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7,3/10
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MA NOTE
Des rats en mal d'amour, des pigeons doutant de leur sexualité et des punaises angoissées par la mort ont des conversations gênées et des problèmes existentielles qui ressemblent étrangement... Tout lireDes rats en mal d'amour, des pigeons doutant de leur sexualité et des punaises angoissées par la mort ont des conversations gênées et des problèmes existentielles qui ressemblent étrangement aux nôtres.Des rats en mal d'amour, des pigeons doutant de leur sexualité et des punaises angoissées par la mort ont des conversations gênées et des problèmes existentielles qui ressemblent étrangement aux nôtres.
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- 1 victoire et 1 nomination au total
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...which I watched in its entirety yesterday. I came across the show quite by accident. I was flipping through channels when HBO's Animals caught my eye. I figured it was going to be another attempt at stealing South Park's thunder as kings of adult cartoons. I was wrong. Like South Park, the minimalist animation keeps the focus on the dialogue which is a social commentary on sibling rivalry, sexual identity, steroids, bullying, how the roots of traditions need to be tested, and just some situations that show how people - shown as animals - in different phases of life deal with situations in general. The show has an improvisational spirit, and everything said has a reaction that is hilarious, but not in a staged or forced way.
Each episode of the first season is named after the primary animal that is the focus - "Squirrels", "Rats", "Cats", "Dogs", etc. All of them are living in New York City. In parallel with these animals dealing with what is for the most part, every day life, there is an ugly tale of human life going on in which there is corruption in high places, adultery, and murder. The humans never speak in recognizable words. They just speak gibberish like the adults in Charlie Brown do - "wah wah wah blah blah" - or something similar. It is the animals who speak and often eloquently so. Only in the last episode does the ugly tale of human behavior that has been building in all of the episodes intersect with the stories of the animals, and then in the most ironic way possible.
Each episode of the first season is named after the primary animal that is the focus - "Squirrels", "Rats", "Cats", "Dogs", etc. All of them are living in New York City. In parallel with these animals dealing with what is for the most part, every day life, there is an ugly tale of human life going on in which there is corruption in high places, adultery, and murder. The humans never speak in recognizable words. They just speak gibberish like the adults in Charlie Brown do - "wah wah wah blah blah" - or something similar. It is the animals who speak and often eloquently so. Only in the last episode does the ugly tale of human behavior that has been building in all of the episodes intersect with the stories of the animals, and then in the most ironic way possible.
10mzachry
My first experience with this show happened about a year ago. I was in the hospital recovering from a life-threatening medical emergency. Was loopy from medications and alternating between consciousness and Lala land.
Hospital TV had HBO, and an Animals marathon was playing. I didnt know if was a real show or a dream. But the dialogue had me tuned in on some level. So smart. Now it's one of my favorite shows.
Hospital TV had HBO, and an Animals marathon was playing. I didnt know if was a real show or a dream. But the dialogue had me tuned in on some level. So smart. Now it's one of my favorite shows.
Happened about this show totally by happenstance. Looking for something to watch while at the office. Gave it a shot just based on the sheer volume of funny people associated with it. 100% glad I found it. Overarching human (no voices)story is dark and twisted, but the animal stories weaved within are funny and cleverly done by some of the funniest in the biz. I think the animation is actually underappreciated. While the animation in is simple in its motions, the artistic style and detail is very well done. Give this show a shot for sure. It is a strange but inventive and funny show.
I've never written a review before but felt I had to for this program due to how under the radar it is and how most people I'm assuming would just pass over it. I'm from the UK so the fact I've sent this is by pure coincidence but I never turned back. From the get go I knew this was going to be different and I could understand if you wanted to leave it after the first episode but please see its potential. If you follow through with this program it evolves in to something so unique and actually quite relevant in a way. Don't just dismiss this program as trying to be funny in a new way. It was picked up for a reason and the writers have obviously got a message in mind. Give it a go and be more open minded. I will definitely be putting this on my list of things you must see before your die but would recommend seeing asap as it's very relevent to the times we are living in now.
"Animals" is a show that I can see those less keen on understatement and subtlety being confused and angered by, and try-hard critics taking easy punches at, but don't be fooled, what you have here is a nice, smooth stone, even if it's in a bed of jagged rocks.
The animation budget of three pennies and a moldy piece of bread is initially off-putting, but it serves its purpose, as with shows like this and Bojack Horseman, the main reason it's even in animation to begin with has to do with something in the overall concept being something that would just be too ugly or downright offensive to look at if it were live action. If this were live action what would it be? Best case scenario would be the actors wearing costumes while in meticulously built sets, both of which cost more money than the wages of a small team of animators. So instead of going that route or the route of making a high budget, highly animated series, with lots of pomp and flash, tightening all the Animation enthusiasts pants, it went with the more sensible and budget-conscious route, knowing that it would still be successful on a technical level, and read well visually.
This show knows that everything in it needs to ride on the dialogue, because HBO doesn't give a *poo* about animation, and usually kills off low-rated comedies after only a couple seasons. And that's what it does right. The characters in this are easily relatable, animal characters, in easily relatable, human situations. I AM PHIL. I KNOW FINK, AND I *frigging* HATE FINK. And these characters, in the hands of writers who know just what makes everyday life so laughable, and what makes peering into everyday life through the eyes of an animal remind you how different we really aren't. We all make mistakes. We're all *frigging* idiots. But even still, we try every day to be better. Or we don't. Sometimes we don't want to be better, so we just try something different. The only difference is that when an animal like a pigeon makes a mistake, it's likely to cost him his life.
Now this, in and of itself isn't terribly difficult to write, just look around you and give it your take. That's the first lesson in writing. Its ceiling for hilarity also isn't exactly high, and a lot of things that make us human don't make for very highbrow entertainment: everybody poops, everybody has sex, everybody eats food, and everybody dies. So it does lose some points there, if only for being unoriginal in a narrative style which inherently makes everything seem unoriginal.
But that said, this kind of narrative still needs to exist in some form in television, and if it didn't, then TV would just be a cold, emotionally distant box with laughing and colorful bright lights. And if something needs to fill that space, then I'd still take this over the tired and uninspired likes of modern "Simpsons", "Family Guy/American Dad/The Cleveland Show", and whatever Comedy Central is trying to push to us this season (at time of writing, "Moonbeam City" comes to mind)
In summation, "Animals" knows exactly what it is trying to be, so it pulls out all the stops and goes for broke on a channel where if you use too many dimes, you'll be dropped like a bunch of nickles right on your pennies. That said, it would make a nice quarterly comic, even if nobody would ever notice it. And I'd pay a dollar for that.
The animation budget of three pennies and a moldy piece of bread is initially off-putting, but it serves its purpose, as with shows like this and Bojack Horseman, the main reason it's even in animation to begin with has to do with something in the overall concept being something that would just be too ugly or downright offensive to look at if it were live action. If this were live action what would it be? Best case scenario would be the actors wearing costumes while in meticulously built sets, both of which cost more money than the wages of a small team of animators. So instead of going that route or the route of making a high budget, highly animated series, with lots of pomp and flash, tightening all the Animation enthusiasts pants, it went with the more sensible and budget-conscious route, knowing that it would still be successful on a technical level, and read well visually.
This show knows that everything in it needs to ride on the dialogue, because HBO doesn't give a *poo* about animation, and usually kills off low-rated comedies after only a couple seasons. And that's what it does right. The characters in this are easily relatable, animal characters, in easily relatable, human situations. I AM PHIL. I KNOW FINK, AND I *frigging* HATE FINK. And these characters, in the hands of writers who know just what makes everyday life so laughable, and what makes peering into everyday life through the eyes of an animal remind you how different we really aren't. We all make mistakes. We're all *frigging* idiots. But even still, we try every day to be better. Or we don't. Sometimes we don't want to be better, so we just try something different. The only difference is that when an animal like a pigeon makes a mistake, it's likely to cost him his life.
Now this, in and of itself isn't terribly difficult to write, just look around you and give it your take. That's the first lesson in writing. Its ceiling for hilarity also isn't exactly high, and a lot of things that make us human don't make for very highbrow entertainment: everybody poops, everybody has sex, everybody eats food, and everybody dies. So it does lose some points there, if only for being unoriginal in a narrative style which inherently makes everything seem unoriginal.
But that said, this kind of narrative still needs to exist in some form in television, and if it didn't, then TV would just be a cold, emotionally distant box with laughing and colorful bright lights. And if something needs to fill that space, then I'd still take this over the tired and uninspired likes of modern "Simpsons", "Family Guy/American Dad/The Cleveland Show", and whatever Comedy Central is trying to push to us this season (at time of writing, "Moonbeam City" comes to mind)
In summation, "Animals" knows exactly what it is trying to be, so it pulls out all the stops and goes for broke on a channel where if you use too many dimes, you'll be dropped like a bunch of nickles right on your pennies. That said, it would make a nice quarterly comic, even if nobody would ever notice it. And I'd pay a dollar for that.
Le saviez-vous
- AnecdotesA large majority of the show's dialogue is improvised.
- ConnexionsFeatured in MsMojo: Top 10 Animated Shows You Should be Watching (2018)
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- How many seasons does Animals. have?Alimenté par Alexa
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