Everything Everywhere All at Once
- 2022
- Tous publics
- 2h 19min
Dans l'ascenseur menant au contrôle fiscal de leur laverie, Waymond, qui adopte un comportement bizarre, explique à sa femme qu'elle seule peut sauver l'univers en utilisant les aptitudes de... Tout lireDans l'ascenseur menant au contrôle fiscal de leur laverie, Waymond, qui adopte un comportement bizarre, explique à sa femme qu'elle seule peut sauver l'univers en utilisant les aptitudes de ses doubles provenant de mondes parallèles.Dans l'ascenseur menant au contrôle fiscal de leur laverie, Waymond, qui adopte un comportement bizarre, explique à sa femme qu'elle seule peut sauver l'univers en utilisant les aptitudes de ses doubles provenant de mondes parallèles.
- Réalisation
- Scénaristes
- Stars
- Récompensé par 7 Oscars
- 397 victoires et 379 nominations au total
- Security Guard
- (as a different name)
Résumé
Avis à la une
Felt Like I Was Seeing the Inside of My Own Mind on Screen
"Everything Everywhere All At Once" felt like the inside of my head. In a world of non-stop, 24/7 news, most of it bad, how is a person like me, who has trouble filtering out things that affect me directly from all of the other things that are just out there happening in general and over which I have no control, supposed to cope?
One answer is to decide that nothing matters anyway and give up caring. But that means deciding that my wife doesn't matter. And that my kids don't matter. And that art, and nature, and things that bring joy to my life, don't matter.
Another way is to decide that some things, ok maybe most things, don't matter, but that there are things that do, and those are the things that make it all worth it. I get to decide what those things are.
The first approach is nihilistic. The second approach is empowering. This film explores both approaches, and I was a sobbing mess at the end.
I will say there were times that I was a bit exhausted by this movie. It throws a lot on the screen and at the viewer, and occasionally it can't keep up with its ambitions. But this was mostly a home run.
Michell Yeoh does terrific work in this, but the MVP is Ke Huy Quan (Short Round from the "Indiana Jones" movies).
Grade: A.
Way overhyped
Bit incredulous at the amount of Oscars....
I have to say I found this film to be tedious and almost unenjoyable to watch. It feels like a film made for the TikTok generation - no overall coherence with nuggets of scenes rammed together. Is this a film I would ever bother watching again - absolutely not.
Yes it is different - in much the same way The Artist was (and who talks about that film anymore?) but that doesn't make it good. It aims for a profound message whilst its style is overwhelmingly superficial. It's a film with little artistic merit or dare I say beauty (I am talking about the scenes and cinematography here not the actors) and it definitely did not move me except to pray it was going to finish.
In short it barely ticks the boxes of what I'd consider to be essential criteria for a great movie. Maybe this is the first of a new wave of this type of film and I am not getting it but when it had finished I felt pretty much nothing.
One word: OVERRATED.
Literally 75% of the movie is fight scenes, like okay it was cool at the start but 2 hours in and still?? 'Everything Everywhere' is perfect for people with a short attention span because there's always something ridiculous going on. I understood what they were trying to do with the plot but honestly nothing stuck, it just felt shallow.
Don't get me wrong it's not a bad film, but it's nowhere near these 10/10 reviews that's being advertised.
Bizarre doesn't necessarily mean great!
It is basically a bombardment of your senses, which doesn't leave a good impression/taste.
Too much stupid fight sequences (poor story). Once over, you do not wonder about its "deep" meanings (if you manage to watch it until the end).
The commanding room is kind of copy/paste of The Matrix.
Not a good choice for an intelligent viewer.
A waste of time, money and senses... 5/10 max.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Bande-son
Le saviez-vous
- AnecdotesAll the VFX for this film were done by 9 people, including the two directors, with the majority of the shots being done by a core group of 5 people. None of the VFX team went to school for VFX. They were all friends who taught themselves with tutorials they found online for free.
- GaffesAt around 5:50 various items of equipment and crew including the boom mic operator can be seen in the reflections of the launderette dryer glass doors.
- Citations
Waymond Wang: [subtitles] So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you.
- Crédits fousWhispering voices speak throughout the end credits, seemingly coming from random universes, in random directions.
- Versions alternativesJenny Slate's character was originally referred to as 'Big Nose' in the theatrical release. Due to associations with Jewish stereotypes, the character's name was changed to 'Debbie the Dog Mom' in the credits for the digital and DVD/Blu-Ray releases.
- ConnexionsFeatured in Jimmy Kimmel Live!: Chris Pine/Ke Huy Quan/Wallows (2022)
- Bandes originalesLife Can Be So Delicious
Written by Daniel Kwan, Ryan Lott and Daniel Scheinert
Performed by Sunita Mani and Aaron Lazar
Meilleurs choix
- How long is Everything Everywhere All at Once?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Todo En Todas Partes Al Mismo Tiempo
- Lieux de tournage
- Font's Point, Anza-Borrego State Park, Californie, États-Unis(Universe of rocks: 33.2568°N, 116.2331°W)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 300 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 77 191 785 $US
- Week-end de sortie aux États-Unis et au Canada
- 501 305 $US
- 27 mars 2022
- Montant brut mondial
- 142 804 136 $US
- Durée
- 2h 19min(139 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1






