Superman
- 2025
- Tous publics
- 2h 9min
Ce film suit le super-héros en titre alors qu'il réconcilie son héritage avec son éducation humaine. Il incarne la vérité, la justice et les lendemains qui chantent dans un monde qui considè... Tout lireCe film suit le super-héros en titre alors qu'il réconcilie son héritage avec son éducation humaine. Il incarne la vérité, la justice et les lendemains qui chantent dans un monde qui considère la gentillesse comme démodée.Ce film suit le super-héros en titre alors qu'il réconcilie son héritage avec son éducation humaine. Il incarne la vérité, la justice et les lendemains qui chantent dans un monde qui considère la gentillesse comme démodée.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 7 nominations au total
Alan Tudyk
- Gary
- (voix)
María Gabriela de Faría
- The Engineer
- (as Maria Gabriela de Faria)
7,1356.3K
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Résumé
Reviewers say the new Superman movie has a fresh, hopeful tone, vibrant visuals, and strong performances, particularly David Corenswet as Superman and Nicholas Hoult as Lex Luthor. The film is appreciated for its blend of humor, action, and emotional depth, as well as its respectful nods to classic Superman elements. However, criticisms include pacing issues, underdeveloped characters, inconsistent tone, and a lack of Superman's traditional invincibility. Some reviewers feel the film relies too heavily on humor and side characters, detracting from the main story. Despite these criticisms, many see it as a promising start for the new DC Universe.
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Superman (2025) - It's a Bird, It's a Plane, It's Superman
"Superman! Champion of the oppressed. The physical marvel who had sworn to devote his existence to helping those in need."
James Gunn's Superman (2025) arrives at a turbulent time for DC, aiming to rebuild a fractured universe with a fresh yet familiar take on the Man of Steel. David Corenswet's Superman stands between corrupt business and political powers, becoming a controversial figure as he fights for justice and exposes a deeply rigged system.
The film balances a darker, politically charged story with playful, charismatic performances. Corenswet's bond with Krypto (Murphy Weed) adds emotional warmth, while Rachel Brosnahan's Lois Lane and Nicholas Hoult's Lex Luthor embody the hopeful and sinister sides of this new DC world. Supporting heroes like Mr. Terrific, Guy Gardner, Hawkgirl, Metamorpho, and Jimmy Olsen hint at a larger universe in the making.
The real standout is the craft: Henry Braham's immersive cinematography, a powerful score, and sharp editing with near-invisible VFX create a grand, IMAX-worthy spectacle. It may not offer the seamless mythic weight of earlier Superman films, but it's a thrilling, emotionally charged experience that reminds us why we ever believed in heroes.
- Jerry Siegel
James Gunn's Superman (2025) arrives at a turbulent time for DC, aiming to rebuild a fractured universe with a fresh yet familiar take on the Man of Steel. David Corenswet's Superman stands between corrupt business and political powers, becoming a controversial figure as he fights for justice and exposes a deeply rigged system.
The film balances a darker, politically charged story with playful, charismatic performances. Corenswet's bond with Krypto (Murphy Weed) adds emotional warmth, while Rachel Brosnahan's Lois Lane and Nicholas Hoult's Lex Luthor embody the hopeful and sinister sides of this new DC world. Supporting heroes like Mr. Terrific, Guy Gardner, Hawkgirl, Metamorpho, and Jimmy Olsen hint at a larger universe in the making.
The real standout is the craft: Henry Braham's immersive cinematography, a powerful score, and sharp editing with near-invisible VFX create a grand, IMAX-worthy spectacle. It may not offer the seamless mythic weight of earlier Superman films, but it's a thrilling, emotionally charged experience that reminds us why we ever believed in heroes.
Boring, Shallow, Predictable
I am a fan of superhero movies but this is definitely one of the worst I've ever seen. I had really high hopes for it but it did not deliver. I admit it is visually good with decent cinematography and coloring but the story and the dialog seem to be written for children. There is absolutely no creativity in this film. It is a stereotype of superhero stories. There is too much superhuman stuff going on. You can't feel connected to anyone here. Everyone seems to be on board with everything. You feel like being dragged into a party where you know no one. None of the characters are relatable, or even interesting for that matter. It feels like you are watching the third movie of a trilogy having watched neither of the previous two.
I also believe the movie should be called "Everyone But Superman"! Weirdly, he doesn't appear as the main character. He doesn't have a great fight scene or do the important things. He's just there getting bitten up with a very poorly executed redemption arc.
Also, none of the jokes land. The movie isn't fun. None of the characters are funny, especially not the dog. It really tries to be funny but fails every time. I didn't expect this from James Gunn.
I also believe the movie should be called "Everyone But Superman"! Weirdly, he doesn't appear as the main character. He doesn't have a great fight scene or do the important things. He's just there getting bitten up with a very poorly executed redemption arc.
Also, none of the jokes land. The movie isn't fun. None of the characters are funny, especially not the dog. It really tries to be funny but fails every time. I didn't expect this from James Gunn.
Bright cape, Empty core.
I honestly don't see how this movie could impress anyone older than 10. Sure, it's colorful, lighthearted, and has a few crowd-pleasing moments - but underneath the cape and charm, it feels more like a Saturday morning cartoon than the cinematic relaunch of an iconic hero. For a character as emotionally rich and symbolically heavy as Superman, this version felt oddly flat, even juvenile.
The movie opens with a tone that hints at something deeper - maybe a layered origin story or a grounded emotional arc. For a moment, it feels like James Gunn might give Superman the complexity he deserves. But that promise fades fast. Instead of evolving into something meaningful, the story flattens into a series of lighthearted moments, cheesy one-liners, and safe, predictable beats.
It's like the film is afraid to take itself seriously for more than five minutes. Every time it flirts with depth, it quickly retreats to humor or surface-level charm. That approach might work for younger audiences, but for anyone hoping for a mature or compelling Superman narrative, it's a letdown.
Most of the cast did a decent job - nobody was outright bad, but no one really stood out either. The performances felt safe, almost like everyone was playing within tight creative boundaries. Even characters who are supposed to command the screen - like Superman and Lex Luthor - felt surprisingly muted.
David Corenswet as Superman checks the boxes visually, but his performance doesn't leave much of a mark. There's no real emotional weight, no moment where you truly feel what Clark is going through. And Nicholas Hoult's Lex Luthor, while an interesting casting choice on paper, lacks the menace or charisma that makes the character memorable. He's just... there.
It's frustrating, because these are some of the most iconic roles in comic book history - and yet the film doesn't give the actors enough material to make them feel iconic.
Are bright, the costumes pop, and some of the early shots are eye-catching - at least for a second. But once you settle into the movie, it all starts to feel a bit stale. The CGI is fine, but nothing we haven't seen before. The action scenes are clean but lack intensity or creativity. There's no real visual identity that sets it apart from every other superhero film.
It's like eating candy with no flavor - it looks fun, but you stop caring pretty quickly.
Superman (2025) feels like a movie made to play it safe - colorful enough to distract, light enough to entertain kids, but ultimately hollow for anyone expecting more. It had the opportunity to bring real depth and emotion to one of the most iconic heroes in fiction, but instead settles for a flat, overly sanitized version of the character.
If you're under 10, you might love it. For everyone else, it's just another cape in the crowd.
The movie opens with a tone that hints at something deeper - maybe a layered origin story or a grounded emotional arc. For a moment, it feels like James Gunn might give Superman the complexity he deserves. But that promise fades fast. Instead of evolving into something meaningful, the story flattens into a series of lighthearted moments, cheesy one-liners, and safe, predictable beats.
It's like the film is afraid to take itself seriously for more than five minutes. Every time it flirts with depth, it quickly retreats to humor or surface-level charm. That approach might work for younger audiences, but for anyone hoping for a mature or compelling Superman narrative, it's a letdown.
Most of the cast did a decent job - nobody was outright bad, but no one really stood out either. The performances felt safe, almost like everyone was playing within tight creative boundaries. Even characters who are supposed to command the screen - like Superman and Lex Luthor - felt surprisingly muted.
David Corenswet as Superman checks the boxes visually, but his performance doesn't leave much of a mark. There's no real emotional weight, no moment where you truly feel what Clark is going through. And Nicholas Hoult's Lex Luthor, while an interesting casting choice on paper, lacks the menace or charisma that makes the character memorable. He's just... there.
It's frustrating, because these are some of the most iconic roles in comic book history - and yet the film doesn't give the actors enough material to make them feel iconic.
Are bright, the costumes pop, and some of the early shots are eye-catching - at least for a second. But once you settle into the movie, it all starts to feel a bit stale. The CGI is fine, but nothing we haven't seen before. The action scenes are clean but lack intensity or creativity. There's no real visual identity that sets it apart from every other superhero film.
It's like eating candy with no flavor - it looks fun, but you stop caring pretty quickly.
Superman (2025) feels like a movie made to play it safe - colorful enough to distract, light enough to entertain kids, but ultimately hollow for anyone expecting more. It had the opportunity to bring real depth and emotion to one of the most iconic heroes in fiction, but instead settles for a flat, overly sanitized version of the character.
If you're under 10, you might love it. For everyone else, it's just another cape in the crowd.
Superman Returns to Being a Symbol of Hope
A movie I had been waiting for a long time!!! As a Superman fan since Smallville, James Gunn's choice to portray Superman as the good, heroic man he truly is, simply perfect.
Bringing Superman back as a symbol of hope and faith in humanity-while tying his story to sharp critiques of today's geopolitical climate-made Superman the best superhero film of 2025 and one of DC's best, second only to Christopher Nolan's Batman trilogy.
Bringing Superman back as a symbol of hope and faith in humanity-while tying his story to sharp critiques of today's geopolitical climate-made Superman the best superhero film of 2025 and one of DC's best, second only to Christopher Nolan's Batman trilogy.
about as average as it gets.
I felt like I joined the movie half way through at the start. The muddle of characters rapidly became overwhelming and there never felt like there was a plot. The guardians of the galaxy style just didn't work as well on supes..
This felt like a comedy first and superhero second. Too much needless changes from the source material as well just made me feel like yet another DC reboot or remake is too little too late.
A reasonable attempt but falls short of being good.
This felt like a comedy first and superhero second. Too much needless changes from the source material as well just made me feel like yet another DC reboot or remake is too little too late.
A reasonable attempt but falls short of being good.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
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- AnecdotesNathan Fillion insisted that Guy Gardner sport the same bowl cut he does in the comics despite early discussions about changing the hairstyle. He said, "There was some talk about different hairstyles. There was some talk about some different types of things we were going to go. I was team bowl cut the whole way. It's canon. It's set. I said, If we don't do a bowl cut, we're going to hear about it."
- GaffesSuperman's fortress is mentioned in the film to be in Antarctica. But in Metropolis, presumably in the northern hemisphere, it appears to be summertime, and at that time of year, it is perpetual night in Antarctica.
- Crédits fousThere is a scene at the end of the closing credits: Superman and Mr Terrific work on rebuilding Metropolis.
- Versions alternativesIn India, the film was censored in order to achieve the U/A 13+ classification. The Central Board of Film Certification (CBFC) asked the studio to delete the foul words wherever they were mouthed. An eight-second shot involving a 'foul gesture' was asked to be removed. It was replaced by a two-second shot. Lastly, the CBFC's members deleted a 'sensual visual' lasting 33 seconds and spread across two scenes.
- ConnexionsFeatured in Animat's Crazy Cartoon Cast: The End of a Pokémon Master (2022)
- Bandes originalesOriginal Superman Theme
By John Williams
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Superman: Legacy
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 225 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 354 184 465 $US
- Week-end de sortie aux États-Unis et au Canada
- 125 021 735 $US
- 13 juil. 2025
- Montant brut mondial
- 616 684 465 $US
- Durée
- 2h 9min(129 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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