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Shōgun
S1.E7
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A Stick of Time

  • Épisode diffusé le 2 avr. 2024
  • TV-MA
  • 55min
NOTE IMDb
8,3/10
9,1 k
MA NOTE
Shinnosuke Abe and Anna Sawai in A Stick of Time (2024)
Shogun: Toranaga Meets With Saeki
Lire clip4:47
Regarder Shogun: Toranaga Meets With Saeki
1 Video
11 photos
ActionAdventureDramaHistoryWar

Face à de nouvelles alliances à Osaka, Toranaga est contraint de conclure un nouvel accord avec un parent perdu de vue depuis longtemps.Face à de nouvelles alliances à Osaka, Toranaga est contraint de conclure un nouvel accord avec un parent perdu de vue depuis longtemps.Face à de nouvelles alliances à Osaka, Toranaga est contraint de conclure un nouvel accord avec un parent perdu de vue depuis longtemps.

  • Réalisation
    • Takeshi Fukunaga
  • Scénario
    • James Clavell
    • Rachel Kondo
    • Justin Marks
  • Casting principal
    • Hiroyuki Sanada
    • Cosmo Jarvis
    • Anna Sawai
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,3/10
    9,1 k
    MA NOTE
    • Réalisation
      • Takeshi Fukunaga
    • Scénario
      • James Clavell
      • Rachel Kondo
      • Justin Marks
    • Casting principal
      • Hiroyuki Sanada
      • Cosmo Jarvis
      • Anna Sawai
    • 18avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Shogun: Toranaga Meets With Saeki
    Clip 4:47
    Shogun: Toranaga Meets With Saeki

    Photos11

    Voir l'affiche
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    + 6
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    Rôles principaux31

    Modifier
    Hiroyuki Sanada
    Hiroyuki Sanada
    • Yoshii Toranaga
    Cosmo Jarvis
    Cosmo Jarvis
    • John Blackthorne
    Anna Sawai
    Anna Sawai
    • Toda Mariko
    Tadanobu Asano
    Tadanobu Asano
    • Kashigi Yabushige
    Tokuma Nishioka
    Tokuma Nishioka
    • Toda Hiromatsu
    Yuki Kura
    Yuki Kura
    • Yoshii Nagakado
    Yûko Miyamoto
    Yûko Miyamoto
    • Gin
    Moeka Hoshi
    Moeka Hoshi
    • Usami Fuji
    Yasunari Takeshima
    Yasunari Takeshima
    • Muraji
    Shinnosuke Abe
    Shinnosuke Abe
    • Buntaro
    Hiroto Kanai
    Hiroto Kanai
    • Kashigi Omi
    Yuka Kouri
    Yuka Kouri
    • Kiku
    Eita Okuno
    Eita Okuno
    • Saeki Nobutatsu
    Takaaki Hirakawa
    Takaaki Hirakawa
    • Lord Mizoguchi
    Kai Coulter
    • Young Toranaga (12 years old)
    Ryo Hayashida
    • Tough Green Samurai
    • (as Ryohei Hayashida)
    Kristopher Hori
    • Young Hiromatsu (20 years old)
    Masaru Hirakawa
    • Messenger Samurai
    • Réalisation
      • Takeshi Fukunaga
    • Scénario
      • James Clavell
      • Rachel Kondo
      • Justin Marks
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    8,39.1K
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    Avis à la une

    8Abdulxoxo

    New Brother, New Power Play

    First off, let's talk about the new player in town: Toranaga's brother. I was immediately intrigued by his arrival, and the way the episode builds up his presence before we even meet him is masterful. We've heard whispers of his influence and the potential threat he poses, so when he finally steps onto the stage, it feels like a momentous occasion. His interactions with Toranaga are fascinating to watch, as they're steeped in both familial tension and political calculation. The dynamic between the two brothers is a fresh and compelling addition to the series.

    The stakes feel higher than ever, and there's a real sense of danger lurking beneath the surface. Toranaga's maneuvering, as he tries to anticipate and outmaneuver not just his brother, but also his other rivals, is brilliant to watch. It's like a high-stakes game of chess where every move counts, and one wrong step could lead to disaster. The tension is palpable, and I found myself on the edge of my seat, trying to predict who would come out on top.

    The ending of the episode is particularly well-executed. Without giving too much away, let's just say that the final moments are both shocking and satisfying. There's a sense that the carefully laid plans of several characters are starting to unravel, and the consequences are going to be dire. The way the episode builds up to this climax is masterful, and the payoff is worth the wait. It's one of those endings that leaves you with your jaw on the floor, eager to see what happens next. I have to give credit to the writers and directors for pulling off such a tense and impactful conclusion. It's the kind of ending that reminds you why you're invested in the story and its characters in the first place.

    However, as much as I enjoyed the episode, it's not without its flaws. The pacing, while generally good, does drag in certain parts. There are a few scenes that feel more like filler than necessary plot development, particularly some of the extended sequences with Anjin. Don't get me wrong, I appreciate the character-building moments, but there are times when it feels like the story is treading water instead of moving forward. Anjin's journey is important, and I understand the need to show his growing integration into Japanese society, but some of these scenes could have been trimmed down to keep the momentum going.

    That said, these weaknesses don't overshadow the strengths of the episode. The arrival of Zataki adds a new layer of complexity to the story, and the political chess game between the brothers is gripping to watch. Overall, Episode 7 is a strong installment that successfully raises the tension and sets the stage for the conflicts to come.
    9irinaratcu

    A leap in time

    As a big fan of the book, I was concerned going into this. James Clavell's vision is so immersive, so precise, I didn't think the creators would pull off a faithful adaptation. Yet somehow, they did. I know Star Wars fans will see the word "somehow" and immediately downvote my review before reading the rest, but I can't help it. Magic can't be explained in the case of Shogun. It is one of the rawest and purest depiction of the time period I've personally seen on screen, and that is owed in no small part to the genius that is Hiroyuki Sanada. His involvement elevates this project to unspeakable heights. I know it sounds like I'm exaggerating, but this show has brought me so much joy. We are but a few episodes away from the finale but I can't forsee even the slightest dip in quality, because it's clear that Rachel Kondo and Justin Marks respect the source material but also have tremendous passion for the story they're telling. I'll admit that I'm bitter - Game of Thrones broke my heart. I've witnessed what happens when you stray from the source material and let your ego guide you. Thankfully, that isn't the case with Shogun. It saddens me that we won't get a season two, just because of how brilliant this gem of a show is. But hats off to both creators for respecting their audience's time. As it is now, Shogun is perfect to me and I have no doubt they'll stick the landing. It's a great year for TV...
    10moviesfilmsreviewsinc

    Story is so beautiful, and True Japanese culture

    A Stick of Time, a new episode of Shogun, opens after a bloody battle, showcasing the show's unflinching portrayal of feudal carnage. The scene features battered corpses and close-up beheadings, but the viewer may feel let down when a man shouts "The war is over!" The show then reveals that the scene is the aftermath of Toranaga's first battle 46 years prior. The young warrior accepts his enemy's surrender and assists him with his seppuku. Toranaga's political maneuvers have been observed since Shogun's pilot episode, and this scene is possibly the most revealing of his character. Toranaga, a man with strong warrior instincts, seeks to make amends with his long-lost brother, Lord Saeki, but their rift is not due to lingering resentment. After a good-natured ribbing, Toranaga and Lord Saeki decide to let bygones be bygones. Toranaga still dislikes his "mongrel half-brother" and uses a tactic to win him over, using top-tier prostitutes. The Anjin is curious about his role in the Crimson Sky plan, but Blackthorne isn't shocked when Toranaga declines to divulge details. The exchange contributes to the mounting friction between these uneasy allies, as Toranaga has never been one to post his plans on a billboard. The Anjin's uneasy allies are influenced by the Anjin's refusal to disclose details, highlighting the tension between their uneasy allies. Omi, upset that Saeki is taking up Kiku's time, redirects his anger to Blackthorne, accusing him of soiling Gin's tea house. Gin, unperturbed, suggests Kiku is infatuated with someone else. The show's dynamic female character, Fuji, embodies the best traits of Toranaga, Blackthorne, and Mariko, providing the clearest thematic link between their storylines. Fuji's conflicting emotions remind us that she shares Blackthorne's courage and Toranaga's commitment to duty, while also possessing Mariko's knowledge of the futility of it all. Saeki publicly disrespects Toranaga, leading to an act of betrayal that makes a story of childhood incontinence look like kids' stuff. His official reasons for betraying his brother and nephew to the Council of Regents might be political, but it's clear that he was primarily motivated by old-fashioned sibling rivalry. Yabushige, who has been playing both sides of the fence, is also uncertain about his allegiances. Gin's wisdom and entrepreneurial ambition come to the fore as she shares her vision of a brighter future in which courtesans are unionized and allowed to work together in a centralized brothel district.
    2southside721

    It's Losing Me

    Ok, I'm older. I've read the book multiple times, I've seen the 80s miniseries 3 times. This isn't Clavell's Shogun.

    This is GoT - lots of promise but crashing and burning.

    This is Bram Stoker's Dracula - a much praised movie, that deviated massively from Bram Stoker's novel.

    We have 3 episodes left? Maybe I missed it and there's a season 2 coming, but this series is losing me. Seems like the last few episodes, barring a few moments, is the same actors sitting around in the rain in Anjiro mildly plotting, going over the same nonsense over and over. Blackthorne whining about his ship, Buntaro whining about his wife & Blackthorne. Mariko being a grump about literally everything.

    They've accomplished almost nothing since the daring escape from Osaka - Blackthorne is still a useless, whiny "barbarian" where in the book by this time, he's much more accomplished with his Japanese, has Samurai warriors, etc. Him and Mariko are firmly in love -

    I could go on and on. This had a lot of promise but started falling apart a couple episodes ago.
    8nerrdrage

    veering from the original story but I'm still interested!

    This was a dark, dire episode that does a great job of setting up tension with the nerve jangling music, the grey-and-green pallete, the misty deep forests that seem to be clothed in perpetual night.

    We also get more insight into the characters, not just the big three, and hear about their hopes and fears and perspectives on what is happening. Yabushige's nephew seems to be on a collision course with Toranaga now, as Buntaro is on a collision course with Blackthorne.

    The details of this episode are very Game of Thrones-y. That's all I'll say, to avoid spoilers.

    At the end, Blackthorne seems poised for a different journey that diverges from the one Toranaga and his clan are on. But since they're in the same story, we can be assured their paths will cross again, probably in the next episode.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      A ri is a Japanese unit of measurement that is about 3.93 kilometers, or 2.44 miles. It is defined as the distance a person can walk in an hour at a reasonable pace.
    • Citations

      Yoshii Toranaga: Why is it that only those who have never fought in a battle are so eager to be in one?

    • Bandes originales
      The Pull of Death
      performed by Atticus Ross, Leopold Ross & Nick Chuba

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    Détails

    Modifier
    • Date de sortie
      • 2 avril 2024 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Japonais
    • Lieux de tournage
      • Vancouver, Colombie-Britannique, Canada
    • Sociétés de production
      • DNA Films
      • FX Productions
      • Gate 34 Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      55 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • Dolby Atmos
    • Rapport de forme
      • 2.00 : 1

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