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IMDbPro

Le fils de la prairie

Titre original : Tumbleweeds
  • 1925
  • Approved
  • 1h 18min
NOTE IMDb
6,6/10
737
MA NOTE
William S. Hart in Le fils de la prairie (1925)
DrameOccidental

Ajouter une intrigue dans votre langueThe government will grant a fringe of terrain for the settlers who want to live and work there. The starting sign will be a gunshot which will iniciate the run for the best fields and claims... Tout lireThe government will grant a fringe of terrain for the settlers who want to live and work there. The starting sign will be a gunshot which will iniciate the run for the best fields and claims.The government will grant a fringe of terrain for the settlers who want to live and work there. The starting sign will be a gunshot which will iniciate the run for the best fields and claims.

  • Réalisation
    • King Baggot
    • William S. Hart
  • Scénario
    • Hal G. Evarts
    • C. Gardner Sullivan
  • Casting principal
    • William S. Hart
    • Barbara Bedford
    • Lucien Littlefield
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    737
    MA NOTE
    • Réalisation
      • King Baggot
      • William S. Hart
    • Scénario
      • Hal G. Evarts
      • C. Gardner Sullivan
    • Casting principal
      • William S. Hart
      • Barbara Bedford
      • Lucien Littlefield
    • 22avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos31

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    Rôles principaux20

    Modifier
    William S. Hart
    William S. Hart
    • Don Carver
    • (as Wm. S. Hart)
    • …
    Barbara Bedford
    Barbara Bedford
    • Molly Lassiter
    Lucien Littlefield
    Lucien Littlefield
    • Kentucky Rose
    J. Gordon Russell
    J. Gordon Russell
    • Noll Lassiter
    Richard Neill
    Richard Neill
    • Bill Freel
    • (as Richard R. Niell)
    Jack Murphy
    Jack Murphy
    • Bart Lassiter
    James Gordon
    James Gordon
    • Joe Hinman
    George F. Marion
    George F. Marion
    • Old Man
    • (as George Marion)
    Gertrude Claire
    Gertrude Claire
    • Old Woman
    Lillian Leighton
    Lillian Leighton
    • Widow Riley
    Taylor N. Duncan
    • Cavalry Major
    • (as Ted Duncan)
    Nora Cecil
    Nora Cecil
    • Pioneer Mother
    • (non crédité)
    Nino Cochise
    • Indian
    • (non crédité)
    Monte Collins
    Monte Collins
    • Hicks
    • (non crédité)
    Fred Gamble
    Fred Gamble
    • Hotel Proprietor
    • (non crédité)
    Al Hoxie
    Al Hoxie
    • Cowboy
    • (non crédité)
    George Marion
    • Homesteader
    • (non crédité)
    Apache Bill Russell
    • Indian
    • (non crédité)
    • Réalisation
      • King Baggot
      • William S. Hart
    • Scénario
      • Hal G. Evarts
      • C. Gardner Sullivan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,6737
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    Avis à la une

    Snow Leopard

    Classic Silent Western That's Still Worth Seeing

    Once it was among the most popular movies of its kind, and now it's generally remembered only by silent movie fans, but "Tumbleweeds" is a classic silent Western that's still worth seeing. To be sure, a lot of its appeal now comes from nostalgia, but in its time it was close to the top of its genre.

    The opening scenes start the story nicely, and they also give it some thoughtful overtones, with cowboys Hart and Lucien Littlefield coming to realize their role as "Tumbleweeds" in a changing world. The 'tumbleweed' image is used well in developing Hart's character, as he faces the consequences of the land rush and of the personal affairs he gets involved in. The story itself has a lot of familiar elements, without many surprises, but the atmosphere and the characters are enough to carry it.

    The land rush sequence is probably the most exciting part of the movie, and it is quite a fine set piece. It's later followed by a fast-paced climactic chase that also works well. The action makes a good complement to the atmosphere of the changing frontier, making it a movie that fits together nicely, and that still works pretty well.
    5pmtelefon

    More interesting than fun.

    After a while, watching "Tumbleweeds" starts to feel like homework. The movie wore me down after a while. I've seen a lot of silent movie comedies. Many of them aged quite well. As for as dramas go, I haven't seen nearly as many. For me they haven't aged as well. They are a lot harder to watch than the comedies. Add into the mix a very stiff (and seemingly self-serious) William S. Hart and "Tumbleweeds" doesn't stand a chance. There are a few laughs and some exciting action but they are too few and far between. "Tumbleweeds" is okay but it feels a lot longer than its actual running time.
    FilmartDD

    Big scale enthralling non-violent saga

    Seen in a 16mm print from the 1939 release (not necessarily the 1975 restoration listed by imdb), the sheer sincerity of the film-makers appealed highly. Intelligent art-gallery audience loved it - shown on 40th anni of Hart's death. Sound was coarse (expected) but loud and consistent in quality with image
    7romanorum1

    The Opening of the Cherokee Lands of the Indian Territory

    For many years prior to 1889, the US government leased the lands of the Indian Territory to cattleman for grazing their cattle herds. Ranches were built. Now the ranchers had to leave by April 1889 as 1200 square miles of the Oklahoma territory were being opened to new homesteaders. (There would be other Oklahoma land runs throughout the 1890s.)

    Hart's character, Don Carver, is the typical quiet and intense cowboy known as a "tumbleweed," a drifting cowhand. Carver and his comedic sidekick Kentucky Rose (Lucien Littlefield) ride into the town of Caldwell, Kansas, population 200. This is the calm before the storm as homesteaders begin to pour into town for the big land run. Carver, and later Kentucky, decides to register for the rush, to acquire a piece of free land. The US Cavalry, in charge, has posted warnings that those who jump the starting line before the appointed time will be arrested as "sooners" and kept in a pen until after the land rush.

    Seedy Bill Freel, a/k/a Burton (Richard Niell), craves Joe Hinman's Box K Ranch on the Strip (abandoned by decree) as it controls the waterways of the area. He has a devious plan to sneak across the starting line before the assigned date and time. His new partner is nefarious Noll Lassiter (J. Gordon Russell), half-brother of Molly Lassiter (Barbara Bedford). Freel has a yearning for Molly, who loathes him. She has instead developed a relationship with Carver, nearly forty years her senior in real life. Like Freel, Carver also has his eyes on the Box K property (where he formerly worked), including the ranch house.

    When Don rides back into the Strip to look for and round up some straying cattle, he is arrested by US Cavalry Major White (Taylor Duncan) at the instigation of Freel and Noll Lassiter. These sordid characters have falsely accused him of being a "sooner." Now by law Carver is kept in the bull pen until after the land run. How Carver escapes is quite innovative, and he happens to have the fastest steed nearby. If only he can make up the lost ground and stake the Box K Ranch grounds.

    When William S. Hart reissued this 1925 silent film (his last and perhaps greatest) in 1939, he preceded it with his famous eight- minute "Farewell to the Screen" introduction. Knowing the real West, Hart had arrived in Hollywood in 1914 at the mature age of 49 and acted for eleven years. He and Tom Mix were the greatest cowboys of the silent screen. Hart's partner here, Lucien Littlefield, specialized in playing older roles. In "Tumbleweeds" he looks about sixty even though he is only thirty. Although not as good as "The Iron Horse" (1924), the greatest silent western of them all, "Tumbleweeds" is still worth a look, especially because of the rousing land rush scene, an epic shot from the days of silent cinema.
    10morrisonhimself

    Poetry and motion: One of the greatest of silent films

    Just from reading about him, I became a fan of William S. Hart before I ever saw one of his movies.

    When I moved to Los Angeles, I made a pilgrimage to the late lamented Silent Movie Theatre on Fairfax, not only to see whatever silent films there might be available, but to plead for a chance to see any Hart film, and especially "Tumbleweeds," about which I had read so much.

    Alas, the Hamptons, owners of the Theatre, never did show it, but I was able to rent a 16 mm print and show it myself, in my tiny living room.

    It was all I had hoped. It was, and is, magnificent.

    Character development was nigh onto perfect, and the intertitles by C. Gardner Sullivan, surely one of the greatest of such writers, merely enhanced the beauty of the presentation.

    Oh, but there is more: Camera angles were brilliantly formatted. Only later did I learn that Mr. Hart himself was co-director.

    William S. Hart (http://www.imdb.com/name/nm0366586/?ref_=fn_al_nm_1) was born a city slicker but, like me, I guess, he fell in love with the West and its mystique. He wanted to share that love with everyone, and for too few years presented the mythology.

    You can find his spoken farewell at YouTube (https://www.youtube.com/watch?v=_BlgWP3Airs), and if you're really lucky you will find a copy of "Tumbleweeds" with that farewell used as a prologue. It still moves me to tears.

    One reason I cry is that, listening to him, I think how great a talkie actor he could have been, with that voice; and I think what a loss to those of us who love Westerns generally and who love William S. Hart in particular.

    "Tumbleweeds" is a classic, regardless of genre.

    It is poetry on film, a magnificent motion picture.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      (at around 1h 7 mins) Just after the locked-up "Sooners" rush Dan Carver, who is cutting through a rail, the scene shifts to a team of horses pulling a wagon. The right "off" wheeler horse can be seen to go lame but continue running with a noticeable limp.
    • Citations

      Don Carver: Boys - it's the last of the West.

    • Versions alternatives
      The 1939-reissued version was preceded by an eight-minute sound prologue with William S. Hart introducing the film.
    • Connexions
      Featured in The Great Chase (1962)

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    Détails

    Modifier
    • Date de sortie
      • 27 décembre 1925 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tumbleweeds
    • Lieux de tournage
      • Santa Clarita, Californie, États-Unis
    • Société de production
      • William S. Hart Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 312 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 18 minutes
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

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    William S. Hart in Le fils de la prairie (1925)
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    By what name was Le fils de la prairie (1925) officially released in India in English?
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