Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 27 victoires et 91 nominations au total
Avis à la une
Some folks wrote that this movie was a mix-up of Marty Scorcese and Abel Ferrarra style and I think that's right. And Adam Sandler speaks, looks like, borrows every expression on the face from Al Pacino. I Don't know if the audiences have also noticed this but that's so obvious. Anyway, that's the kind of role, character that would have perfectly fit to Robert De Niro's co star in HEAT and the IRISHMAN. I like this uncut gem very much.
All reviews here are correct. The good ones and the bad ones. This movie is a mess and you can like it or hate. My wife hated it, I liked it very much.
They should hand out high-grade blood pressure meds to people going to see this after it ends. The major strength and in a way the slight weakness of Uncut Gems is how laser-focused the Safdies are in conveying total anxiety, stress and mania through this extreme act of full cinema SOUND (levels of acting and over-lapping dialog, that Vangelis-Blade-Runner-on-Steroids/Crystal Meth score, some of the cinematography and the tracking of the camera).
I do wish there was a little more than just flourishes of relief, though I'd be lying if I said Sandler was anything but exceptional and riveting playing degenerate crumbling right before our eyes. While Eric Bogosian, Lakeith Stanfield and Kevin Garnett and many others here are natural solid, it's Sandler's show, and it's soulful and tense and harrowing and ultimately (as terrible as Howard can be) tragic. The filmmakers's greatest achievement from the looks of this and Good Time is finding star-actors who aren't known for their wide range and getting career-triumph work from them. If the movie isn't all that complex, I do think Howard is and that helps make this pretty special as a depiction of addiction, more than anything else. It's got grit and style to burn, which is mostly fine by me.
I do wish there was a little more than just flourishes of relief, though I'd be lying if I said Sandler was anything but exceptional and riveting playing degenerate crumbling right before our eyes. While Eric Bogosian, Lakeith Stanfield and Kevin Garnett and many others here are natural solid, it's Sandler's show, and it's soulful and tense and harrowing and ultimately (as terrible as Howard can be) tragic. The filmmakers's greatest achievement from the looks of this and Good Time is finding star-actors who aren't known for their wide range and getting career-triumph work from them. If the movie isn't all that complex, I do think Howard is and that helps make this pretty special as a depiction of addiction, more than anything else. It's got grit and style to burn, which is mostly fine by me.
The pacing here is impressive. I felt like I was running through this entire movie and felt similarly about Good Time, another effort by the Safdie brothers. I still followed the story, though, and I think making a story more or less easy to follow is a hard line for writers to walk. Uncut Gems is frantic but coherent, and it walks this line perfectly.
It follows a really sleazy jeweler, masterfully played by Adam Sandler, as he upsets other people. I was shocked that Sandler was capable of this. I really couldn't take my eyes off of him.
The camera work, lighting, music, and other elements all work in service of the frantic plot. This is the most anxious thriller I've ever seen; in one word, it is FAST.
It follows a really sleazy jeweler, masterfully played by Adam Sandler, as he upsets other people. I was shocked that Sandler was capable of this. I really couldn't take my eyes off of him.
The camera work, lighting, music, and other elements all work in service of the frantic plot. This is the most anxious thriller I've ever seen; in one word, it is FAST.
Intense 2 hrs !! It's loud and shouty and really in your face , gives you a rollercoaster of a ride from start to finish .
Adam Sandler is superb just brilliant, never knew he could be this way and he really became the person !!
It's a great film that never gives you a minute. No real sympathy for any of the characters but you do believe in them all !
A film to watch , just be prepared.
Adam Sandler is superb just brilliant, never knew he could be this way and he really became the person !!
It's a great film that never gives you a minute. No real sympathy for any of the characters but you do believe in them all !
A film to watch , just be prepared.
Le saviez-vous
- AnecdotesTilda Swinton doesn't appear on screen but is the voice of the auctioneer that Howard argues with over the phone.
- GaffesIn the background at 1:43:23 you can hear a crew member feeding a line to Adam Sandler. As he was trying to have back the Celtics Ring from Steve you can hear someone saying "Swap them out" which Adam instantly Sandler repeats.
- Citations
Howard Ratner: And who's this guy?
Julia: It's this guy The Weeknd.
Howard Ratner: What the fuck is The Weeknd?
Julia: He's gonna be major, even though he's from Canada.
Howard Ratner: This guy looks stupid.
- Crédits fousSPOILER: The end is almost a mirror image of the beginning, with the camera tunneling into Howard Ratner's (Adam Sandler) face, again on a microscopic level and again transitioning, but this time into what is possibly the beginning of time, and showing the night sky.
- Bandes originalesType of Way
Written by Rich Homie Quan (as Dequantes Lamar) and Yung Carter (as Lionel Carter Jr.)
Performed by Rich Homie Quan
Courtesy of Def Jam Recordings
under license from Universal Music Enterprises
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- How long is Uncut Gems?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Diamantes en bruto
- Lieux de tournage
- Okiep, Northern Cape, Afrique du Sud(opening scene)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 023 780 $US
- Week-end de sortie aux États-Unis et au Canada
- 537 242 $US
- 15 déc. 2019
- Montant brut mondial
- 50 023 780 $US
- Durée
- 2h 15min(135 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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