Ajouter une intrigue dans votre langueWhen a murder remains unsolved, 3 boys suspect and harass a reclusive indigenous man. One boy decides to break the cycle to make amends, however the inertia of past actions bring multiple ch... Tout lireWhen a murder remains unsolved, 3 boys suspect and harass a reclusive indigenous man. One boy decides to break the cycle to make amends, however the inertia of past actions bring multiple characters to a crossroad and thrilling climax.When a murder remains unsolved, 3 boys suspect and harass a reclusive indigenous man. One boy decides to break the cycle to make amends, however the inertia of past actions bring multiple characters to a crossroad and thrilling climax.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 6 nominations au total
Luke J. Morgan
- Chris
- (as Luke Morgan)
Avis à la une
Watched this film as part of the Saint Louis Film festival, and I was happily surprised by the scenography and the story line. It was an easy film to follow and very entertaining. All the characters come together great, great actors. Highly recommend this film to everybody.
Directed by Steven J. Mihaljevich, The Xrossing is a compelling, moving and uniquely Western Australian film.
Opening with hazy, suburban scenery and the sweeping bushland of Swan View, the scene reveals the brooding murder of a young girl, Tracey Myers. Surrounded in mystery, her death begins to unravel loose ends. Without revealing too much, the ensuing chaos and multiple story arcs climaxing together will have you on the edge of your seat.
For those who have the pleasure of experiencing this film in all its glory, it's none other than a beautiful reminder of how human connection remains a central driving force, no matter the story.
Opening with hazy, suburban scenery and the sweeping bushland of Swan View, the scene reveals the brooding murder of a young girl, Tracey Myers. Surrounded in mystery, her death begins to unravel loose ends. Without revealing too much, the ensuing chaos and multiple story arcs climaxing together will have you on the edge of your seat.
For those who have the pleasure of experiencing this film in all its glory, it's none other than a beautiful reminder of how human connection remains a central driving force, no matter the story.
A great Australian movie by a very talented film maker. I enjoyed this movie for a number of reasons, one of which was the beautiful bushland scenes in the hills of Perth.
However, scenery alone is not enough to keep the viewer glued to the seat in anticipation, and in this regard the film really came through in so many ways.
To pick a favourite actor is difficult but I was moved by the Indigenous character played by Kelton Pell.
The actors played their roles to perfection bringing in all the emotions, drama, twists and turns that keeps you waiting for the next move. Bravo to the film maker, to the actors and to all who helped bring this fine film to the cinema! Highly recommended.
However, scenery alone is not enough to keep the viewer glued to the seat in anticipation, and in this regard the film really came through in so many ways.
To pick a favourite actor is difficult but I was moved by the Indigenous character played by Kelton Pell.
The actors played their roles to perfection bringing in all the emotions, drama, twists and turns that keeps you waiting for the next move. Bravo to the film maker, to the actors and to all who helped bring this fine film to the cinema! Highly recommended.
This riveting locally shot film revolves around the repercussions of the murder of a young girl in the Swan Valley. Three teenage boys decide that a quiet Noongar man Black Bobby (Kelton Pell), who keeps to himself, is the perpetrator. Riding their bikes through the bush and armed with spray cans, they set off a chain of events that cumulate in a shocking ending.
This film is not a murder mystery that tries to find a murderer, though there are hints dropped if you watch the flashbacks carefully. It is a drama about prejudice, violence, ignorance, revenge and redemption. At its heart are several multi-dimensional characters whose decisions charge the directions of their lives forever.
Unlike his mates Shane (Jacob O'Neill) and Angus (Jamie Smith), Chris (Luke Morgan) manages to break the cycle of prejudice and violence and veer from the path of toxic masculinity. He is strong enough to resist his peers and intelligent enough make amends for injustice with the support of girlfriend Abbey (Georgia Eyers).
It is distressing to watch less enlightened characters get caught up in the whirlpool of hate and eventually self-destruction. Mihaljevich is absolutely mesmerising as Shane's half brother and local drug lord Phoenix as he careers towards an inevitable crisis.
Former high school drama teacher Mihaljevich, who lives in Swan View, has already received awards for his low budget drama (below $250,000) - winning best film in the micro-budget category at the Toronto Independent Film Festival. This is not a brilliant Western Australian film - it is a brilliant film for the world stage.
This film is not a murder mystery that tries to find a murderer, though there are hints dropped if you watch the flashbacks carefully. It is a drama about prejudice, violence, ignorance, revenge and redemption. At its heart are several multi-dimensional characters whose decisions charge the directions of their lives forever.
Unlike his mates Shane (Jacob O'Neill) and Angus (Jamie Smith), Chris (Luke Morgan) manages to break the cycle of prejudice and violence and veer from the path of toxic masculinity. He is strong enough to resist his peers and intelligent enough make amends for injustice with the support of girlfriend Abbey (Georgia Eyers).
It is distressing to watch less enlightened characters get caught up in the whirlpool of hate and eventually self-destruction. Mihaljevich is absolutely mesmerising as Shane's half brother and local drug lord Phoenix as he careers towards an inevitable crisis.
Former high school drama teacher Mihaljevich, who lives in Swan View, has already received awards for his low budget drama (below $250,000) - winning best film in the micro-budget category at the Toronto Independent Film Festival. This is not a brilliant Western Australian film - it is a brilliant film for the world stage.
An amazing west Australian film that hollywood would not gave been able to replicate for $20 million!
Shows the innovation and brilliance of films coming out of WA. Watch this film! Story, cinematography, tradition, performances, everything. A rare film where the director steals the scene every time he's on screen!
Shows the innovation and brilliance of films coming out of WA. Watch this film! Story, cinematography, tradition, performances, everything. A rare film where the director steals the scene every time he's on screen!
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- Bandes originalesHow Dreams End
written by Kulija
performed by Kulija
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Détails
Box-office
- Budget
- 80 000 $AU (estimé)
- Montant brut mondial
- 27 864 $US
- Durée
- 1h 48min(108 min)
- Couleur
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