NOTE IMDb
6,9/10
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MA NOTE
Prenant le train pour se rendre à un spectacle à Pottsville, les musiciens Stanley et Oliver rencontrent des problèmes une fois installés dans leur couchette.Prenant le train pour se rendre à un spectacle à Pottsville, les musiciens Stanley et Oliver rencontrent des problèmes une fois installés dans leur couchette.Prenant le train pour se rendre à un spectacle à Pottsville, les musiciens Stanley et Oliver rencontrent des problèmes une fois installés dans leur couchette.
- Réalisation
- Scénario
- Casting principal
Harry Bernard
- Train Passenger
- (non crédité)
Sammy Brooks
- Short Train Passenger
- (non crédité)
Baldwin Cooke
- Train Passenger
- (non crédité)
Eleanor Fredericks
- Lady in Berth
- (non crédité)
Paulette Goddard
- Train Passenger
- (non crédité)
Pete Gordon
- Train Passenger
- (non crédité)
Charlie Hall
- Train Passenger
- (non crédité)
Pat Harmon
- Stationmaster
- (non crédité)
John M. O'Brien
- Man who trips over briefcase
- (non crédité)
Hayes E. Robertson
- Train Porter
- (non crédité)
S.D. Wilcox
- Train Conductor
- (non crédité)
Grace Woods
- Train Passenger
- (non crédité)
Avis à la une
On a train to a musical performance, Stan and Ollie do what you might expect. The best part of "Berth Marks" is when they're in the compartment trying to go to bed. A notable piece of trivia about this short - their second talkie - is that it's the film debut of Paulette Goddard, Charlie Chaplin's wife from 1936-42 (and his co-star in "Modern Times" and "The Great Dictator").
It's not Laurel & Hardy's best movie, but still fun. There's now a movie about the comic duo, with Steve Coogan as Laurel and John C. Reilly as Hardy. I hope to see it. In the meantime, I recommend "Berth Marks". One can see how L&H influenced Gilligan and the Skipper.
Good one.
It's not Laurel & Hardy's best movie, but still fun. There's now a movie about the comic duo, with Steve Coogan as Laurel and John C. Reilly as Hardy. I hope to see it. In the meantime, I recommend "Berth Marks". One can see how L&H influenced Gilligan and the Skipper.
Good one.
This was the only Laurel and Hardy short film that Lewis R. Foster directed, who later wrote the acclaimed film, MR. SMITH GOES TO WASHINGTON.
Foster did a terrific job, possibly one of the team's best early sound films, from 1929.
Big vaudeville "stars" Stan and Ollie board a train for Pottsville --and the rest is comedy history. This short is chock full with running gags, and excellent timing. To further complicate matters, the boys have to drag along a cello (part of their act, naturally), which proves to be one pain in the XYZ. They also encounter jealous husband Charlie Hall who starts a clothes ripping fight among passengers, believing someone (guess who?) was snooping on his wife.
The boys end the insane day climbing into a tight as a drum sleeping car berth, and painstakingly remove their clothes --that only Laurel and Hardy can do. This hilarious sketch is one of their best, re-created many years later in THE BIG NOISE (1944). Some say you can hear the crew faintly laughing in the background, its that funny.
By the way, the clothes-ripping frenzy continues... and continues...
Without too much surprise, this story was written by comedy master Leo McCarey, who also worked on their silent short films. A labor of love.
Get the dvd box set of the team's legendary short films, especially for this one. By the way, the METV remastered print is absolutely beautiful.
Foster did a terrific job, possibly one of the team's best early sound films, from 1929.
Big vaudeville "stars" Stan and Ollie board a train for Pottsville --and the rest is comedy history. This short is chock full with running gags, and excellent timing. To further complicate matters, the boys have to drag along a cello (part of their act, naturally), which proves to be one pain in the XYZ. They also encounter jealous husband Charlie Hall who starts a clothes ripping fight among passengers, believing someone (guess who?) was snooping on his wife.
The boys end the insane day climbing into a tight as a drum sleeping car berth, and painstakingly remove their clothes --that only Laurel and Hardy can do. This hilarious sketch is one of their best, re-created many years later in THE BIG NOISE (1944). Some say you can hear the crew faintly laughing in the background, its that funny.
By the way, the clothes-ripping frenzy continues... and continues...
Without too much surprise, this story was written by comedy master Leo McCarey, who also worked on their silent short films. A labor of love.
Get the dvd box set of the team's legendary short films, especially for this one. By the way, the METV remastered print is absolutely beautiful.
For anyone who doesn't believe that train rides can be a total hassle, see this film, and your views will be sorely changed. Laural And Hardy, two vaudeville stars heading for Pottsville, take us on a 20 minute ride of their life (one most of us wish would never happen). This movie makes me laugh tears right from the opening scenes, as the boys even find boarding the train a hard thing to do (this is one of the best scenes in the short). Next we find them on the train, and they've apparently lost their music for their act, can things get worse? of course! stan, on the way to his berth, walks into a womans room, causing her husband to think someone was looking at her, and a free for all coat fight ensues! The next scenes are what tops the short off... Stan and Ollie spend the last 15 minutes just trying to get in the berth and get settled into it! These last scenes make this short a killer, one to be remembered forever, and even though i am only 18, i will make sure my grandkids watch this when they are my age. A truly great L&H short...for everyone
This first talking movie from Laurel & Hardy is a surprising good one. It has the typical Laurel & Hardy humor in it, for which they are so famous and loved over the world. This is one of their most typical shorts. It's simple and it's almost non-stop filled with slapstick moments. Laurel & Hardy at their purest and finest.
The movie begins standard but from the moment when the two boys enter the train the movie becomes an almost fun and non-stop laugh-fest. The movie its humor is very simple and also predictable but executed brilliantly by Stan Laurel and Oliver Hardy. Especially the scene in which the two boys try to get in bed, which last at least 5 minutes, is one to remember and Laurel & Hardy hilarity at its best and purest form. Although the movie its humor and moments are rather stretched out, the movie never really becomes tiresome to watch.
More than in other early Laurel & Hardy comedy shorts, the supporting cast also plays an important part when it comes to the humor. The movie is filled with comical moments, that don't even feature the two boys in it. Among the supporting cast is Laurel & Hardy regular Baldwin Cooke and movie icon Paulette Goddard. Talk about movie history!
This movie is definitely better than Laurel & Hardy's other work from the '20's. It's humor and characters already have the shape and form as their later and best work from the early '30's.
8/10
http://bobafett1138.blogspot.com/
The movie begins standard but from the moment when the two boys enter the train the movie becomes an almost fun and non-stop laugh-fest. The movie its humor is very simple and also predictable but executed brilliantly by Stan Laurel and Oliver Hardy. Especially the scene in which the two boys try to get in bed, which last at least 5 minutes, is one to remember and Laurel & Hardy hilarity at its best and purest form. Although the movie its humor and moments are rather stretched out, the movie never really becomes tiresome to watch.
More than in other early Laurel & Hardy comedy shorts, the supporting cast also plays an important part when it comes to the humor. The movie is filled with comical moments, that don't even feature the two boys in it. Among the supporting cast is Laurel & Hardy regular Baldwin Cooke and movie icon Paulette Goddard. Talk about movie history!
This movie is definitely better than Laurel & Hardy's other work from the '20's. It's humor and characters already have the shape and form as their later and best work from the early '30's.
8/10
http://bobafett1138.blogspot.com/
Several published works on Laurel And Hardy seem to rate this as one of the boys' poorest shorts. How dare they! This is extremely funny - if not quite top drawer - Stan and Ollie. An early talkie, half the film is simply our two heroes trying to get undressed in the upper berth of a sleeper train, getting entangled in each others trousers, night-shirts etc. The boys have also inadvertently set the rest of the passengers against each other, via a method I won't spoil by revealing. It's simplicity itself, yet it works wonderfully well. When most comedies of the twenties and thirties have long been forgotten, the films of these two lovable characters continue to delight.
The real secret is surely in their universal humanity; there's a little bit of Stan and Ollie in all of us.
The real secret is surely in their universal humanity; there's a little bit of Stan and Ollie in all of us.
Le saviez-vous
- AnecdotesA silent version was also made for theaters that at the time were not equipped to show talkies.
- GaffesAs Stan and Ollie scramble to board the train, their fiddle is clearly smashed to pieces, yet it is intact for the rest of the film.
- Versions alternativesReissued in 1936 with a new musical score, including the "Cuckoo" song by Marvin Hatley over the main credits, as well as a 1932 version of the song played by the Van Phillips Orchestra over the first scene at the depot.
- ConnexionsEdited into Noche de duendes (1930)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Berth Marks
- Lieux de tournage
- Palms Depot, Heritage Square Museum - 3800 Homer Street, Montecito Heights, Los Angeles, Californie, États-Unis(this is where the ending train station building was moved)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée19 minutes
- Couleur
- Mixage
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By what name was Laurel et Hardy en wagon-lit (1929) officially released in India in English?
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