L'idée d'être avec toi

I saw this last night at the Atlanta Film Festival alongside a friend who is also in her 40s. We went into it calling it "the Harry Styles fanfiction movie" and knowing it was going to be a bit of a fantastical and sexy romp, but we both agreed at the end that we were surprised at how emotional we got watching it. I guess I shouldn't actually be surprised at this knowing that Jennifer Westfeldt was one of the writers, since I'm a huge fan of how she portrays women and relationships. (Kissing Jessica Stein is one of my major cultural touchstone movies.) I'm also a big Michael Showalter fan, but had never really associated him with telling this kind of story before. He gave a Director Q&A after, and I really appreciated hearing him talk about the process of making this, especially with regards to not making Hayes or the idea of being in a boy band a "joke" or something to poke fun at.

The best part of this movie is the fact that it shows something we rarely see on screen: the idea of a woman in her 40s being found intriguing, sexy, and desirable, and the object of pursuit by a younger, attractive man. The way that it achieves this is nothing new to movies - love at first sight, Solene being the only woman he can think about, and that she stirred something in him that no one else can. This is a common mechanism in female fanastical romances (see also: Fifty Shades of Grey) because, well, it's one of the biggest fantasies we all have, especially for heterosexual women. (Let's hope that it doesn't spawn an epidemic of middle-aged women "accidentally" breaking into band trailers at music festivals.) But it does, at its core, speak to a fantasy that anyone who wants to be loved has: that we will be seen for who we are, not for our familial or life situation, the wrinkles on our face, or the birthdate on our driver's license.

The other unique thing that the movie portrays is the idea of men being emotionally vulnerable. The way that you see Hayes falling for Solene and expressing his feelings about her is not something you see very often with male leads. Again, this may be a bit of a heterosexual female fantasy, but I think it comes at a time when society is beginning to be more accepting and understanding of the need for men to be able to express their emotions. If you want to know why so many women love The Notebook (another fantastical romance), think about how you see Ryan Gosling's character show just how emotionally attached he is to Rachel McAdams's character. You don't see this in that many movies, but when you do, there's a very good chance that women love it.

The film also makes good points about the hypocrisy of society with how Hayes and Solene's relationship is treated, how no one bats an eyelash when male celebrities date women 10, 20, even 50 years younger than they are (ahem, Robert De Niro and Al Pacino), but the idea of a woman dating a younger man is scandalous. This is a point made by Annie Mumolo, who I always love to see on screen, but who is regrettably underutilized here as the best friend character. There is definitely a feminist undercurrent to the movie, including some really cute lines made by Solene's daughter, but it's doesn't hit you over the head with it.

Although there are some areas I would've liked to have been handled better, such as the scene where there's tension with the other band members, overall it's a sweet and emotional movie that gives us something I think all women would agree that we want: recognition that we are more than just our age.

The film resonated personally with me as it delved into the complexities of age-related relationships, striking a chord with how societal judgments can shape our experiences and influence our loved ones. Anne Hathaway's performance, as always, was captivating, effortlessly embodying the nuances of her character. Her portrayal added depth to the narrative, earning a solid 7 out of 10 for her remarkable portrayal and the overall execution of the storyline. The cinematography beautifully captured the essence of the narrative, enhancing the viewing experience. The production design recreated the world of the characters, immersing the audience in their reality. Moreover, the emotional impact was profound, leaving a lasting impression on the viewer. Overall, Hathaway's adept performance, coupled with the engaging plot, stunning visuals, and emotional resonance, resulted in a thoroughly enjoyable cinematic experience, deserving of its commendable rating.

Take the 2023 Jennifer Lopez film Marry Me, mix it with the 1999 Julia Roberts film Notting Hill, and you get this movie basically.

Good for what it is. But, why do people have to go and make things so complicated, in the words of Avril Lavigne?

This movie was pleasant, but also frustrating because the female character was too hung up on her age and what other people thought. Meanwhile, she had a literal Prince charming they're waiting for her, time and time again. All that precious time wasted, worrying over nothing.

If anything, this movie demonstrates why people shouldn't let anything get in the way of true love, how silly it is to do so.

My wife and I watched this movie on its first day of streaming on Prime. We expected it to be a lightweight but entertaining rom-com but we were completely wrong. It is much more than that. It examines a number of societal issues, including:

The verbal abuse an older woman takes if she dates a much younger man.

The role of paparazzi and social media in inflaming a situation.

The realities of balancing motherhood and social life.

It also plays on one of my favorite themes, the reality of random events determining our direction in life. Anne Hathaway is Solène, a divorced woman just turning 40. She owns an art gallery, she also has a teenage daughter. One day as her ex-husband is about to take the daughter and friends to Coachella he pulls out due to business in Houston, Solène fills in. In another random, accidental incident she goes into the trailer of a well-known, 24-yr-old entertainer, thinking it was the restroom, and meets him.

Nicholas Galitzine, British actor, plays the young entertainer, Hayes. He is a member of a boy band and takes an immediate liking to Solène. Her first reaction is "I am too old for you." His reaction is "I don't care."

This is a well-done movie, the situations and dialog are interesting, the sound track is very good.

It's hard to believe Anne Hathaway is the same age as Bette Davis as Margo Channing in "All About Eve". However, Hathaway truly owns 40 in this 2024 romcom as she plays Solene, a successful Silver Lake art gallery owner still smarting from a divorce three years prior. While taking her teenaged daughter to Coachella, she meets Hayes Campbell, the 24-year-old lead singer of globally popular boy band August Moon. Sparks fly immediately, and homemade sandwiches lead to an extended rendezvous on a world tour. While Nicholas Galitzine fulfills the limited contours of his role as a smitten pop star, it is really Hathaway that delivers the goods giving an accomplished performance that finally adds maturity to her natural effervescence. Directed by Michael Showalter (whose last film was 2022's underrated "Spoiler Alert"), the movie definitely swerves with predictable plot turns, but at least thanks to the observant script by Showalter and the wondrous Jennifer Westfeldt, it moves with a certain aplomb that makes it watchable. Enough with the Hathahate.