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6,3/10
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MA NOTE
Ajouter une intrigue dans votre langueAfter Jane falls into a state of despair over her schizophrenia, she encounters new sources of love and life with surprising results.After Jane falls into a state of despair over her schizophrenia, she encounters new sources of love and life with surprising results.After Jane falls into a state of despair over her schizophrenia, she encounters new sources of love and life with surprising results.
- Récompenses
- 3 victoires et 7 nominations au total
Robert Aramayo
- Lover
- (voix)
Kas Meghani
- Lisa-Examiner
- (générique uniquement)
Avis à la une
Ive got mixed feelings for this movie. Acting is superb.
Plot is about seriously ill person. Its very hard movie to watch, after 1/3 of movie I wanted to switch of, because it felt so dark. I watched it till end just because wanted to understand whats in persons mind with this illness and how it affects family and siblings. There was something missing in movie.
But it was emotionally intense, I cried, then smiled. It's deeply touching.
But i don't watch this movie again. It's too " heavy " and something missing to be great movie.
Plot is about seriously ill person. Its very hard movie to watch, after 1/3 of movie I wanted to switch of, because it felt so dark. I watched it till end just because wanted to understand whats in persons mind with this illness and how it affects family and siblings. There was something missing in movie.
But it was emotionally intense, I cried, then smiled. It's deeply touching.
But i don't watch this movie again. It's too " heavy " and something missing to be great movie.
The abstractions of mental illness presented in a truly original way with jaw dropping performances by all the cast but an out of this world portrayal of the tortured Jane by Sally Hawkins.
Greetings again from the darkness. There is an odd line early on in which the psychologist says, "Don't fight depression. Make friends with it." What makes this an odd line is that Jane is a paranoid schizophrenic, and depression doesn't seem to be a driving force in her life. Craig Roberts wrote and directed the film (his second feature as director). You might know Mr. Roberts as an actor. He played the lead in SUBMARINE (2010). His approach as a filmmaker is one that keeps the audience off-balance; in fact, we can simply state this one is weird.
Sally Hawkins (THE SHAPE OF WATER, 2017) plays Jane. She lives on her own thanks to medication. Her family is present, though not especially supportive. A flashback takes us to Jane's wedding day where a younger Jane is played by Morfyyd Clark (THE PERSONAL HISTORY OF DAVID COPPERFIELD, 2020). Jane is spurned on her wedding day by her husband-to-be, and it pushes her over the edge emotionally and mentally.
An early scene gives us a peek at current day Jane. She brings wrapped Christmas presents to her parents' house, and promptly hands over the receipts to each family member. She purchased her own gifts, acts surprised and grateful as she opens them, and expects her parents and sisters to repay her for the gifts. It's quite a scene.
We follow Jane through her days as she seems to drift in and out of awareness and reality. She periodically hears her phone ring, and by answering she hears the voice of her former fiancé. The red phones match the phone she was on during her last conversation with him on her wedding day. It's her most painful and visceral memory, and one that Jane can't seem to overcome.
Relationships between the parents and the sisters are quite something to behold. Penelope Wilton (THE BEST EXOTIC MARIGOLD HOTEL, 2011) is the mother prone to cruelty and confusion, whereas the father (Robert Pugh, MASTER AND COMMANDER) nearly fades into the wallpaper, though seems more empathetic. Jane's sisters Nicola and Alice are played by Billie Piper ("Penny Dreadful") and Alice Lowe (GET DUKED!, 2020). Nicola envies Jane's ability to collect free money (disability), while Alice is estranged from their mother, and claims her "normal" life is boring.
When Mike (David Thewlis from Charlie Kaufman's latest, I'M THINKING OF ENDING THINGS) enters the picture, it's like a jolt of electricity from touching the wrong wire. Mike is somehow stranger than Jane, yet they manage to connect. As an example of the film's odd dialogue, when Jane asks Mike how things are going, he responds, "Things were looking up for a few weeks, a couple years back." That's the type of exchange we deal with throughout, and it takes an inordinate amount of energy to process what we see and hear.
One shot from cinematographer Kit Fraser is a particular standout. It comes from inside a microwave, replete with rotisserie base and Jane's face peering through the glass. There are numerous moments we've not previously seen or heard in movies ... like the doctor clarifying if the patient is "fine or good". Ms. Hawkins delivers another strange, but affecting performance ... something she has mastered over the years. She always makes the character hers, and makes us care about her. An added bonus is hearing Ricky Nelson sing "I Will Follow You" ... slightly more soothing than David Thewlis' frantic electric guitar performance. It seems certain that filmmaker Roberts agrees that normal is boring, and he ensures his film and characters are not.
Sally Hawkins (THE SHAPE OF WATER, 2017) plays Jane. She lives on her own thanks to medication. Her family is present, though not especially supportive. A flashback takes us to Jane's wedding day where a younger Jane is played by Morfyyd Clark (THE PERSONAL HISTORY OF DAVID COPPERFIELD, 2020). Jane is spurned on her wedding day by her husband-to-be, and it pushes her over the edge emotionally and mentally.
An early scene gives us a peek at current day Jane. She brings wrapped Christmas presents to her parents' house, and promptly hands over the receipts to each family member. She purchased her own gifts, acts surprised and grateful as she opens them, and expects her parents and sisters to repay her for the gifts. It's quite a scene.
We follow Jane through her days as she seems to drift in and out of awareness and reality. She periodically hears her phone ring, and by answering she hears the voice of her former fiancé. The red phones match the phone she was on during her last conversation with him on her wedding day. It's her most painful and visceral memory, and one that Jane can't seem to overcome.
Relationships between the parents and the sisters are quite something to behold. Penelope Wilton (THE BEST EXOTIC MARIGOLD HOTEL, 2011) is the mother prone to cruelty and confusion, whereas the father (Robert Pugh, MASTER AND COMMANDER) nearly fades into the wallpaper, though seems more empathetic. Jane's sisters Nicola and Alice are played by Billie Piper ("Penny Dreadful") and Alice Lowe (GET DUKED!, 2020). Nicola envies Jane's ability to collect free money (disability), while Alice is estranged from their mother, and claims her "normal" life is boring.
When Mike (David Thewlis from Charlie Kaufman's latest, I'M THINKING OF ENDING THINGS) enters the picture, it's like a jolt of electricity from touching the wrong wire. Mike is somehow stranger than Jane, yet they manage to connect. As an example of the film's odd dialogue, when Jane asks Mike how things are going, he responds, "Things were looking up for a few weeks, a couple years back." That's the type of exchange we deal with throughout, and it takes an inordinate amount of energy to process what we see and hear.
One shot from cinematographer Kit Fraser is a particular standout. It comes from inside a microwave, replete with rotisserie base and Jane's face peering through the glass. There are numerous moments we've not previously seen or heard in movies ... like the doctor clarifying if the patient is "fine or good". Ms. Hawkins delivers another strange, but affecting performance ... something she has mastered over the years. She always makes the character hers, and makes us care about her. An added bonus is hearing Ricky Nelson sing "I Will Follow You" ... slightly more soothing than David Thewlis' frantic electric guitar performance. It seems certain that filmmaker Roberts agrees that normal is boring, and he ensures his film and characters are not.
While I didn't really rate this title very highly at only 7.0 out of 10, I am bothering to review it here simply because of two things. First Sally Hawkins performance as Jane and second, because I can only be all in favour of anything that helps to raise awareness of mental health problems.
I live now in Thailand where there is absolutely zero understanding of, or interest in, mental health issues. Even in Western societies today, there is STILL such a degree of misunderstanding of mental health problems that it is still common for people to think that mental illness is a fall-back excuse for sufferers' "bad" or inappropriate behavior. The cry of "just pull yourself together" is all too common even these days and even among people who should know better, with education about the matter being so readily available to anyone who cares enough to look for it.
"Eternal Beauty" should be a lesson to anyone who has even a bare notion about what mental illness is. Sally Hawkins' portrayal of a young woman suffering from schizophrenia is an object lesson in how that condition affects the sufferer and those around him or her.
This is not an easy movie to watch but that is really the point. It's not an easy condition to live with, either as the sufferer or as family. Sally gives yet another wonderful performance here, just as she did in "Made In Dagenham" and as the wonderful "Maudie". She has quite a distinguished career already at only 44 years of age. She has, I'm sure, an even more distinguished career ahead of her.
Watch "Eternal Beauty". It's a challenging movie but very worth the effort.
JMV
I live now in Thailand where there is absolutely zero understanding of, or interest in, mental health issues. Even in Western societies today, there is STILL such a degree of misunderstanding of mental health problems that it is still common for people to think that mental illness is a fall-back excuse for sufferers' "bad" or inappropriate behavior. The cry of "just pull yourself together" is all too common even these days and even among people who should know better, with education about the matter being so readily available to anyone who cares enough to look for it.
"Eternal Beauty" should be a lesson to anyone who has even a bare notion about what mental illness is. Sally Hawkins' portrayal of a young woman suffering from schizophrenia is an object lesson in how that condition affects the sufferer and those around him or her.
This is not an easy movie to watch but that is really the point. It's not an easy condition to live with, either as the sufferer or as family. Sally gives yet another wonderful performance here, just as she did in "Made In Dagenham" and as the wonderful "Maudie". She has quite a distinguished career already at only 44 years of age. She has, I'm sure, an even more distinguished career ahead of her.
Watch "Eternal Beauty". It's a challenging movie but very worth the effort.
JMV
Great acting, believable portrayal of dysfunctional family with varying degrees of mental health issues, rescuers & villains. Thought the cinematography was well so done, colors were faded & cloudy when she was medicated, sights & sounds were harsher when she was more symptomatic. One reviewer gave praise that the strong cast " keeps the comedy buoyant throughout." Comedy?! Buoyant?! 2 words that do not come near my mind when describing this movie. Tragedy, betrayal & pitting family members against each other, not funny or buoyant, everyone is depressed, psychotic &/ or has a personality disorder & is terrible, manipulative, cruel to her. Also the story line wove this thread of purpose throughout, that she was failing because she didn't know her purpose, obviously not the case & was more complicated, but her mother said on her deathbed do you know your purpose? ( have you figured it out yet?) end scene, 20 minutes of the movie left & it's never mentioned again... sloppy script writing.
Le saviez-vous
- AnecdotesFilmed during the 2018 British Isles heat wave. June in Wales in 2018 was the warmest ever recorded.
- Bandes originalesSilent Night
Written by Franz Xaver Gruber and Joseph Mohr
Performed by The London Metropolitan Orchestra
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- How long is Eternal Beauty?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 永恆之美
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 68 905 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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