Tel Aviv On Fire

I really enjoyed this movie. I was laughing all over the cinema. The idea of this movie was great, the actors were good, story was good and ending was hilarious. I really recommend this movie for all comedy fans.

It's a pleasant surprise how a Palestinian film about a very serious issue could be funny at all. But this one pulls it off rather nicely.

The approach to make a film within a film works beautifully in this one. And the result is pure comedy.

The viewer heartily laughs at the seeming incongruity of Salam's situation. He has to cross the border daily to go to the West Bank where he works as a film production assistant and finding himself in a bind one morning after making an innocuous remark to an Israeli border guard. This silly encounter and its immediate outcome changes his life forever.

Kais Nashif is naturally funny as Salam. Yaniv Biton as Assi is credible as the border commander. His interaction with Salam as they finish the script of the soap opera is hilarious. And the ending is a marriage of convenience of sorts. It's one that satisfies extremists on either side of the aisle.

The message of the film is simple: promote the peace when each side listens to the other. Assi thinks so.

Tel Aviv on Fire is a jubilant comedy about Israel and Palestine, grazing the absurd on serious subjects. The interactions between the different characters from either Israel or Palestine are a veritable delight. The movie Tel Aviv on Fire is about the shooting of an eponymous soap opera, a kind of an imaginary remake of the pathetic and immortal Les feux de l'amour (1973), taking place in Tel Aviv and dealing with love between Israelis and Palestinians, during the Six-Day War, with spies, double agents, generals, terrorists and tutti quanti.

The movie is essentially based on these three characters: 1) Tala is the lead actress within the soap opera, coming from France. She is a middle-aged starlet, a seductive and manipulative woman, and regularly gazes at her own navel. She is played by Lubna Azabal, moving and sublime in Incendies (2010). 2) Salam is a somewhat clumsy but endearing man who, thanks to a happy combination of circumstances, will be promoted co-scriptwriter on the series. Of course, as human as he is, he will use his new position, a bit for himself, in order to win back his beloved darling. 3) Assi is a guard at a checkpoint between Jerusalem and Ramallah, and is terribly imbued with his person to a point that makes him hilarious. His megalomania allows him to interfere in writing the script!

This movie is definitely a must see: the trio Lubna Azabal, Kais Nashif and Yaniv Biton is a 'bomb' (an absurd and two-penny joke, freely inspired from the movie).

This film was an absolute pleasure to watch. It is rare, in my experience, to find a foreign comedy that still works as well for me, an American, as it might for a native speaker of the language. I also expected much more in terms of heavy subject matter than I got in the film. As much as it is about the conflict in the Middle East, the conflict is more of the backdrop and subtext than the main action we are given.

There isn't a lot in the cinematography or editing that is super amazing but it is all serviceable and doesn't get in the way of the story, even if it doesn't add much either.

The main draw for this film is the acting and writing. Both of these work in tandem to create characters and situations that we are able to identify with and laugh at without getting so wrapped up in projecting the themes of the movie across in an obvious or pointed way. It never feels preachy but keeps its lightheartedness in tact so you are surprised when you get to the end of the film and find that you are still thinking about coexistence and getting along with people who are different than us.

The humor in the film is deftly done, not giving in to the temptation to be total parody, although some small amount is required, and also not giving in to total realism, slamming one side harder than the other as the writer's political views accidentally bleed through the page. It never gets so serious that you feel like the writer just has an axe to grind for a particular political party nor does it stray so far into satirical farce that you can really watch it and call it frivolous. It is both true to life and ridiculous at the same time.

There were definitely things in this film that were hard for me as an American to understand. I'm not super well versed in the history of the Israel-Palestine Conflict and thus don't immediately know an Arab from a Jew just by looking at them or even from a quick glance at a uniform. This made it somewhat difficult to know what side of things certain characters were on at certain points but it was never so bad that I felt I had missed the point of the movie. It actually got me more interested in reading more about the history of the region. I definitely feel that there were certain jokes I didn't get , though, because of this cultural ignorance on my part just the same as I'm sure some of the TV Production scenes would have been less funny to someone who hadn't worked in the industry before.

All in all, it was a pretty great film. I laughed a lot and really appreciated the creative solutions they found to the main conflicts in the film which predominantly revolve around Palestinian/Israeli issues. This film is a great example of how humor can be used to bring a level of humanity to people that we are all tempted to believe are simply expressions of common stereotypes or political straw-man.

Salam's uncle is the producer of Tel Aviv on Fire, a spy thriller / soap opera aimed at Palestinians but the show is also popular with Israelis (especially women). Salam is hired as dialect coach, but gets promoted to writer after his meddling causes the chief writer to quit. Salam tries to draw on family and friends for inspiration, but falls under the influence of the commander of the checkpoint he has to cross twice daily. The commander helps with script ideas, but pushes for the show to become more pro-Israeli. Meanwhile, his uncle, and the show's backers, have other ideas, trying to deal with their own trauma of Palestinian losses due to the six-day war.

This is an amusing yarn, with Salam being pulled in all directions by people with different agendas, while trying to fill a script and chasing a girl. Good lightweight entertainment from a film with a Palestine / Israel location.