All Creatures Here Below

This is a powerfully acted film about a destitute couple who make poor decisions that eventually spiral out of control. But if you are in a bad mood, this film won't lift your spirits, but make you more depressed.

This movie is absolutely worth watching, and I liked it. The tale it tells is disturbing to say the least, but it's well acted, the story line is deceptive at first, but it is thought provoking. If you liked "The Virgin Suicides" you might find you like this - the story is very different, but the mood you're left with at the end is similar - it's sad, but it might leave you thankful. Sometimes sad stories should be told.

Ann Jillian and David Dastmalchian star in this star-crossed lover drug/roadie flick about a working stiff who has a drug addicted girlfriend and a limited income.

He gets fired and bets his paycheck on a cock fight. He wins, but the fight is broken up by the police and the bookie/drug dealer runs away with the money. David catches up with him and stabs him in the leg. He takes the money and the dealer's car and runs away with his girlfriend to another state.

So, what is the big deal. We have seen this a hundred times already. Oh wait, they discover a baby in the back seat after a few hundred miles. This certainly complicates things. Now, there is a potential kidnapping charge, in addition to other charges.

The story gets authenticity in my book because of Dastmalchians early adulthood in the Midwest as a drug runner/dealer, who eventually cleaned up his bad habits and migrated to LA. That authenticity shows in the film.

However, there are few surprises here, other than the baby, and we are left with an empty feeling at the end of the movie. However, that is what the writer intended.

The 2 main cast had chemistry and brilliantly gave a stunning performance.

This is much more a short story than a feature film.

For the first 80% of it, I kept wondering "is this it? Is this movie going anywhere beyond a dysfunctional bonnie and clyde story?

Then it becomes something. It achieves something I don't encounter too often in film, and it does it ever so gently -- it's a jerry springer film, without the bitter humor. It's sad, it's depressing, and surprisingly touching just when I was about to give up on it. It makes you glad that your life is not like theirs -- cursed from the beginning of their lives, to the end. And while they're still young.

I can't get overjoyed about the acting -- most of it is held tight to the emotional vest. And forget the dialogue -- while the story may be lyrical, the dialogue most definitely is not. But what it surrenders in poetic ways, it makes up for in simple, grim realism. This movie's realism makes it that much more unpleasant. But in a good way.