Skins

And i will not recommend it when the absurdity leaves the hinges. its a film about differentness, the peculiarities in life and the peculiarity to love itself normal or not, and its the peculiarities in the soup of thymine, guanine, cytosine and adenine e.g the code of life that becomes a mess of knots and cracks, and all kind of peculiarities that reach the daylight of the world as deformatists and freaks. babies without eyes, with 7 and 8 fingers hands, and even without a mouth, its not all fantasy, and this review goes to all the parents and individuals out there that has encountered crisies like this...i admire you all.

so its a film that moves toward the brink of absurdity, its a well made film with 5 stories sliding along the ever so prudent and psychedelicly made interiors, the choice of colours and score makes you feel uneasy, and the make up department has gone pretty bananas. the actors who are star models beside acting do a great job trying. i was convinced and cried along their painful path of life, it maybe one of a kind, and the nearest i come comparing new films ,must be swedish film called ''graens''.

in norway we sing a song written by alf prøysen called '' i bakvendtland'' or translateed into broken english ''in the opposite land'' maybe a good description of the serendipity of being... you will not regret a watch thinks the grumpy old man

Taking Freaks (1932) and The Elephant Man (1980) as starting point, Eduardo Casanova's debut runs essentially in a very superficial way: A set of scenes remarkable for their delicacy in the composition and for the joy of pink, comprises a "late baroqueer" Cabinet of Curiosities. It's a movie with a very bold language that talks about desire and suffering, loneliness, about what is erotic and what disgusting, about the monstrosity in the meaning and shape. About accepting oneself and the right to replace our limits with new ones. The contradictions that produced the subjectivity of beauty. "You're only interested in the way I look" says one of the female characters. In this context it is a brilliant paradox. Superficial, I said, and frivolous: Very Louis XV style. But no superfluous. The dramatic central dialogues give depth and direction to the film. Its non-correct spirit and daring language make it one of a kind.

If you liked the Human Centipede, you'll love this.

First of all I don't recommend watching this film while eating, you won't be happy at all.

Great writing, great acting, but I can't get over the weirdness of the story .

It was uncomfortable move that's why I gave it 6.

The first film by Eduardo Casanova, accustomed to directing short films - of excellent qualities - the young director makes a great short in his first feature. Portraying a group of people, where all suffer from some type of deformity, whether physically or psychologically, we have a woman with the anus instead of the mouth, a man who has the dream of cutting his legs to become a mermaid, a prostitute with Skin, instead of the eyes passing through a pedophile man, another who feels attraction to the deformity of others, and even the man who puts his gain ahead of life, "Skins" beats everyone and exposes the human deformity in the most explicit way possible by doing Viewer to reflect on that deformity of character that we all crave. The script that tries to emulate a kind of magnolia of taste I very much doubt - and with 2 hours less - exactly in its duration, with less than an hour and a half of duration, the developments of the characters is completely impaired, we have only a broad idea , Where each character will have its story developed in ten minutes with some interconnections between them, technically, Eduardo Casanova lavishes talent, with an extremely cold photograph and symmetrical angles, his frame remembers names like Wes Anderson, always appealing to the color pink, his Costume is remarkable as its soundtrack, full of Spanish songs that go from this to pop to erudite, its makeup is also great, its perfect rhythm, technically the film really pleases a lot, Casanova had a lot of freedom, better to accompany the young director in his Upcoming work, talent we already have. Finally, "Pieles" is a nice film despite being deplorable, we have the aesthetic symmetry supported the complete bizarre of "extreme cinema" we have a heavy message shown in an even heavier way, we have many problems, it is true, as much performances Weak, little development, and little screen time, we have many great ideas, but little time to develop, but finally, it is a film of cinema and for those who love art.