movie inspired by real events is just that. Each stand alone. RBG is an outstanding documentary to which On the Basis of Sex should not be compared. Yes, the movie is old fashioned reminding one of the classic movies of the 40s. So what. The subject matter is still timely even more so in the climate we are now living in...unfortunately there are probably many who want to go back to the "great" pre-Ginsburg days.
8tavm
This movie depicts future Supreme Court justice Ruth Bader Ginsburg as first a law student with her husband also entering the profession during the '50s. Then it segues to the early '70s as she finally tries a case. This was quite a compelling drama of her life and career during those times I just mentioned. Especially when it explores some of their family life. My mom enjoyed this as well. So on that point, we heartily recommend On the Basis of Sex.
The education and early career of U.S. Supreme Court Justice Ruth Bader Ginsburg, the first woman to sit on the highest court in America, is captured in this film. It stars Felicity Jones as the young woman who attended Harvard Law School with her husband (Armie Hammer) and went on to become one of the preeminent legal minds of her era.
The film centers on how Ginsburg was initially instrumental and ultimately essential in an appellate case that helped pave the way for gender discrimination in federal law being eradicated. Along with her husband, she worked on the appeal with the ACLU, heralded by Mel Wulf (Justin Theroux), a liberal with complicated principles. Kathy Bates makes a nice turn as a famous, hardened civil rights litigator who failed in some earlier cases. Sam Waterston is a welcome presence as the outwardly progressive but inwardly parochial Erwin Griswold, Dean of Harvard Law during Ginsburg's years as a student.
Jones shines in the role of the young Ginsburg, a dedicated, steadfast attorney who was undaunted by the entrenched views on gender in academia, the workplace and ultimately in the courts. She spends most of the film grappling with these challenges but all the while never letting go of her core principles and dedication to the law.
Although this film occasionally lurches into Oscar bait territory, it makes for a good portrayal of a woman who became a true pioneer in the history of gender equality and a good starting point to get to know Justice Ginsburg from where she started. Recommended.
The film centers on how Ginsburg was initially instrumental and ultimately essential in an appellate case that helped pave the way for gender discrimination in federal law being eradicated. Along with her husband, she worked on the appeal with the ACLU, heralded by Mel Wulf (Justin Theroux), a liberal with complicated principles. Kathy Bates makes a nice turn as a famous, hardened civil rights litigator who failed in some earlier cases. Sam Waterston is a welcome presence as the outwardly progressive but inwardly parochial Erwin Griswold, Dean of Harvard Law during Ginsburg's years as a student.
Jones shines in the role of the young Ginsburg, a dedicated, steadfast attorney who was undaunted by the entrenched views on gender in academia, the workplace and ultimately in the courts. She spends most of the film grappling with these challenges but all the while never letting go of her core principles and dedication to the law.
Although this film occasionally lurches into Oscar bait territory, it makes for a good portrayal of a woman who became a true pioneer in the history of gender equality and a good starting point to get to know Justice Ginsburg from where she started. Recommended.
Le saviez-vous
- AnecdotesDaniel Stiepleman - the writer of the film - is Ruth Bader Ginsburg's nephew.
- GaffesIn the ACLU office, Dorothy Kenyon tells Mel Wulf about a letter Abigail Adams wrote to John Adams in 1776 saying "As you write this new constitution, remember the ladies."
The Constitutional Convention happened in 1787. In 1776, John Adams was involved with writing the Declaration of Independence.
- Citations
Professor Freund: A court ought not be affected by the weather of the day, but will be by the climate of the era.
- Crédits fousThe closing credits include some "What happened to . . . " of the characters.
- ConnexionsFeatured in The IMDb Show: Take Five With Felicity Jones (2019)
- Bandes originalesTen Thousand Men of Harvard
Written by Alfred Putnam and Murray Taylor
Performed by the Harvard University Band and the Harvard Glee Club
By arrangement with the Harvard University Band and the Harvard Glee Club
Meilleurs choix
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- How long is On the Basis of Sex?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La voz de la igualdad
- Lieux de tournage
- 276 St-Jaques West, Old Montréal, Canada(Office scene with a young Ruth Bader Ginsburg)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 24 704 837 $US
- Week-end de sortie aux États-Unis et au Canada
- 686 355 $US
- 30 déc. 2018
- Montant brut mondial
- 38 755 968 $US
- Durée
- 2h(120 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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