NOTE IMDb
7,5/10
6,4 k
MA NOTE
Ajouter une intrigue dans votre langueA nerdy college student will do anything to become popular on campus.A nerdy college student will do anything to become popular on campus.A nerdy college student will do anything to become popular on campus.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
James H. Anderson
- The College Hero
- (as James Anderson)
Leon Beaumon
- Student
- (non crédité)
Roy Brooks
- Tall Student
- (non crédité)
Rosalind Byrne
- Girl Caught in Suspenders at Dance
- (non crédité)
Charles Farrell
- Student Bell Ringer at Frolic
- (non crédité)
Wally Howe
- Gardener
- (non crédité)
Gus Leonard
- Waiter Who Takes Harold's Pants
- (non crédité)
King Lockwood
- Student
- (non crédité)
George Marion
- Train Passenger
- (non crédité)
The Wonder Dog Pal
- Pete the Dog
- (non crédité)
Oscar Smith
- Dean's Chauffeur
- (non crédité)
Résumé
Reviewers say 'The Freshman' is celebrated for its slapstick comedy and character-driven narrative, highlighting Harold Lloyd's performance as a naive yet endearing college freshman. The film is praised for its innovative gags, particularly the football game finale and the party scene with the unraveling suit. Lloyd's ability to balance humor with pathos is commended, creating a memorable experience. The romantic subplot adds depth, and the film's influence on college comedies is noted. However, some find certain gags repetitive, and a few prefer Lloyd's other works. Overall, it is regarded as a classic silent comedy.
Avis à la une
Lloyd plays Harold Lamb, a youngster who goes to college.He wants to become the king of campus but he becomes the laughing stock.But he has someone to comfort him, a girl named Peggy, who's played by the extremely beautiful Jobyna Ralston.The Freshman from 1925 is a hilarious silent film.Harold Lloyd is a comedian who never lets you down.Also Ralston is amazing as Harold's love interest.There's one dramatic scene between them, where Harold burst into tears into her lap.That's one fine scene as are the comedic scenes, which you can find many from this movie.The great football game in the end is just amazing.And I could also mention the one where the freshman is at the party and his tuxedo falls apart.This is a movie that will make you laugh and that may also make a few tears come out.I recommend The Freshman for all those who are at college and who aren't.
Perhaps one of the best comedies by Mr. Lloyd. The final football game is just a perfect and unique moment in the silent movies history. I was a child when saw The Freshman for first time. It was my first Lloydian "experience". It was enough to fall in love his comedian style. TRIVIA: In Spain this is one of the most popular Lloyd movie. The Spanish title was "El estudiante novato" (The new student). With this film Mister Lloyd showed he could keep the high level showed on his previous long movies. Without doubt he was on the top. His character in this film, Harold Diddlebock, was used again in 1947 in the last Lloyd's film "The sin of Harold Diddlebock", by Preston Sturgues. In this film, the young student is now a medium age clerk tired of his so boring life...An interesting imagination exercise about the future of The Freshman's main character
Sadly, a disappointment. I love Harold Lloyd, but, though many consider it his masterpiece, I did not find this one of his better works. Not that it's bad or anything, but I thought it lacked jokes compared to an average Lloyd film, and that the jokes that were there weren't as funny as they could have been. There are only two setpieces, and only one of them approaches the greatness of Safety Last or Speedy. That is the college party that Harold throws. He gets a cheap suit made, and the tailor, who can't quite stitch everything he needs to in time for the party, has to follow him around, repairing tears as they happen. It's hilarious, Lloyd dancing all over the floor while his sleeve is ripping off. The best moment of the film has Lloyd use the tailor's arm and hand to replace his own while the sleeve is being repaired. A buddy asks Harold if he can borrow ten bucks, and though he is shaking his head no, the tailor reaches into Harold's pocket and hands the guy a ten. The climactic football game is good, but, compared to the climb that finishes up Safety Last, it is unimpressive and certainly not as fun. I also was disappointed in the romance, again with Jobyna Ralston. Her character seems like an afterthought. 7/10.
I was fortunate enough to have seen this film in the theater many years ago and I can owe it to this film for sparking my life-long love of the old comedies. I only recently saw it again but this time on DVD and found the film to be even better than I remembered.
For those used to seeing slapstick shorts (including those of Lloyd), this film is quite different. Instead of the focus of this film being comedy, the humor seems incidental to the story and the character development. Because of this, the first 1/4 of the movie does not have tons of laughs--because it's building and developing the story and not trying to elicit cheap laughs. However, as you watch, the humor increases and because this came as the character developed, you really find yourself hooked into caring for Harold and you are emotionally in-tune with him. So, as the movie continues, you find your heart breaking for the guy (yes, Chaplin was not the only silent comedian to use pathos). And, when the end of the picture arrives, you feel his triumph. An exquisite and highly artistic treasure.
PS--I watched the DVD with the optional commentary from Leonard Maltin et al. This REALLY improved my understanding and appreciation for the film. I rarely ever use this option, but as I was re-watching the film and since it was a silent, this option is a major plus.
Interestingly enough, Buster Keaton came out with a similar movie just a few years later (COLLEGE). However, it isn't even close to being as good as THE FRESHMAN. I love Keaton, but not this film. If you must seem one silent college picture, see THE FRESHMAN--and maybe the Marx Brothers' HORSE FEATHERS for a much stupider but terribly funny sound take on college life.
For those used to seeing slapstick shorts (including those of Lloyd), this film is quite different. Instead of the focus of this film being comedy, the humor seems incidental to the story and the character development. Because of this, the first 1/4 of the movie does not have tons of laughs--because it's building and developing the story and not trying to elicit cheap laughs. However, as you watch, the humor increases and because this came as the character developed, you really find yourself hooked into caring for Harold and you are emotionally in-tune with him. So, as the movie continues, you find your heart breaking for the guy (yes, Chaplin was not the only silent comedian to use pathos). And, when the end of the picture arrives, you feel his triumph. An exquisite and highly artistic treasure.
PS--I watched the DVD with the optional commentary from Leonard Maltin et al. This REALLY improved my understanding and appreciation for the film. I rarely ever use this option, but as I was re-watching the film and since it was a silent, this option is a major plus.
Interestingly enough, Buster Keaton came out with a similar movie just a few years later (COLLEGE). However, it isn't even close to being as good as THE FRESHMAN. I love Keaton, but not this film. If you must seem one silent college picture, see THE FRESHMAN--and maybe the Marx Brothers' HORSE FEATHERS for a much stupider but terribly funny sound take on college life.
I tried really hard to get into this film, yet perhaps my greatest impediment was that I tried a bit too hard.
Having thoroughly enjoyed "Safety Last!" (1923), I was struggling to move past mere admiration for "The Freshman" (1925). I did admire the technical astuteness of it, the timing of the gags, and Lloyd's impeccable expertise. Yet that's admiration, whereas I'm looking forward to be swept off my feet and to fall in love. (This reaction is not too dissimilar to my feelings about Wes Anderson's "Moonrise Kingdom" [2012]; there's another movie of technical and comic brilliance that I'm more inclined to admire but not love like I did "The Grand Budapest Hotel" [2014], in fact every single minute of it.)
But the final climax, the football game, is perfect and without any doubt the gem of the film. That's where everything seems to transcend that which has come before, and every single gag take a completely new meaning on a whole different kind of level of existence. I was enthralled, laughed out loud, and was holding my breath. What else can one wish for when seeing a film? That final sequence alone makes "The Freshman" a worthwhile experience for me, and perhaps one day I'll be able to appreciate it more as a whole than I do now. But, for the time being, I'll cherish that last run.
Having thoroughly enjoyed "Safety Last!" (1923), I was struggling to move past mere admiration for "The Freshman" (1925). I did admire the technical astuteness of it, the timing of the gags, and Lloyd's impeccable expertise. Yet that's admiration, whereas I'm looking forward to be swept off my feet and to fall in love. (This reaction is not too dissimilar to my feelings about Wes Anderson's "Moonrise Kingdom" [2012]; there's another movie of technical and comic brilliance that I'm more inclined to admire but not love like I did "The Grand Budapest Hotel" [2014], in fact every single minute of it.)
But the final climax, the football game, is perfect and without any doubt the gem of the film. That's where everything seems to transcend that which has come before, and every single gag take a completely new meaning on a whole different kind of level of existence. I was enthralled, laughed out loud, and was holding my breath. What else can one wish for when seeing a film? That final sequence alone makes "The Freshman" a worthwhile experience for me, and perhaps one day I'll be able to appreciate it more as a whole than I do now. But, for the time being, I'll cherish that last run.
Le saviez-vous
- AnecdotesCredited as being the first "sports" movie produced.
- GaffesWhen Peggy is doing the crossword puzzle on the train, Harold tells her he has the solution for clue number "19 Vertical". The puzzle is shown twice in close-up, and there is no "19 Vertical" - clue 19 is horizontal only.
- Citations
Intertitle: Tate University - A large football stadium, with a college attached.
- Versions alternativesA scene was filmed in which Harold cries and is comforted by Peggy (Jobyna Ralston). Harold Lloyd cut this scene when he re-released the film, thinking it was too overly sentimental, but the footage was recently reinstated by his granddaughter, Suzanne Lloyd Hayes.
- ConnexionsEdited into Oh quel mercredi! (1947)
- Bandes originalesFreshie
(1925)
Written by Harold Berg and Jesse Greer
Used in the 2002 release by Permission of Shapiro, Bernstein & Co. Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Freshman
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 301 681 $US (estimé)
- Durée
- 1h 17min(77 min)
- Mixage
- Rapport de forme
- 1.33 : 1
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