Les Petites robes noires

It was evident from the onset the 'Ladies in Black' nostalgic journey back to Sydney circa 1959 would not disappoint. The visual production and period content made it so appealing to watch.

A bookish schoolgirl and a fashion department manager from different backgrounds were pivotal characters for the narrative of change from the status quo. The dual storyline of a new girl entering the workforce and evolving into adulthood alongside a country evolving with new Australians from Europe . The embracement of these two characters and their positive influence on others around them complimented the awakening of new attitudes from those prevailing at the time. A passage of time handled with humour and contrast.

The film achieved its intention with a great cast. A light-hearted approach of an era some of us remember with characters that can be identified with. Above all, a visual delight to enjoy and be entertained.

It is great to return to times when women were treated with respect, when even maritial sex was shocking to a husband (sic), when women always had gloves. I have no idea about Australia, even more about its life in 1950-ties, so this is for me like a discovering a new land. A very interesting one. It is not a perfect movie. It is simply a very nice one to watch.

This film can be enjoyed simply as a feel-good story with beautiful scenery. It also shows a time of change for Australia, as well as for the young heroine Lisa: Anglo- and Irish-Australians meeting Continental European culture; a working-class girl aspiring to go to university; women wanting fulfilling relationships with their husbands, rather than settling for "he's not a bad bloke".

A lovely adaptation of Madeleine St John's novel, The Women in Black, with a great ensemble cast. Beautiful late 1950s costumes and production design recreating 1950s Sydney.

One reviewer criticised the film because "nothing happens", but for the four central characters - Lisa, Fay, Patty, and Magda - it is a summer of significant change.

It's so nice to watch a heartwarming movie like this. I feel as though they keep trying to add more and more shock value to movies and there's a point where you just want to go back to wholesome. This was a feel good movie. I think we need to start feeling better.

The casting for this movie was masterful. Shane Jacobson was fabulous as rhe 1950's Aussie dad and Ryan Corr was perfect in his role as the Hungarian "reffo". He owned that character! Julia Ormond played a Slovenian fashion guru to a tee and the sets were marvellous. From the department store in Sydney centre to the flat by the water in Mosman and the suburban, red texture brick house in Granville... spot on. A feel-good movie that has you laughing and reflecting on it for days afterwards.