Dans la banlieue d'un univers imaginaire, deux frères elfes se lancent dans une quête extraordinaire pour découvrir s'il reste encore un peu de magie dans le monde.Dans la banlieue d'un univers imaginaire, deux frères elfes se lancent dans une quête extraordinaire pour découvrir s'il reste encore un peu de magie dans le monde.Dans la banlieue d'un univers imaginaire, deux frères elfes se lancent dans une quête extraordinaire pour découvrir s'il reste encore un peu de magie dans le monde.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 4 victoires et 66 nominations au total
Tom Holland
- Ian Lightfoot
- (voix)
Mel Rodriguez
- Colt Bronco
- (voix)
Ali Wong
- Officer Gore
- (voix)
Grey DeLisle
- Dewdrop (Pixie Dusters Leader)
- (voix)
- (as Grey Griffin)
George Psarras
- Officer Avel
- (voix)
- …
Avis à la une
Doing a fulfilling movie for boys where the price of the quest is emotional wholeness and found love is a rare sight and not an easy task. Pixar succeeded by providing rich brotherly relationship, adventure, magic and finally love. It is much more a common message in movies for girls like Frozen, but I think that the magical combination of all the ingredients achieved by Pixar is important and entertaining at the same time. Wholeheartedly recommend it to anyone :)
A great film about siblings and the incredible bond they can share. I enjoyed every second, don't listen to the haters.
I didn't like the look of this, the animation, the content or the story.
I am glad I decided to watch it.
The film is set in a world where magic is replaced by technology because it is easier. Two young men get the opportunity to use magic to spend a single day with their deceased father. It doesn't go according to plan so they go on an adventure.
The story is simple but lean, the jokes are obvious but funny, the characters are stock but fleshed out.
This movie is really enjoyable and tugs at the heart strings.
There is nothing ground-breaking about this movie but it has a very big heart and is very well executed.
The film is set in a world where magic is replaced by technology because it is easier. Two young men get the opportunity to use magic to spend a single day with their deceased father. It doesn't go according to plan so they go on an adventure.
The story is simple but lean, the jokes are obvious but funny, the characters are stock but fleshed out.
This movie is really enjoyable and tugs at the heart strings.
There is nothing ground-breaking about this movie but it has a very big heart and is very well executed.
The premise for 'Onward' is a good one if not unique. Pixar have more creative concepts than the one here, such as 'Inside Out', 'Soul' and 'Coco'. Pixar has not been as consistent in the 2010s compared to before, more though when it comes to its sequels and prequels. The studio was very consistently high quality up to 'Toy Story 3' and has varied since that film in my view. 'Onward' is one of two, and the first, of their films released in 2020, the other being 'Soul'.
For me, 'Soul' was the marginally better film, more imaginative and more ambitious without being overly so. Yet 'Onward' is a great film in its own way and worthy of more attention than it does. Is it the most original film in the world story-wise? No, absolutely not though sometimes lack of originality is not always a bad thing (it's when it goes too far on that where it matters). It is good though that many liked or loved it. Pretty much all of what makes the studio's output when on particularly good form so high quality though are here in 'Onward'. While it is not one of their best, it's relatively under-appreciated.
Very little wrong here in 'Onward'. Other than the lack of originality, the only thing that could have been better is that if the pacing slowed down a little towards the end.
'Onward' however is highly successful in every other regard. The animation is stunning as has nearly always been the case (the only exception actually has been some of the character designs in 'The Good Dinosaur'), with such beautiful colours and meticulously detailed backgrounds. The music is always dynamic with the action and is never at odds with it, full of character, energy and pathos. The script is a perfect balance of genuinely hilarious humour and moving and not too sentimental emotion.
Pixar always did have mature storytelling, especially apparent in almost all the non-sequel output since 'Inside Out' (and including that film). 'Onward' is one of the particularly mature ones in this period and one of their particularly mature ones overall. For what it may lack in originality, 'Onward' more than makes up for it in exciting and nostalgic action, hilarious entertainment value, affecting (but not over-sentimental) emotional power and affectionate honouring of the fantasy genre.
It is also hugely successful in its depiction of the relationship between the brothers (doing for brothers what the 'Frozen' films did for sisters), a beautifully and realistically written bond that was also hugely insightful and relatable. Will admit that the ending did make me cry, one of Pixar's most poignant endings. The characters felt real and didn't come over as too perfect or have negative characteristics over-emphasised. The voice acting is on point, with Tom Holland being particularly splendid and the bond between him and Chris Pratt felt authentic.
Concluding, wonderful. 9/10.
For me, 'Soul' was the marginally better film, more imaginative and more ambitious without being overly so. Yet 'Onward' is a great film in its own way and worthy of more attention than it does. Is it the most original film in the world story-wise? No, absolutely not though sometimes lack of originality is not always a bad thing (it's when it goes too far on that where it matters). It is good though that many liked or loved it. Pretty much all of what makes the studio's output when on particularly good form so high quality though are here in 'Onward'. While it is not one of their best, it's relatively under-appreciated.
Very little wrong here in 'Onward'. Other than the lack of originality, the only thing that could have been better is that if the pacing slowed down a little towards the end.
'Onward' however is highly successful in every other regard. The animation is stunning as has nearly always been the case (the only exception actually has been some of the character designs in 'The Good Dinosaur'), with such beautiful colours and meticulously detailed backgrounds. The music is always dynamic with the action and is never at odds with it, full of character, energy and pathos. The script is a perfect balance of genuinely hilarious humour and moving and not too sentimental emotion.
Pixar always did have mature storytelling, especially apparent in almost all the non-sequel output since 'Inside Out' (and including that film). 'Onward' is one of the particularly mature ones in this period and one of their particularly mature ones overall. For what it may lack in originality, 'Onward' more than makes up for it in exciting and nostalgic action, hilarious entertainment value, affecting (but not over-sentimental) emotional power and affectionate honouring of the fantasy genre.
It is also hugely successful in its depiction of the relationship between the brothers (doing for brothers what the 'Frozen' films did for sisters), a beautifully and realistically written bond that was also hugely insightful and relatable. Will admit that the ending did make me cry, one of Pixar's most poignant endings. The characters felt real and didn't come over as too perfect or have negative characteristics over-emphasised. The voice acting is on point, with Tom Holland being particularly splendid and the bond between him and Chris Pratt felt authentic.
Concluding, wonderful. 9/10.
This movie will give you laughs as well as leave you in sobs. Fun, action-packed and emotional, it's a great watch.
Elven brothers Ian and Barley lost their father when they were too young to remember him. But on Ian's 16th birthday, they receive a special gift - something that can help revive their father for one day. But as expected, they mess up the spell and their father is left only with legs.
I do not know why this film is so underrated, considering it's full of that Pixar magic. Fantasy world? Ok, that's pretty common. Suburban fantasy world? You don't see that every day. It's a burst of imagination, really.
Unlike most films that shy away from deep themes and stay on the 'clear path', Onward shows how hard it is to lose someone. If you haven't seen it, watch today!
Elven brothers Ian and Barley lost their father when they were too young to remember him. But on Ian's 16th birthday, they receive a special gift - something that can help revive their father for one day. But as expected, they mess up the spell and their father is left only with legs.
I do not know why this film is so underrated, considering it's full of that Pixar magic. Fantasy world? Ok, that's pretty common. Suburban fantasy world? You don't see that every day. It's a burst of imagination, really.
Unlike most films that shy away from deep themes and stay on the 'clear path', Onward shows how hard it is to lose someone. If you haven't seen it, watch today!
Le saviez-vous
- AnecdotesOne of the most iconic monsters in Dungeons & Dragons is the gelatinous cube. Imagined by creator E. Gary Gygax himself in the very first edition of Dungeons & Dragons in 1974, the gelatinous cube is a staple foe that players encounter early on in their adventuring. (It has an entry-level challenge rating of "2" in the current version of D&D. That's low.) The cube moves slowly but can be very dangerous once it gets close, as it absorbs victims and slowly digests them while they float helplessly inside.
- GaffesWhen The Manticore is telling Laurel about the curse, she tears off her sleeves to reveal expository tattoos on her arms. However, when Laurel initially asks about the curse, The Manticore's left sleeve is already seen to be torn off as the tattoo is already visible.
- Crédits fousA nod to a role-playing classic in the closing credits: "Special thanks to the D&D team at Wizards of the Coast for use of The Beholder and The Gelatinous Cube"
- Versions alternativesThe movie is also presented in a 3D version, the IMAX-Enhanced version and the 4DX-Enhanced version.
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: Onward to Weird Hedgehogs (2018)
- Bandes originalesLet's Get It On
Written by Marvin Gaye & Ed Townsend
Performed by Marvin Gaye
Courtesy of Motown Records
Under license from Universal Music Enterprises
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- How long is Onward?Alimenté par Alexa
Détails
Box-office
- Budget
- 175 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 61 555 145 $US
- Week-end de sortie aux États-Unis et au Canada
- 39 119 861 $US
- 8 mars 2020
- Montant brut mondial
- 141 888 276 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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