N° 10

Many stories in a single movie packed into a half an hour is not something done easily. There's so much that's told visually than verbally. We see the dubiousness, hate and nothingness of lives through unique set of characters. Setup of backgrounds was something stands out. Consistent performances by the cast keep the story's puzzling as ever. The colour schemes throughout the story adds rigidity and cinematography leaves many avenues of thought open to dissect the story but it's safe to say that Gunter maybe imagining a whole lot slowly drowning in madness after nailing Marius whose been floating off the stage anyway. A great work of art that floats to outer space.

Goede Nederlandse film, goede plots en veranderingen. Het wordt absurd, maar GA. DIT. ZIEN! Donkere humor en goede dialogen met een hoop verrassingen.

One of the worst movies I've seen in a decade. The acting and writing of the first part is actually really good and believeable. The second part is what makes you forget the great acting from talents such as Bokma and Kesting. The second part is bad in every sense of the word. It's never creative and/or well worked out. It felt like jumping into a swimming pool covered with a thick layer of ice. Why this movie ever got funded beats me... the fact that it scores decently here on IMDB is something I just don't understand, but I can guess how that happened...

It would be very easy to spoil your enjoyment of this film if I revealed the unexpected direction the plot takes in its final 30 minutes. It is a twist that strains the viewers' credibility, a twist exposed like someone pulling the proverbial ace up the sleeve, when we have been trusting that it is a comedy-drama about infidelity between theater people who are rehearsing a new production, but once one accepts and adapts to the genre that the film suddenly assumes, "Nr. 10" is a pleasant experience that makes you smile gently. However, when one reconsiders the plot and, if possible, watches the movie again, clues abound throughout the story suggesting that something strange is going on.

An original film with a good script that maintains the viewers' curiosity without ever betraying their trust. Of special interest to atheists, theater artists and mystery fans. In the end the film serves its purpose.

This German oddity of a film is vaguely entertaining only because most of the films of 2021 were subpar in comparison. The film seriously bogs down in the second half, and it is not the fault of the fine actors involved. It is the fault of the writers. The pacing is terrible in the second half, as is the story line development. I can suspend disbelief, but I cannot suspend logic. Much of the second half of the film defies logic. Don't bother seeing this film unless you can see it for free like I did with a pass from my brother in law, Geoff, who is the theater manager of the multiplex where I live.