Félicité

+ very realistic view on Kinshasa today. I've been there a year ago and this film took me right back to the bumpy, colorful streets. the human part of the film was very real and touching. one feels like being there with them.

+ very good music. especially the Congolese songs!

• pity of the blue, arty images woven throughout the main story. for me they don't add any value, on the contrary, they make the movie 30min too long.

= overall: very good acting, real and interesting view on black Africa: it shows that third world societies are just as valuable as the ones in the western world. they look different and maybe scary to some, but we should learn from there way of life, instead of imposing our view on them.

we have what they lack (good healthcare, good infrastructure, etc) but they have what we lack: social cohesion, time and most of all: freedom!

This film is a classic film about life in the cultural setting of the Congo. I was concerned this would be an emotionally heavy movie for no reason but it turned out to be an intriguing and at times even gripping film about life for what could have easily been one of us, a neighbor, or family member. You feel a connection to the characters and an affection for their imperfect perfections in just being people. What makes this a classic versus just a good film was the quality of the acting. In classic films where body language and relationship development are centered and words are reserved to emphasize the moment this film ensures you are watching every move of the characters as much as listening for what is said next. I'd recommend this film to anyone who enjoys the art of cinema.

A woman, singing in a bar. Her son having a moto accident, being serious wonded. Her effort, hard , impressive to have money for the cure of boy. A great portrait of a side of Congo realities. Impressive for cinematography - admirable close ups - and, especially, for the performance of Vero Tshanda. Beya Mputu. Violence, pain, manipulation, selfishness, cruelty, all precise reflected . A minimalistic story of survive and force of women . And high significance of self sacrifice.

This movie appears to be quite a melting pot and rating it proved to be quite difficult for me. We have indeed, mixed in one movie:

• a modern drama in Africa, that enables to show how life is, and what kind of struggles you meet in your daily life there,
• the portrait of a strong woman, proud but cold, that can be perceived as missing some Africa vibe,
• a poem with a wonderful, very touching character, Tabu, which combines kindness, poetry, joie de vivre and loneliness, alcool and women excess. He shows a different man from the "African" stereotype as much as Felicity differs from the standard woman, in a reverse of masculine and feminine.
• and finally some art scenes, that often come out of nowhere.

On the whole, Félicité could have been shorter without loosing impact. I'll go with a 7, mainly for the story of Félicité and Tabu. Should have been the movie focus in my opinion, with Congo neighborhood, songs, Félicité's son and of course the fridge as side characters.

Set in Kinshasa, DR of the Congo, where a woman sings in a bar to support herself and her son. What is noteworthy is what seems to be the authentic poverty of the area and how people cope with it. Also noteworthy is the anger from having to fight for the basics of life that hopeless poverty engenders. Also noteworthy was how sexually manipulated females (to various degrees not uncommon throughout the world) continually are as they struggle to exist.