The Personal History of David Copperfield

Scottish director Armando Iannucci isn't the first name that springs to mind when one thinks of a director of Charles Dickens novels but the famed comedic filmmaker makes for a refreshing behind camera master of this more modern take on Dicken's semi-autobiographical tale.

Renowned for some of the modern era's greatest politically astute comedies in the form of In the Loop and The Death of Stalin, as well as extensive work on hit TV show Veep, Iannucci dials things back quite a bit here without ever losing sight of the oddball humor that has made his career so enjoyable, as we follow Dev Patel's kind hearted David Copperfield across a multi-year journey of trials and tribulations as he tries to find his way in a world that seems intent on knocking him down.

Not following any particular one plot thread, the film takes on board Copperfield's experience's being raised by Peter Capaldi's money waster Mr Micawber, his teenage years education and most importantly his life-defining relationship with Tilda Swinton's oddball aunt Betsey Trotwood and her mentally unhinged friend Mr. Dick, played wonderfully by Hugh Laurie.

There's a lot to cram into History's two hour run-time, one that Iannucci at times struggles to balance out, with the films later stages in particular feeling as though they could've had more time to breath but overall the film remains an entertaining and enthusiastic rendition of a story that has stood the test of time.

Front and centre throughout are some fantastic production values to this independent film, duly noted in the films large collection of nominations at last years British Independent Film Awards and another great lead performance from Dev Patel, who much like his fellow Skins graduate Nicholas Hoult has proven time and time again that his one of the most assured performers working today.

Patel's infectiously enjoyable performance is a genuine example of a film that is having a lot of fun with its narrative and one were the cast and crew clearly had a ball bringing it to life, while its likely to divide die-hard Dicken's fans, its great to see a director of Iannucci's skill-set tackle such a task.

Final Say -

It may not be quite up to the high-standards of the best Dicken's features but The Personal History of David Copperfield is a joyous little film with a lot of heart and a killer on-song cast to boot.

3 1/2 heavy cakes out of 5

I finally finished the novel today, after months of hiding from the trailer for this film, and I was thrilled to watch. I understand that a lot of things are going to be changed and condensed from a 900 page novel into a 2 hour movie but boy, they made nearly all of the opposite decisions I would've made on what to keep and what to throw away. Mr. Dick must've gotten 10 times the screen time as Peggotty and Mr. Peggotty who were two of my favourite characters in the novel. In the beginning, I really enjoyed the whimsical nature, however, the whimsy seems to have disappeared after the first half, leaving me to wonder why it was added at all? I loved the diversity in the cast, and what a cast it was, but wow.. just a really disappointing adaptation of a beautiful novel.

Eccentric in every sense of the word, director Armando Iannucci offers up a delightful oddity in the form of his offbeat adaptation of Charles Dickens' classic novel. It's funny, charming and heartfelt all the way through, and while it may lack the biting satire and charisma of Iannucci's best works, there's no denying how enjoyably strange this film is.

First things first, this film isn't a straight adaptation of The Personal History Of David Copperfield, but nor does it intend to be. It follows the original story as closely as it can, providing an engrossing coming-of-age tale of rags to riches that soars with the inspiring drama of Dickens' story, but the film stands on its own two legs with its delightfully offbeat persona.

Because, rather than simply recounting the classic tale as a costume drama for the umpteenth time, this film tries to do something a little different, still paying homage to the original story but having some fun with tongue-in-cheek humour and modern sensibilities all the way through.

In that, the movie is wonderfully fast-paced, zipping and zapping with zany energy to and fro as it flies through David Copperfield's upbringing and chaotic ups and downs between nobility and poverty. Furthered by energetic directing and performances, as well as editing that features the slightest hints of breaking the fourth wall, the film establishes itself right from the start as a feverishly eccentric watch.

And that's where the real joy of watching The Personal History Of David Copperfield comes from. It's not just another costume drama (although the costumes and sets look gorgeous), but a rapid-fire comedy of errors that will have you rolling around in your chair laughing right the way through.

Admittedly, not every joke lands perfectly, but the film is so jam-packed with laughter and energy that you'll find yourself consistently entertained, only bolstered by those tongue-in-cheek winks and nods such as the fourth wall breaks and colour-blind casting that only add to the brilliant eccentricity of it all.

But even with so much zany energy at play, the film manages to spend time to develop its drama in a heartfelt and engaging manner. Brilliantly linking up the story's more inspiring emotional themes with the charming nature of the comedy, The Personal History Of David Copperfield is an effortlessly lovable watch, both in its laughs as well as its soaring heart of gold.

From a genuinely wonderful lead performance by Dev Patel to standout supporting turns from Tilda Swinton, Hugh Laurie, Peter Capaldi, Daisy May Cooper, Benedict Wong and Ben Whishaw, the film uses its A-list cast to fantastic effect, all brought together under the roof of delightful hilarity by director Armando Iannucci, who keeps a potentially chaotic comedy of errors running smoothly all the way through.

The one caveat of the film is that it doesn't quite match up to Iannucci's best works of the past simply because it lacks a more biting satire. Of course, there's perhaps less political and social mockery to play with in a Charles Dickens adaptation compared to In The Loop and The Death Of Stalin, but it feels like this film tries to bring some in with its assessment on the class divide and the plight of poverty, albeit never quite hitting the mark.

Saying that, however, The Personal History Of David Copperfield is an utter delight. It's wonderfully strange, complete with rapid-fire and zany energy that complements an eccentric atmosphere and a charismatic cast, only furthered by an engaging and heartfelt story that's brought to life by hilarious comedy all the way through.

Some profoundly eccentric characters but the performances seemed a little forced and the connection you need to carry them over the line was missing for the most part.

'The Personal History Of David Copperfield (2019)' feels, quite significantly, like a clip-show, closer to a series of interconnected skits than a traditionally cinematic narrative. This isn't necessarily a bad thing, though. It gives the piece - which does, of course, have an overarching story - a unique feel. It's also an apt way to condense a lifetime into two hours, featuring only the most significant moments of its eponymous character's life. It all seems a little surreal, especially when it begins to visualise its narration in the middle of select scenes. The experience starts off a little slow but it soon picks up the pace, moving towards its low-key finale with a fair bit of momentum. Most of it is presented rather farcically, its eccentric characters flailing their arms or speaking in eloquent metaphor. There are a fair few moments that provoke a chuckle or two, but the flick still retains some resonance. It isn't all overtly comedic; some of its more sobering stuff does, indeed, sting. It comes so close to having something to say about class, but this aspect remains distinctly subtextual and always comes second to the more straightforward story. This isn't a huge issue, though. Perhaps the movie's biggest asset is its ensemble cast. Patel, who perfectly portrays the adult version of the whimsical protagonist, is a real stand-out. As are Capaldi and Laurie, who play eccentric but endearing middle-aged men. Each and every cast member is decidedly good, though, doing exactly what they need to with apparent joy. Overall, the film is entertaining and well-made. It's fun, energetic and, in general, just a good time. 7/10