Green Book : Sur les routes du sud

Some of my movie friends were stunned when I mentioned in a thread that this was my "People's Choice Award" vote for TIFF 2018 (it won, btw). I generally go for weightier fare, so my being won over by a PG-13 road film with the familiar "they-couldn't-have-been-more-different" premise directed by the auteur co-responsible for such recent classics as "Dumb and Dumber To" and "The Three Stooges" elicited a virtual double-take.

But I couldn't help it ... it really WAS the best film I saw (out of 17), and far and away the most entertaining. I think this is largely because it's based on a real-life story about the beginning of a lifelong friendship - a story that has writing participation by the son of one of the real-life characters. There's definitely an air of authenticity to the events as they unfold that could never occur with a purely contrived plot. Consider: A college-educated concert pianist of Jamaican descent hires a temporarily-unemployed Italian-American nightclub bouncer who's streetwise but academically dim to drive him to venues in the Deep South back in 1962. That's not a setup that a Hollywood script written from scratch would ever have come up with.

The two lead actors really click. Mahershala Ali makes a nice Oscar follow-up playing the aloof pianist passenger to Viggo Mortensen's "b.s. artist" driver. Ali is certain to get another nomination; Mortensen's performance may be a little too broad to garner one, but he delivers exactly what's called for. And he makes a believable Italian-American, which is impressive considering that he's Danish.

I'm allergic to preaching and heavy-handedness in movies no matter what the message, and with the exception of one borderline scene, I'd say that the movie nicely sidesteps these proclivities that surface so often in socially-conscious films.

The music and FX are excellent. When an actor plays a piano player, there's always the challenge of making the playing look believable. It doesn't get any better than it gets here - Ali's piano playing is every bit as convincing as Margot Robbie's ice skating in I, TONYA. You never see a disconnect between hands and body as he's filmed against a variety of backgrounds. And if I could bet on an Oscar win right now, it would be Kris Bowers for Best Original Score. (He also supplies Ali's hands, which should clinch it.)

Top everything off with a Capra-esque Christmas Eve finale and a closing line that sends everyone home smiling, and it all adds up to a monster hit. Its commercial payoff could be huge - the movie practically begs for a TV series spinoff, and the real-life characters remained friends until they both died in 2013.

So congratulations to Peter Farrelly on his graduation from co-directing lowbrow fare to solo-directing middlebrow (i.e. mass-appeal) fare. You can't deny the talent and craftsmanship it takes to make a mainstream movie that works as well as this one does.

Outstanding true story film showing that color doesn't define us, but how we act ourselves and towards others, does.

Great performances from the entire cast, especially Viggo Mortensen and Mahershala Ali who were perfectly cast and convincing in their roles. It was also great to see comedian Sebastian Maniscalco in this film as well.

Writer, director and producer Peter Farrelly nailed every aspect of this biography.

The score, cinematography, sets and visuals were all on point.

I'm not a fan of slow paced long films, but this was was close to an exception. I feel if the pace was picked up a bit and/or the 130 min run-time edited down to around 110 mins, this would have been a perfect 10 from me.

Excellent drama and comedy perfectly positioned throughout the film.

A well deserved 8/10 from me.

My main reason for watching 'Green Book' was due to me wanting to see as many 2018 films as possible, and that it had won the Best Picture Oscar (so naturally wanted to see too that it was that good). Like Viggo Mortensen as an actor, the film's concept was appealing and it looked appetising. Word of mouth, including from very trusted friends online and in real life, was very positive so there were plenty of other reasons too.

'Green Book' turned out to be when watching a very good film and nearly a great one with many fantastic things. Wouldn't go as far to say that it is my favourite film of 2018, and as far as the other Best Picture nominees go there was a preference for 'Roma' and 'The Favourite', but if to put it in a group of either best, solid middle and worst films of the year 'Green Book' would be closest to being in the best category of those three groups. It is a very, very well done film and its good intentions are evident throughout and noble.

It could have done with more grit in places, really do appreciate that it was trying not to be heavy-handed or trying to offend with a quite heavy theme but they could have done more with it and given a little more depth to what there was. Not saying it wasn't there, quite the contrary, just wish there was more.

Credit is due for the laudable and successful efforts in making the story accessible and it is one that easy to like and get into, but actually it could have afforded to do a little more risk-taking and have a little more complexity.

Viggo Mortensen though brings a lot of charm and entertainment value to his role, and Mahershala Ali is a dignified and very moving contrast. Their chemistry is wholly natural and beautifully irresistible (never feeling contrived or rushed) which provides a lot of 'Green Book's' heart, while their characters are more than just characters and instead feel very human. This is very different territory for director Peter Farrelly and it is surprisingly restrained direction from him and it suits the material very well. It's a lovely looking film too and affectionately photographed, while the music is beautifully chosen and fitted some nice nostalgic song choices here.

The script is thoughtful, charming and also moving, and regardless of anybody feeling that it is a little too accessible and could have done with more grit the story kept me riveted and left me moved, inspired and like my heart had been warmed. The YMCA scene is a powerful one and a character development turning point handled beautifully.

Summing up, one of those very good and nearly great films. 8/10

I understand why a lot of critics don't like this film, but at the same time I feel like they're making up their minds about what they think the movie is - or should - be about. They (who disagree with the film) will say that it diminishes the horrors that the black community faced in America during the 50's - and because of that they think it's a bad film. But I thought it was a good film; in my opinion it's not a movie about Shirley and his struggles facing ruthless racism - it's about Tony Lip's psychologically reforming journey changing his mind about black people through the witnessing of Shirley's experiences. And it's that central story line the critics are disagreeing with and eschews the whole film on the premiss that it should've been about something else (Shirley journey - not Tony's).

There are thousands - if not millions - of films about racism towards black people and their culture, and Green Book had a different perspective than the rest of them - by not focusing on the racism but on how the racism changed a man who wasn't a target of it. But that's obviously a big no-no according to these critics.

To me Green Book is about a white man thoroughly changing his whole mindset about something that he'd been conditioned to abide to his whole life.

A journey of reawakening in a Country like ours - Gore Vidal called it the United States Of Amnesia - the absurdity of the behavior in the Southern communities even the kindest ones have a jarring effect. Viggo Mortensen is sheer perfection as the all American Italian. The opening of his heart and of his mind is a total joy and Mahershala Ali provides another magnetic character to his already rich list of magnetic characters but what makes this film fly so high is the humanity that Mortensen and Ali infuse their characters with. I loved them and Green Book provided me with one of the most satisfying endings of 2018. It leaves you with the hopeful thought that perhaps we're not there yet but that we are on our way. Happy New Year!