Charlot marin

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

From his Essanay period after leaving Keystone, 'Shanghaied' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'Shanghaied'.

'Shanghaied' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repetition.

On the other hand, 'Shanghaied' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

While not one of his funniest or original, 'Shanghaied' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight, it's also very charming and sweet without being cloying.

Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well, notably Billy Armstrong.

In conclusion, pretty good. 7/10 Bethany Cox

While the Keystone pictures made Charlie Chaplin a star, the Essanays made him world famous. With such success comes great confidence. Shanghaied is a real confidence picture.

If you look at the first series of real gags, when Charlie is hitting his soon-to-be crewmates over the head one after the other, the whole thing is done in a single shot. And it is essentially just the same gag repeated several times. The comedy actually lies in the fact that we know exactly what is going to happen, we just don't know exactly when it will happen and how each man will react. For the final mallet blow, the moment leading up to it is stretched out as long as possible for maximum funniness. To be able to pull off a sequence like this, you need to have faith in your own ability to make people laugh, and this is something Chaplin now had.

Aiding and abetting Charlie are the usual rogues' gallery of supporting players. Among the notables here are Leo White, appearing without his usual "Frenchman" get-up, but still very funny, and John Rand as the ship's cook. This was Rand's second picture with Chaplin, and the way he brilliantly plays off the tramp without stealing the scene would earn him a long-term placement in the comic's stock company.

In fact throughout this picture, it is the other performers who actually do the most, while Charlie appears as a fairly insignificant figure amongst it all. And yet he always remains centre of attention. For example in the scene where he directs the crane which has inadvertently hooked the rest of the crew, he is orchestrating the chaos. To be able to pull this off again requires not only skill but overriding confidence in that skill.

And so, we come to the all important statistic – Number of kicks up the arse: 17(!) (3 for, 9 against and 5 other)

A ship owner intends to scuttle his ship and asks his Captain to round up a crew. The Captain in turn hires a Tramp (Charlie Chaplin) to help him 'Shanghai' (forcibly conscript) some sailors. This backfires for the tramp though as he himself is Shanghaied. On board ship the Tramp attempts to help out with a variety of different tasks but unsurprisingly is useless at all of them. Meanwhile the ship owner's daughter (Edna Purviance) has stowed away aboard ship in an attempt to stop the crime of scuttling and save her lover, the Tramp.

After the wonderful highs of The Bank, this film was a huge come down. It is by far my least favourite Charlie Chaplin film to date although there are inevitably some good moments to be found.

The only joke that made me laugh out loud was Chaplin's ridiculous naval salute which was somewhere between blowing a raspberry and a high five. While that is hilarious, the rest of the film isn't. The only other joke that made me even smile was when Chaplin throws a rescue rope behind him by accident. The rest of the gags were mediocre. Chaplin was to find success with a nautical theme just a couple of years later in The Immigrant and you can see the workings of some of the jokes from that classic film during Shanghaied. The most notable of these was the dinner during choppy seas. In addition to one or two decent jokes there is also some nice close-up work, something which was rare for Chaplin at the time. In one scene the fuse of some dynamite is shown in very close zoom rather than the traditional wide shot of the whole set. This marks further development of Chaplin's ever expanding film craft. The one final aspect of the film that I enjoyed was Chaplin's incredible tray handling skills. This is something he revisited years later in Modern Times but while it is more spectacular there, it feels much more real here.

As well as The Immigrant the film also has shades of Buster Keaton's Steamboat Bill Jr in that both central characters are bumbling buffoons in love with a ship owner's daughter. Keaton's later film undoubtedly takes some elements from Shanghaied but adds much more and is a far superior film.

My main problems with this film were that the story felt under developed and there weren't enough jokes. It feels like Chaplin got an idea of 'the Tramp on a ship' and just made it up as he went along (something that was often the case in early Chaplin films). While this was sometimes very successful, here it is far less so.

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This is another early Chaplin film made for the Essanay Studio, and while it has its moments it certainly isn't one of Chaplin's best. It's difficult to sympathise with his plight when he finds himself shanghaied into service on a boat because he was responsible for most of his equally reluctant shipmates being there as well. More important than this though, is the fact that it just isn't that funny, with too many gags running for far too long and therefore outliving the laughs they originally generate. There's also a curious lapse in spatial awareness when Chaplin is seen to exit left from one room then enter left into the next room. Given Chaplin's reputation for perfection, this might be down to the print I saw being made up of two prints spliced together with one unintentionally reversed. Or maybe I just imagined the whole thing – it was a couple of weeks ago…

"Shanghaied" has a plot that is rather complicated for such a short film, but as in most of Charlie Chaplin's earlier films, the emphasis is really on slapstick comedy.

The story involves a scheming ship owner and his roughneck captain, who tricks and "shanghais" a group of sailors, including Charlie, to form his crew. The ship owner's daughter is in love with Charlie, and comes along for the ride. It's a bit hard to catch everything in the plot, but the slapstick at sea is easy to follow. Chaplin gets decent mileage out of a few ideas using the shipboard setting, as he and the crew try to handle the cargo and work in the kitchen as the ship rocks back and forth.

While not one of Chaplin's best, there are still a few good laughs to be had in "Shanghaied".