Storia del treno e del passaggio a livello

In 2018 Marco Greco (director of Torino Psychodrama Theatre of AIPSIM) found in France a video produced in 1956 by RTF (which everyone believed had disappeared), directed by Roberto Rossellini and filmed by Claude Lelouch, of a psychodrama experiment directed in Paris by Jacob Levi Moreno. Also participating in this first psychodrama experiment in television is Anne Ancelin Schutzenberger, the Moreno's student who would become famous throughout the world for her research on the inter-generational transmission of the unconscious in families. In the video, Schutzenberger, urged by television officials, often repeats the french words "Vite! Vite!" (Quick! Quick!) to speed up work times. In fact the Rossellini-Moreno video was cataloged with the strange title "Vite! Vite!". It is surprising that the French expression "Vite! Vite!" which in Italian also means "Lifes! Lifes!") is also present in a dream of Ottavio Rosati enacted in a psychodrama realized 35 years later for the TV program "Da Storia Nasce Storia": "Storia del treno" the only one that investigates the inter-generational unconscious. All this represents an incredible phenomenon of synchronicity. Two psychodrama experiments carried out by two television companies: RTF in 1965 and RAI in 1991 have in common the passage of time and the words "Vite! Vite!". Another coincidence between the two psychodramas (that of Moreno directed by Rossellini and that of Rosati directed by Claudio Bondì, a pupil of Rossellini) is that both have been made public in the form of videos in the same year (2018) because both RAI and the RTF never transmitted them, considering them too complicated for the TV audience. Last but not least, Rosati received the first copy of the DVD Rossellini / Moreno, published by Istituto Luce, one minute after completing the authoring of the DVD on his documentary "La Moda Proibita" about Roberto Capucci, published by Istituto Luce Cinecittà.

References Il corpo e l'albero (il lavoro trans-generazionale di Antonio Bertoli) (2013)