The Man from Toronto

This film is the sort of variation of the Brewster's Millions plot where the beneficiary of a will has to comply with an eccentric condition.

Matthews is on the cusp of stardom on the screen with Victor Saville about to burnish her star.

Interesting to see a young Kathleen Harrison in an early role.

"The Man from Toronto" is a comedy-romance that stars Jessie Matthews. The talented Matthews made fewer than three dozen films in her career. Her forte was musicals and comedies. She made most of her films in the 1930s and before the end of World War II. She was never able to regain her film stature after the war. She worked mostly in TV after that.

Matthews was all but forgotten as a film star when she died of cancer at the age of 74 in 1981. But she left some splendid films for posterity. She was a superb comedienne and singer whose greatest talent was in her dancing. She was so nimble on her feet that she must have been double-jointed. In most of her dance routines, she would do swooshing kicks in which her left or right leg would touch the side of her head perpendicular to the floor. This film is one of the few she made in which she neither sang nor danced. The plot is somewhat original. She is a widow, Mrs. Leslie Farrar. She is in the will of a deceased wealthy man whom she wouldn't marry. She will inherit 250,000 pounds, but only if she marries his nephew. The nephew, Fergus Wimbbush (played by Ian Hunter) lives in Toronto. But he is wealthy in his own right, and neither he nor Leslie are inclined to marry just for the money - sight unseen. On second thought, of course, they would like to look one another over.

But, Leslie plots a plan to pose as a maid to Mrs. Farrar when Wimbush travels to England to look over Mrs. Farrar. One can imagine where this will go from there. The supporting cast has two characters that play heavily in the story. Frederick Kerr is Bunston, the solicitor and executor of the will. And Margaret Yarde plays Mrs. Hubbard. These and others add some comedy to the story.

The comedy is mostly in situations, so the script has very little by way of witty dialog. The film fits in the category of butler and/or maid comedies. Matthews' character is a bit harsh, sort of spoiled. Wimbush is smitten by the maid, Polly Perkins (Mrs. Farrar in disguise). It's not a roaring comedy but a pleasant one. The film quality is rather poor, and some of the direction and editing appear to have been weak.

This is not one of the better of Jessie Matthews films. But it is a fun film that most people should enjoy.

This is the first time I have seen Jessie Mathews as I'm only 41 years old. I was absolutely delighted to see a star of the past that id never seen before. From the first time we see her its love at first sight and it just draws you right into the movie. I understand Jessie Mathews was a superstar in her time and its easy to see why. You could transpose her to any movie of today and she would still be a superstar, in the Julia Roberts or Reese Witherspoon etc (or maybe even better) League of today.

The uncle lawyer gave a good performance as well. It was interesting to see the movie from a historical perspective as well like the motor cars which was quite amazing.

Overall a great movie.

A fairly simple and predictable love story vehicle for Jessie Matthews. I found it watchable as a slice of life in 1933. What it might have been like living in a village where everybody knew each others business and rumors spread like wild fire. I liked seeing a village parade complete with brass bands and floats. It was interesting to see manual phone exchanges with switch board operators connecting overseas calls and cars starting to gain a foothold. A bit of visual history with an agreeable story line.

The Man from Toronto (1933) is a perfectly cute and entertaining movie. Jessie Matthews (Leslie Fararr) shines in her role as the rich girl who pretends to be a maid. This is the first movie I've seen her in and I was very much impressed by the way she carried herself throughout the film. The love interest is unfortunately plain and not particularly attractive, but the romance is believable. Some scenes are too long and unnecessary, but on the whole a well directed and edited movie. This little known film should get more recognition because it is quite cute and funny at times. Good clean fun from the magical world of the '30s. 6/10