Tre Piani

Another Moretti typical setting so plenty of Rome and silences, rich houses and spoiled people. Yet it is not forcibly filled with Italian stereotypes. Nanni Moretti is still bringing realism to the table. The move is interesting and can be seen just following along the plot without paying much attention but I am convinced there are different level of interpretation and maybe it's personal based on each one relation to a character or a situation.

After reflecting upon it, I come to the conclusion that the movie is about psychology. All the main characters have an obsession that profoundly affect their lives and their beloved ones.

This subtle fil rouge is worth all the movie.

Very bitter but powerful drama which follows the stories of the tenants of three apartments, placed on three different floors of a small residential condo in Rome. They make tough choices - each one obeying to what they belive is right.

Time exposes them to the consequences of their decisions and to the causes of their suffering. This leads to a few changes of perspective,when the reasons of the others are eventually seen and understood.

The aesthetics, pace, decoration, costumes and cinematography remind us the best legacy of the Italian cinema. Nice performances and staging in a very beautiful, deep and humane Italian movie.

Three Floors finally made it to the US. It did not receive theatrical distribution, but at least the film is viewable on Mubi. How is it possible that the films of one of the most important living filmmakers today are so hard to see? An author whose films are consistently selected at Cannes?

The title Tre Piani refers to the three floors of an apartment complex in Rome, and the lives of its occupants, but also to the three time periods that are covered in the film, and likely to the at least three layers of interpretation of the film.

Three Floors was poorly received at Cannes in 2021. It is certainly not a typical Moretti film, but that's what makes it new, refreshing and intriguing. It is an austere film, unclassifiable, moving from dramatic to emotional to disturbing from scene to scene. It defies expectations consistently, taking the audience on a true discovery journey. Rarely have I watched a film that was so unpredictable.

Like all great films, it contains many layers of interpretation, and I will not claim to have even fully explored the first layer. But what I can say is that even at its first level, the movie is engaging, emotional, and thoughtful at once. The screenplay and the acting are exceptional, as so is the directing, of course.

One of the main questions the film asks is "how do you film a truly dramatic story?" or even "how do you make a melodrama?" While remaining honest, non-manipulative. Three Floors provides a definitive answer, touching our hearts and souls, while respecting every character as well as the audience. A film not to be missed.

A film who I love. For the honest perspective of relations between neighbors, for the clear portrait of relations children - parents, for the fair image of marriage crisis, for the gentle and precise exploration of emotions and reactions and truth.

Three families living, for 30 years, in same building.

Each five years mark a change in their lives.

And their reactions, about a son killing a woman, about a senile man and a little girl and their presumed relation in vision of father, about a mother animated by a menthal ill, like her mother, about a young woman and her first sexual experience are pieces of connections, falls, hope, new beginnings, fears and sources of courage and reconciliation.

A beautiful film in profound sense, proposing more than individual story but reminding, in inspired way, the universe defining Nanno Moretti creation.