Fosse/Verdon

This is a great series. The way I can tell just two episodes in, is that when I start watching it, the hour passes in about five minutes. I can count on one hand the number of TV series that I have felt that way about. The last one was The Americans. I really enjoy the music and dancing even though there hasn't been much of either yet. If the remaining six episodes are anywhere near as good as the first two, FX will win some awards with this.

One episode to Go but really think that FX did a terrific job putting together this Production !! I am going to sign up for FX plus so I can watch from start to finish without interruptions. Comment further, then......also having fun researching these real characters.

"Fosse/Verdon," a miniseries on the FX cable network, is a well above-average show business biopic starring Sam Rockwell (Oscar winner, "Three Billboards Outside Ebbing, Missouri") as director-choreographer Bob Fosse, and Michelle Williams ("Manchester By the Sea," "My Week with Marilyn," four-time Oscar nominee) as actress and dancer Gwen Verdon.

Rockwell and Williams, actors who can each change their screen personas dramatically, bring an authenticity both ebullient and tormented to the story of the legendary couple's troubled personal and professional relationship.

Set against faithfully restaged moments from their stage and movie hits, productions ranging from "Damn Yankees" and "Sweet Charity" to "Cabaret," the miniseries does what show business has always done enthusiastically, and well -- turn inward, both celebrating and condemning itself in an almost voyeuristic way.

The show biz odds and ends presented here and there are accurate, but later generations who weren't around when Fosse and Verdon were in their prime producing these hits will unquestionably view the pair's work in an entirely different light after viewing this miniseries, which in some ways seems unfortunate. It could color and taint one's appreciation of their undeniable individual brilliance.

You'll have to decide whether that's something you want to do, but either way, there's no denying this is a top-notch effort in exploring who they were and what went on behind the scenes. It begs the question of how performers can so compartmentalize, performing at such a high level even as their personal lives are in tatters.

The 1979 theatrical release "All That Jazz," a popular and critically acclaimed semi-autobiographical musical drama directed by Fosse, inspired by his manic effort to edit his film "Lenny" while simultaneously staging the 1975 Broadway musical "Chicago," is bigger and splashier, but this production (based on Sam Wasson's much-praised biography, "Fosse") cuts closer to the bone, probably because both central characters are gone now (Fosse died in 1987, Verdon in 2000).

Expect to hear about "Fosse/Verdon" at awards time, and deservedly so.

Partly due to the non-linear timeline of this series, I think it helps if the viewer is familiar with the work of Bob Fosse and Gwen Verdon. My introduction came during the Broadway run of "Dancin' ", the amazing dance revue that inspired my love of Broadway, musical theater, and the style of Bob Fosse.

After watching the first two episodes, I am pleasantly surprised, due especially to the performance by Michelle Williams (Verdon). She seems to embody Verdon, even to the point that any issues I have with her representation of the dancing are merely quibbles. She conveys the nuances of the Fosse dance mannerisms and the subtleties of a woman who led a confused life under the influence of the infuriating Fosse.

Sam Rockwell delivers a convincing depiction of Fosse. I prefer it to the Roy Scheider portrayal in "All That Jazz". Rockwell's Fosse is meticulous, quiet, emotionally distant and possessing a ruthless honesty that manages to betray him when personal relationships get tough.

The show demonstrates the unique language of dance and style that Verdon and Fosse shared. Fosse had an addictive personality, so it is no surprise that their relationship revolved around the muse-meal ticket disjunction. Other productions have focused on a woman's love for a flawed man. "Fosse/Verdon" tells the same story and is quite believable. She clearly loves him more than he loves himself.

As with the TV show "Smash", I love the behind the scenes look at the creative processes and the personality conflicts.

Watch for Paul Reiser as Cy Feuer. In upcoming episodes, I am looking forward to the portrayal of Ann Reinking, among others.

More than the story, the acting is the source of fascination. Michelle Williams and Sam Rockwell are just admirable. The atmosphere, embroidery of music, image and make-up is great. A serie like a perfect past travel. And something easy to define more as magic than hommage.