Un jeune millionnaire irresponsable change d'avis lorsqu'il tombe amoureux de la fille d'un pasteur du centre-ville.Un jeune millionnaire irresponsable change d'avis lorsqu'il tombe amoureux de la fille d'un pasteur du centre-ville.Un jeune millionnaire irresponsable change d'avis lorsqu'il tombe amoureux de la fille d'un pasteur du centre-ville.
- Récompenses
- 1 victoire et 1 nomination au total
Jim Mason
- The Gangster
- (as James Mason)
Hal Craig
- Motorcycle Cop
- (non crédité)
Richard Daniels
- Bum
- (non crédité)
Robert Dudley
- Harold's Secretary
- (non crédité)
Francis Gaspart
- Man
- (non crédité)
Jack Herrick
- Mug in Straw Hat
- (non crédité)
Jackie Levine
- Little Boy
- (non crédité)
Andy MacLennan
- Gangster in Mission at Collection
- (non crédité)
Earl Mohan
- Bum
- (non crédité)
Steve Murphy
- Tough Guy in Pool Hall
- (non crédité)
Blanche Payson
- Lady on the Street
- (non crédité)
Constantine Romanoff
- Mug
- (non crédité)
Oscar Smith
- James - Manners' Chauffeur
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThis was one of Harold Lloyd's most successful films at the box office and the 12th highest-grossing film of the Silent Era.
- GaffesWhen the car which was involved in the gun fight rolls to a stop, it stops on regular road. In the next shot it has been moved on to a train track.
- Citations
Title Card: During the days that passed, just what the man with a mansion told the miss with a mission - is nobody's business.
- ConnexionsFeatured in Fous-rires (1963)
Commentaire à la une
This lesser-known Harold Lloyd silent gem takes a very slight story and uses it as the basis for some entertaining and resourceful comedy. Noah Young also has a good role that gives him a more interesting character than he usually gets to play, and he gets some good moments of his own. The plot is fluffier than usual for a Lloyd feature, but the script is quite creative in using it for some sequences of classic Lloyd-style slapstick.
The setup has Lloyd as the kind of lackadaisical millionaire that he portrayed so well. His character accidentally donates the money to set up an inner-city mission, and becomes involved with the mission and with Jobyna Ralston, whose father runs it. There are a few slow stretches that are needed to advance the plot, but the story doesn't really ever try to carry the movie, leaving that instead to the imaginative comedy sequences.
This has the kind of madcap finale that characterized so many of Lloyd's movies, an interesting and entertaining variant on the race-against-time idea. But the best part of the movie actually comes earlier, when Lloyd's character sets out to round up the neighborhood roughnecks, followed by the scene of them suddenly finding themselves in the mission, and then Young, as the biggest of the bullies, confronting Lloyd. Three very funny sequences in a row, and they are pieced together with barely a pause.
Even by Lloyd's standards, this feature has some very good material. It's almost as good as the likes of "Safety Last", "The Kid Brother", and the rest of his very best movies.
The setup has Lloyd as the kind of lackadaisical millionaire that he portrayed so well. His character accidentally donates the money to set up an inner-city mission, and becomes involved with the mission and with Jobyna Ralston, whose father runs it. There are a few slow stretches that are needed to advance the plot, but the story doesn't really ever try to carry the movie, leaving that instead to the imaginative comedy sequences.
This has the kind of madcap finale that characterized so many of Lloyd's movies, an interesting and entertaining variant on the race-against-time idea. But the best part of the movie actually comes earlier, when Lloyd's character sets out to round up the neighborhood roughnecks, followed by the scene of them suddenly finding themselves in the mission, and then Young, as the biggest of the bullies, confronting Lloyd. Three very funny sequences in a row, and they are pieced together with barely a pause.
Even by Lloyd's standards, this feature has some very good material. It's almost as good as the likes of "Safety Last", "The Kid Brother", and the rest of his very best movies.
- Snow Leopard
- 19 févr. 2006
- Permalien
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 5 668 000 $US
- Durée58 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was Pour l'amour du ciel (1926) officially released in India in English?
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