Detainment

I felt guilty watching this as I know that Denise Bulger, the mother of the murdered toddler, was so upset at its being released. This short film was excellently done and, if anything, brings James's story back up to people. May his memory be eternal.

The young actors did phenomenal jobs. If you want an example of an excellent child actor, watch this. I cannot wait to see them in feature-length films in the future.

This is such a disturbing real story and the script lines are based on the actual taped interrogations and confessions of the two ten-year-old boys that murdered in a gruesome, inhuman way the little James Bulger, a two-year-old baby. The case shocked the whole globe when it happened in 1993 and the two boys became the youngest convicted murderers of the 21st century. If you are parents, especially with little kids avoid this short film at any cost. One should protect himself from the sheer volume of human depravity and wickedness. Unfortunately, there are stories that they take a lot more than a strong stomach to digest.

Nevertheless, if one wants to evaluate the film itself it is a great achievement as it is much difficult to direct two young kids to portray the two murderers in such a masterful and convincing manner. Leon Hughes and Ely Solan are two names that, I am certain, will hear more in the near future. The director is Vincent Lambe, who shoots exclusively short-length movies such as "Broken Things" and "After the War", but this one is definitely his magnum opus so far. "Detainment" made the Oscar shortlist for Best Live Action Short Film 2019. There is a controversy around this nomination as Lambe didn't ask for the permission of little James Bulger's parents, something that is considered a major unethical move from the film's producers team. If you are a fan of the true crime genre. you should watch "Detainment" keeping always in mind the remarks I made at the beginning of my review.

I wasn't sure whether to watch this or not, I guess I was curious to see it after all the media reports about it, and of course it being nominated for an Oscar.

The acting is superb, especially by the two boys and the parents. I guess the film made me realise what the parents of the boys must have felt when realising the evil things their own child had done, that was hard to watch.

Do I think the film should ever have been made, I am honestly not sure, but films are quite often made without the consent of all involved.

What those two did, is the most evilest thing I have ever seen in my life, it disturbs me that they are now free.

I have never felt so sorry towards anyone as i do to James's parents.

RIP James

First off, these two child actors were phenomenal. I hope that-- if they are aware of the controversy around this movie-- none of it falls on them. I wish them the best of luck with their acting careers.

What to do with this movie? As with most true crime, there's always an ethical question lingering in the background of whether it was worth it to tell this story for an audience to consume it. This case was unique in that these two kids were tried as adults, and if you were to only ever see that on paper, you'd probably have a lot of questions, or you'd probably dismiss everyone involved as monsters.

And that's what feels like the question proposed to you, the audience; are these kids monsters and horrible people?

My answer is: yeah. I did not have much empathy for them. They both knew what they were doing in this tragedy, so they both need to pay the price. It's a story of those terrible fringe, edge cases where the parties involved fall right on the inner outlines of crime and punishment, and we get to examine what happens to people like them. What factors were involved, what their mentality was, what the crime was, etc..

While others touch on the point that little-to-no-attention was given to the victim or his family, to me it feels like the whole movie did: with the flashbacks in place and the alluding to how many people could've stepped in to do something about this, it feels like the victim's story was turned into a message of awareness: be aware if your kids are exhibiting this type of behavior, be aware if they are hanging out with others doing these types of things, be aware that this exists, because if you don't, we might lose another child.

I hope the worst is behind Denise. I hope these two boys seek help. And may James Bulger rest in peace.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

In February 1993, the body of two year old James Bulger was found on a railway line in Walton, Merseyside. Shortly after, two ten year old boys Robert Thompson (Leon Hughes) and Jon Venables (Ely Solan) were arrested and taken for questioning. This film is a re-enactment of the actual police interview, taken directly from transcripts. Whilst Thompson cracks under the pressure, Venables maintains a steely, hardened persona.

Last year marked the twenty-fifth anniversary of the murder of James Bulger by two ten year old boys, a crime that still strikes a massive blow on the cultural consciousness whenever it is resurrected on TV or in the media. And so this controversial Northern Ireland short production was produced, not apparently to cream off any publicity from the milestone. A further uncomfortable truth is the condemnation from the mother of the murdered boy, who has voiced her disapproval of the production (and was apparently not consulted!)

In thirty short minutes, director Vincent Lambe has to cram as much affecting material as he can into his production. And so, while we open with deceptively easy going shots of the boys larking about in the shopping centre, we are quickly plunged into the uncomfortable central setup of the interview room, where it all comes out. Hughes, as Thompson, is particularly upsetting, as the child assaulted with the full gravity of what he's done, reacting with an emotional wildness that is very unsettling. Equally so is the flashback sequences of the boys leading James to his doom, where just the image of the innocent little boy and his gradual breakdown is enough to churn your gut.

It's hard to think of many other cases where something so short leaves such a devastating impression, but this is definitely one case. In the throes of their performances, the child actors sometimes lapse back into their Northern Irish accents, losing their Liverpudlian dialect, but in being so integral to something so powerful and emotionally devastating, this is a very minor flaw that can be forgiven. Not an easy watch, or even something you'd want to see again, but still undeniably shattering. ****