Des adolescents voient leur vie bouleversée par les merveilles et les horreurs de la puberté.Des adolescents voient leur vie bouleversée par les merveilles et les horreurs de la puberté.Des adolescents voient leur vie bouleversée par les merveilles et les horreurs de la puberté.
- Récompensé par 4 Primetime Emmys
- 12 victoires et 58 nominations au total
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This show is absolutely not for everyone. While it's cartoony in so many ways, it does cover a lot of very real feelings and experiences we all went through at that age, and has fun doing it. If you're not easily shocked and have a good sense of humour, you'll enjoy this deep, dark look into the coming of age time for these kids.
Plus, John Mulaney.
Plus, John Mulaney.
I think this is pretty funny, I identified with the characters struggles of going through puberty when I was young. I like the voice acting, I like the subject matter, and I like that they aren't afraid to address a subject that is uncomfortable for poorly adjusted adults.
It's crude but not for no reason like Brickleberry, it's crude because it's about teenagers and preteens and the monsters are hilarious embodiment of teen angst.
If you liked the league you might like this as well because it has Nick Kroll (Ruxin) and RAPHY!
It's crude but not for no reason like Brickleberry, it's crude because it's about teenagers and preteens and the monsters are hilarious embodiment of teen angst.
If you liked the league you might like this as well because it has Nick Kroll (Ruxin) and RAPHY!
Imagine South Park but the people who wrote South Park weren't funny, weren't intelligent, and didn't care.
I hate Big Mouth. I don't want to like this show. It is everything I think isn't funny on television, but makes me consistently laugh more than almost anything else I've seen. The entire basis of its humour is crass sexual jokes, some of which are so blatant and undisguised its almost a slap in the face to watch them. The basic premise (high schoolers going through puberty alongside their "hormone monster" partners) is the ideal vessel to allow these jokes to flow freely, and provide the groundwork for some quality comedy to also shine through.
Do not be confused - this is not a show for children, even though the animation style would suggest so. The cartoonish graphics mean that the more conceptual storylines can really come to life, which is where Big Mouth earns its money. Unafraid to break the fourth wall or joke about current events/Netflix/anything else controversial, the best of the humour really shines through in these spots, propelled by the exemplary voice acting. Nick Kroll is the mastermind, but other talents include John Mulaney, Jessi Klein, Jason Mantzoukas (who plays Jay, my personal favourite character) and Jenny Slate, all of whom are excellent. Another draw is the parallels the writers have made with the real experience of growing up; even small similarities with the experiences of others makes Big Mouth so much easier to sympathise with.
Strangely enough, the music for Big Mouth is also top-notch: rarely do you find Frank Ocean, The Ramones and Biggie Smalls all feature in a television show without the creative direction being severely misaligned, but this show strikes the balance really well. The in-jokes that develop throughout the show are also worth paying attention to, and more perceptive fans will see so many more niche references as the series progresses.
Do not be confused - this is not a show for children, even though the animation style would suggest so. The cartoonish graphics mean that the more conceptual storylines can really come to life, which is where Big Mouth earns its money. Unafraid to break the fourth wall or joke about current events/Netflix/anything else controversial, the best of the humour really shines through in these spots, propelled by the exemplary voice acting. Nick Kroll is the mastermind, but other talents include John Mulaney, Jessi Klein, Jason Mantzoukas (who plays Jay, my personal favourite character) and Jenny Slate, all of whom are excellent. Another draw is the parallels the writers have made with the real experience of growing up; even small similarities with the experiences of others makes Big Mouth so much easier to sympathise with.
Strangely enough, the music for Big Mouth is also top-notch: rarely do you find Frank Ocean, The Ramones and Biggie Smalls all feature in a television show without the creative direction being severely misaligned, but this show strikes the balance really well. The in-jokes that develop throughout the show are also worth paying attention to, and more perceptive fans will see so many more niche references as the series progresses.
Big Mouth is definitely not the show for everyone as it is extremely raunchy and over the top. The show pushes the envelope as far as it possibly can however, Big Mouth is a very fun animated comedy that is unique and unlike anything else I've ever seen. With fun, memorable characters that get added to with every season, hilarious scenarios that anyone would find relatable, and a fun animation style, Big Mouth makes for some very entertaining TV if you are within the intended audience type
Nick Kroll Regrets Nothing About "Big Mouth"
Le saviez-vous
- AnecdotesMissy's parents, Cyrus and Monica, are played by Jordan Peele and Chelsea Peretti, who are married in real life.
- Citations
Several characters: [Repeated line to Jay] Stop quoting your dad's law commercials!
- ConnexionsFeatured in WatchMojo: Top 10 Best TV Shows This Fall (2017)
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