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IMDbPro

Un jour avec, un jour sans

Titre original : Ji-geum-eun-mat-go-geu-ddae-neun-teul-li-da
  • 2015
  • Tous publics
  • 2h 1min
NOTE IMDb
7,1/10
5,3 k
MA NOTE
Un jour avec, un jour sans (2015)
Trailer for Right Now, Wrong Then
Lire trailer1:43
2 Videos
12 photos
DrameRomance

Un réalisateur marié tombe amoureux d'une jeune femme peintre -- deux fois.Un réalisateur marié tombe amoureux d'une jeune femme peintre -- deux fois.Un réalisateur marié tombe amoureux d'une jeune femme peintre -- deux fois.

  • Réalisation
    • Hong Sang-soo
  • Scénario
    • Hong Sang-soo
  • Casting principal
    • Jeong Jae-yeong
    • Kim Min-hee
    • Youn Yuh-jung
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    5,3 k
    MA NOTE
    • Réalisation
      • Hong Sang-soo
    • Scénario
      • Hong Sang-soo
    • Casting principal
      • Jeong Jae-yeong
      • Kim Min-hee
      • Youn Yuh-jung
    • 15avis d'utilisateurs
    • 85avis des critiques
    • 81Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 15 victoires et 12 nominations au total

    Vidéos2

    Right Now, Wrong Then
    Trailer 1:43
    Right Now, Wrong Then
    RIGHT NOW, WRONG THEN Official Trailer
    Trailer 1:42
    RIGHT NOW, WRONG THEN Official Trailer
    RIGHT NOW, WRONG THEN Official Trailer
    Trailer 1:42
    RIGHT NOW, WRONG THEN Official Trailer

    Photos11

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    Rôles principaux8

    Modifier
    Jeong Jae-yeong
    Jeong Jae-yeong
    • Ham Cheon-soo
    • (as Jae-yeong Jeong)
    Kim Min-hee
    Kim Min-hee
    • Yoon Hee-jeong
    Youn Yuh-jung
    Youn Yuh-jung
    • Duk-soo Kang
    • (as Yeo-jeong Yoon)
    Gi Ju-bong
    Gi Ju-bong
    • Won-ho Kim
    Choi Hwa-jeong
    • Soo-young Bang
    • (as Hwa-Jeong Choi)
    Yoo Joon-sang
    Yoo Joon-sang
    • Ahn Seong-gook
    Seo Young-hwa
    Seo Young-hwa
    • Joo Yeong-sil
    Ko Ah-sung
    Ko Ah-sung
    • Yeom Bo-ra
    • Réalisation
      • Hong Sang-soo
    • Scénario
      • Hong Sang-soo
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    7,15.2K
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    10

    Avis à la une

    8BrendanMichaels

    Modern Day Ozu

    Maybe it's because I haven't seen any of Sang-soo's other films but Right Now, Wrong Then left me cold and unimpressed. I can see the appeal this film has but I personally found the film a tad annoying. It feels more like a South Korean remake of The Disappearance of Eleanor Rigby that admittedly was more interesting than The Disappearance of Eleanor Rigby. I was also surprised to see Lady Hideko here. Kim Min- Hee is one of few things that are great about the film, even if she wasn't as impressive as she was in The Handmaiden. If you like the director you might like Right Now, Wrong Then but I was overall just left cold with the film.
    8dmdebruyn

    My first Sang-soo

    For the last few months, I'd read about Hong Sang-soo and his movies, and they sounded very appealing. There was a lot of hearsay about his body of work that drew me to him: His movies have a slice-of-life feel to them, his shooting style is minimalist, his annual output is two or three movies a year, and his movies are on some level closely tied to his life experiences. I have a huge affinity for these qualities at the present, so I knew sooner or later I had to watch his movies.

    Watching this has instantly made me a fan. There is much to love about it: Chance encounters, cigarette smoking, drunken hangouts; cringey but moving outpourings of feelings; mutual and one-sided instances of platonic and romantic connectivity; naturalistic acting, long takes, zooms; and to top it all off, a story that gets told twice with glaring and subtle differences in the second telling. Really great stuff. It's everything I want in a movie.

    But what I really appreciate is the vulnerability and openness this movie presents. It presents being honest as important and it shows how in a gentle way.

    The bar scene in the second half was just wonderful.
    8Sergeant_Tibbs

    Heartfelt experiment.

    Right Now, Wrong Then is a film of two distinct halves. In 2 days of the life of a filmmaker, Ham Cheon-soo, in town a day early for a screening of his latest work at a local film festival. He meets a younger woman, Yoon Hee-Jeong, and immediately falls for her. She's an artist, and he views and comments on her work, then they go out to dinner where they drunkenly bear their souls. It results in an invitation to a friend's small party where a revelation embarrasses Ham to the point where they part ways on a sour note. He attends his film to a small crowd, conducts a hungover Q&A, and retires, walking away from the town for good. Roll title card "Right Now" rather than "Right Then." The film literally repeats from the beginning, erasing the first half. Like Groundhog Day but only a once-over, we get every scene again but from a slightly different wishful approach.

    This second time the couple are honest, unlike the first time where Ham tries too hard to impress and Yoon retreats. Again, they fall in love, but given Ham admits to already being married, their feelings are mutual and emotional without being sexual. He may embarrass himself once more at the aforementioned dinner, but it does not result in a cruel parting, instead drawing them closer. It's a quaint experiment given the relaxed tone. The first half on its own is not a movie, and neither is the second. They're co-dependent to give the narrative meaning, but it's far from cinematic in tone. It's a filmmaker's revisionism of what could have been a perfect evening had the characters acted suitably. It's honest, rather than romantic – though the chemistry still bubbles in the air – and it's utterly bittersweet, in a similar vein to Before Sunrise, but strictly not Before Sunset.

    It's my first film from Korean director Hong Sang-soo and ostensibly from his fans and critics, Right Now Wrong Then is firmly his style – including the Woody Allen-esque romance between an older creative similar to the director himself, and a pretty younger woman. The atmosphere is very modest with simple photography, though Sang-soo does punctuate some scenes with careful zooms. It's very easy-going filmmaking, and its concept makes the second half easier to watch because you know exactly where it's heading as it retraces steps while you have a sharp eye out for the subtle changes that make all the differences, but it doesn't beg you to keep an eye on every detail. Those differences aren't grandstanding though the narrative is clearly motivated by them. Sometimes a scene will repeat its approach entirely despite the previous scene being radically revised. It's trying to be very nuanced rather than having a 'sliding doors/butterfly effect' where causality makes the universe shift places.

    Instead, the outcome isn't much different but the overall feeling is utterly converted. It's all down to the performances of its two leads, Jeong Jae-Yeong and Kim Min-Hee, to create that tone with their chemistry, who were most likely shooting both halves back to back, location by location. In both halves, Ham is still a jerk with a kind of irritating laugh, but all the characters are deeply human even if Sang-soo doesn't peel back their layers every time. There's a big heart buried in its very slight execution. However, Right Now Wrong Then is not necessarily about how honesty is a better policy – though Ham's harsh analysis of Hee-Jeong's art in the second half remains a sting that takes a long time to settle – but it's about how it's possible to love again. In this case, love doesn't have to be a complete turbulous affair, but it can still be a fulfilling and life-affirming night if approached accordingly.

    8/10
    6paulo-m-a-gominhas

    Enjoyable watch with some drawbacks

    Going into this movie knowing nothing but the summary I was filled with high hopes, wondering what route the movie was going to take, or how it would tackle the much used topic of "love" and "loneliness". Such hope, unfortunately, soon fell short and turned into disappointment.

    "Right Now, Wrong Then" poses a simple yet intriguing plot. A man meets a women out of chance, and they start talking. Having such a basic and linear story, the director goes to great lengths to subvert the narrative. The first half, constituting what can probably be described as a "realist" perspective on chance encounters between strangers, end up with disillusionment and leaves the audience with a feeling of lingering loneliness all around. The main characters start alone, and they end alone. The second half is akin to a "hopeful" or "illusioning" twist in the story. All the events are the same, except for how the main characters act, with their qualities being more transparent, honest, and virtuous. In the same way that the movie finishes "lost" in the snowfall, so do we as spectators end wondering which of the halves corresponded to the "truth".

    In all these respects the movie poses an interesting twist to traditional love stories. However, upon finishing, I was left feeling as though the potential was lost. Albeit naturally awkward, some of the interactions between the main characters feel out of place and purposefully dragged to fill up time. A stark example of this is how in both halves of the movie, the director almost forces Yoon Hee-jeong to go for a coffee. Sure, it could be argue his attitude is explained by his yearning for companionship, however, in my opinion, it showed him as essentially instrumentalizing others for his own ends, making it difficult to relate.

    All in all, Hong Sang-soo delivers an entertaining and promising movie, albeit without reaching its full potential.
    7gelobter

    A moral tale

    This film won the Golden Leopard (Best Film award) at the 2015 Locarno Film Festival. By mistake, a film director arrives in a town a day early to attend a screening of one of his films. With time to kill, he strikes up a conversation with an aspiring painter who he meets in a temple and they spend the rest of the day together. Although he finds her attractive, she is considerably younger than him and neither of them are particularly outgoing. A bit like Sliding Doors or Kieslowski's Blind Chance, the film splits into two different versions of what happens over the next 24 hours but, unlike those two films, the outcome depends not so much on chance but on how the main character chooses to behave. Any further info would inevitably contain spoilers so let's just say that it reminded me of some of Erich Roemer's films and is a sort of moral tale. Whether or not you will like Right Now, Wrong Then will probably depend on what you think of the dialogue, which pretty much dominates (there is not much action and little in the way of visuals or soundtrack). In my view, it is almost a really good film but the script needed sharpening up, as my attention started wandering off more than once. Perhaps a bit more humour and a slightly faster pace would have helped, However, it is a thought-provoking film and I found it ultimately satisfying when it ended, which is why I give it 7/10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In every scene in which the characters are drunk the actors are actually drunk as well.
    • Citations

      Ham Cheon-soo: Try to discover something every second of every day, from everything around you.

    • Crédits fous
      Title card of the film is seen twice. In the first place, it reads as 'Right Then, Wrong Now'; and in the second (an hour into the film) as 'Right Now, Wrong Then'.
    • Connexions
      Features Hill of Freedom (2014)

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    FAQ

    • How long is Right Now, Wrong Then?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 février 2016 (France)
    • Pays d’origine
      • Corée du Sud
    • Sites officiels
      • Official Facebook
      • Official site (Japan)
    • Langue
      • Coréen
    • Aussi connu sous le nom de
      • Right Now, Wrong Then
    • Lieux de tournage
      • Corée du Sud
    • Société de production
      • Jeonwonsa Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut aux États-Unis et au Canada
      • 24 470 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 5 291 $US
      • 26 juin 2016
    • Montant brut mondial
      • 680 728 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 1 minute
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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