My Sailor, My Love

This movie touches your heart and soul. The romance between 2 main characters is so beautiful. A great demonstration of pure love which cant be limited by age or other people opinions. It makes you feels better about being old or as it reminds you that you can experience great emotions and life events at any age.

I enjoyed every second of this movie, and the music and sceneries were wonderful. I totally recommend watching it in a cinema to fully feel the beauty of the irish narure on the big screen.

I wish this movie can be properly recognized by the film critics and media and film competitions.

Highly respected Finish director Klaus Harro brings his quiet, controlled professional guidance to this introspective modern study of Familial intrigues and complexities from youth to older age. Writers Jimmy Karlson and Kirisi Vikman bring a sharp and thoughtful observation to this slice of life work. It's pleasing to find that films of this nature and depth remain being made in this era of superficial cartoon heroes and action fodder, churned out for largely uninvolved 'kids' of all ages.

Strong performances are essential for stories without CGI wizardry and non-stop action, and this cast of mature-aged players certainly keep the flow of emotions on track from first frame to last. In fact, right from the first scene (Catherine Walker in a group therapy session) you know an emotional tour de force may be on its way. All the carefully selected players are totally convincing as they bring the layers of complex relationships into the viewer's understanding. The dialog is intelligent, with the viewer needing to devote attention in following, lest you miss a vital line (having the ability to rewind is helpful) so DVD or Home Cinema set-ups can help with this.

Striking wide screen vistas of the Irish Coastline captured by Robert Nordstrom (The Disciple '13) are a joy to take in on a larger screen. Award winning Belgium born (of Italian parents) Michelino Bisceglia supplies the descriptive (classic inspired) score. Even Finbar Furey delivers an unannounced song. Lovers of Bergman studies are more inclined to run with this one, as well as O'Neil devotees. Some have disagreed with the time devoted to certain character changes, but they are in keeping when each characters back stories are fully known.

Polished viewing for discerning viewers. Younger audiences may not be as appreciative.

When a retired, curmudgeonly, self-centered Irish sea captain has trouble caring for himself, his overprotective, controlling daughter hires a new housekeeper to tend to his needs, a move the fiercely independent protagonist initially resents. However, before long, the once-tentative relationship blossoms into something more substantial, a move the skipper's daughter questions and grows to resent. So how will this fundamental dilemma be resolved? That's the central question raised in director Klaus Härö's latest effort, a well-crafted, if occasionally predictable, romantic drama reminiscent of the similarly themed "Nobody Has to Know" (2021). Set against the sweeping Irish seacoast, this beautifully photographed backdrop provides the perfect stage for this heartfelt saga, one that verges on a tearjerker at times but never slides into a sappy, melodramatic, manipulative hanky fest. In large part this is due to the restrained but powerful performances of James Cosmo and Brid Brennan, who keep their characters real without becoming sentimental, histrionic caricatures. Add to this a finely polished soundtrack, and you've got a quality cinematic offering that deserves a look for a variety of reasons.

My Review - My Sailor My Love In Cinemas now. My Rating. 8/10

Irish Cinema is booming at the moment I think it's because it manages to combine simple entertaining human interest stories with relatable characters that resonate with discerning audiences who are tired of violence or action hero cardboard cut out characters in movies devoid of any pathos or humour .

My Sailor My Love has the look and mood of European cinema not surprising as this movie is a combined project of Irish and Finnish and Belgium cinema .

Skilfully directed by Klaus Haro who received the Ingmar Bergman Award in 2003 and was chosen by Ingmar Bergman himself.

This is a mature age love story filmed in County Mayo on the Galway Coast with three excellent finely nuanced performances from James Cosmo who plays Howard an elderly retired sea Captain , Catherine Walker cast as Grace his complex and possessive daughter who employs Annie as a housekeeper to her gruff and unapproachable father.

Annie is delightfully played by Brid Brennan who I recall from movies like Brooklyn 2015 and Dancing at Lughnasa 1998.

The trio of characters in this story bring with them a suite of complex emotions the daughter Grace has deep unresolved issues from childhood when Howard her sea captain father went to sea leaving her with her unwell mother.

Grace now sole carer of her father at the expense of her own marriage employs Annie as housekeeper against her fathers wishes then becomes bitterly resentful when Annie usurps her role and manages what she can't do to thaw out her fathers withdrawn and austere attitude to life.

Annie is a compassionate widow and Grandmother who soon shows the rough and rude Howard when he offers her more money than Grace to stay away and not come back that she can manage very well without the abuse of another male in her life .

Set in Achill Island and County Mayo this movie is a joy to watch the score by Michelino Bisceglia is so effective and the screenplay by Jimmy Karlsson and Kirsi Vikman is excellent .

I'm so glad independent movies with great casts and relatively modest production budgets that feature great actors that are not necessarily huge box office names can still be made.

James Cosmo is quite good here in one of his few leading roles. He is "Howard", a curmudgeonly old gent who lives alone - washing his smalls in the kitchen sink and caring little about anything but his crossword puzzle. His daughter "Grace" (Catherine Walker) is at the end of her tether, so she employs local lady "Annie" (Brid Brennan) to do a bit of housekeeping for him. He is not at all keen on this arrangement; indeed is so rude as to have her walk out on him, but a few of her more homely touches make him begin to realise that the pit into which his life has slid is perhaps not the only solution. Pretty quickly the two are getting on like an house on fire and gradually this causes a degree of chagrin for the daughter who sees her own role in his life beginning to become less crucial - as she, herself, is watching her own marriage disintegrate. Can they all find a way to make things work? It's a gentle romance this film, with some enjoyable and poignant performances from the three principals that highlights how people cope with grief, loneliness and opportunity. Director Klaus Härö allows the talent to deliver a considered series of portrayals that marry the happy and the sad in a plausible fashion. I can't say I loved the ending. Though perfectly realistic, it seemed a little unnecessary to me - but you be the judge. It doesn't need a cinema screen, but is well worth watching the loads of experience at character acting ooze from Brennan and Cosmo.