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One Man's Journey

  • 1933
  • Approved
  • 1h 12min
NOTE IMDb
6,7/10
558
MA NOTE
Lionel Barrymore in One Man's Journey (1933)
Drame épiqueDrame médicalDrame

Ajouter une intrigue dans votre langueWidower Dr. Watt moves to a small town, raising son Jimmy and abandoned Letty. Despite aspirations for research, epidemic, family needs hinder his goals. Years later, he realizes his life wa... Tout lireWidower Dr. Watt moves to a small town, raising son Jimmy and abandoned Letty. Despite aspirations for research, epidemic, family needs hinder his goals. Years later, he realizes his life wasn't a failure.Widower Dr. Watt moves to a small town, raising son Jimmy and abandoned Letty. Despite aspirations for research, epidemic, family needs hinder his goals. Years later, he realizes his life wasn't a failure.

  • Réalisation
    • John S. Robertson
  • Scénaristes
    • Lester Cohen
    • Samuel Ornitz
    • Katharine Haviland-Taylor
  • Stars
    • Lionel Barrymore
    • May Robson
    • Dorothy Jordan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    558
    MA NOTE
    • Réalisation
      • John S. Robertson
    • Scénaristes
      • Lester Cohen
      • Samuel Ornitz
      • Katharine Haviland-Taylor
    • Stars
      • Lionel Barrymore
      • May Robson
      • Dorothy Jordan
    • 29avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires au total

    Photos28

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    Casting principal23

    Modifier
    Lionel Barrymore
    Lionel Barrymore
    • Eli Watt
    May Robson
    May Robson
    • Sarah
    Dorothy Jordan
    Dorothy Jordan
    • Letty McGinnis
    Joel McCrea
    Joel McCrea
    • Jimmy Watt
    Frances Dee
    Frances Dee
    • Joan Stockton
    David Landau
    David Landau
    • McGinnis
    Buster Phelps
    Buster Phelps
    • Jimmy Watt - Age 6
    June Filmer
    June Filmer
    • May Radford
    James Bush
    James Bush
    • Bill Radford
    Oscar Apfel
    Oscar Apfel
    • John Radford
    Samuel S. Hinds
    Samuel S. Hinds
    • Dr. Babcock
    • (as Sam Hinds)
    Hale Hamilton
    Hale Hamilton
    • Dr. Tillinghast
    Colin Kenny
    Colin Kenny
    • Doctor at Banquet
    Frank Ball
    Frank Ball
    • Townsman
    • (non crédité)
    George Ernest
    George Ernest
    • Jimmy Watt - Age 10
    • (non crédité)
    Dorothy Gray
    Dorothy Gray
    • Letty's Daughter
    • (non crédité)
    John Ince
    John Ince
    • Dr. James Carson
    • (non crédité)
    Lloyd Ingraham
    Lloyd Ingraham
    • Townsman at Farewell Meeting
    • (non crédité)
    • Réalisation
      • John S. Robertson
    • Scénaristes
      • Lester Cohen
      • Samuel Ornitz
      • Katharine Haviland-Taylor
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    6,7558
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    Avis à la une

    8edwagreen

    One Man's Journey-Homage to those Dedicated Doctors of Yesteryear ***

    Lionel Barrymore gave a memorably restrained performance in this 1933 film. It stands as a precursor to films such as 1959's "The Last Angry Man" with Paul Muni.

    The setting takes place in rural America circa 1910. Having lost his wife in childbirth, Barrymore returns to his roots only to lose his first patient there as well to child-birth. The embittered husband is ready to take the baby to the poor house but Barrymore takes the little baby girl in along with his young son. Just on the girl's 4th birthday, the father returns and seems much reformed. Barrymore gives the girl, Letty, back to him. Letty maintains a father-like relationship with Barrymore through the years.

    As the years pass, Barrymore wins the hearts of the town with his dedication and free services for the impoverished.

    He lets opportunities pass which could have gotten him out of the town. Some how we know this from the George Bailey effect of 1946's "It's A Wonderful Life." Like George Bailey, this doctor is going nowhere.

    May Robson costars as a beloved housekeeper who enters the Barrymore home at precisely the right time.

    This is a nicely done heartwarming story of rural America from 1910 through 1933.
    7AlsExGal

    Lionel Barrymore as .... George Bailey???

    It's strange to see the similarities in this film and "It's A Wonderful Life" from 13 years later. Barrymore plays a country doctor, Eli Watt, who has failed at a bigger practice, has become a widower, and now returns to his small town along with his small son to set up practice on his on. His first case has a horrible outcome, although it is not the doctor's fault. A farmer's wife dies in childbirth and the farmer (David Landau) does not want the baby girl and says he will get the poor farm to come and get her. Dr. Watt takes the baby girl in as his own and raises her as his daughter, Letty. In one plot turn I could not figure out, Mae Robson appears out of nowhere and says her life is empty and figures it can be fuller by keeping house for the doctor and his family.

    The film is rather melodramatic, but the great acting of Barrymore and company make it worth your while, as the good doctor gets paid rarely in money and more often in potatoes, handles epidemics, and his son Bill grows up to be...Joel McCrea! (Bill Watt as a young man). Eli has always dreamed of specializing and even traveling to Europe to study with some of the great doctors, so he can bring what he has learned back to his community. However, time after time some emergency, Bill's tuition for medical school, plus just the plain old passage of time delays that dream until finally, old age finds Eli Watt, and he resigns himself to his fate, although with contentment rather than the anger and bitterness of George Bailey.

    Will anyone ever notice his sacrifice and all he has done for the town? Watch and find out. It's a sentimental journey, but worth watching.

    Other odd coincidences between this film and It's A Wonderful Life - one of the characters that Dr. Watt crosses paths and locks horns with over the years is a rich banker who thinks money can fix everything and therefore everybody wants his money - much like Barrymore's character in IAWL. Also, one imminent physician who respects country doctor Eli Watt and his accomplishments and sacrifice is played by Samuel S. Hinds, who played Pa Bailey in IAWL.

    One thing that came out of nowhere for me and seemed a bit silly too, and doesn't have anything to do with the plot, so I will talk about it. When Dr. Watt first shows up and Sarah (May Robson) becomes the Watt housekeeper, she looks about 20 years older than Dr. Watt - and May Robson was in fact 20 years older than Lionel Barrymore. At the end of the film Dr. Watt has aged twenty years, and Sarah looks the same, to the point that she proposes marriage and he gives one of the most unromantic acceptances in the history of the world.

    Films did give quite a few age un-appropriate roles to May Robson - she was 75 when this movie was made. I guess her great energy just makes you forget her age most of the time.
    Michael_Elliott

    Decent Drama

    One Man's Journey (1933)

    ** 1/2 (out of 4)

    Standard drama from RKO about a country doctor (Lionel Barrymore) who could have had anything in life but he gave it all up to help others. This is the same role that Barrymore played in D.W. Griffith's The Country Doctor and he pretty much nails it. I guess there could be debate on whether John or Lionel were better actors but I think I'd give my vote to Lionel for being able to be more calm and deliver performances that aren't just over the top. He's very caring and stern here and the strong supporting cast including May Robson, Dorothy Jordan, Joel McCrea and Frances Dee do fine work as well. The one problem is that it's all very familiar and there aren't any surprises along the way.
    9donwc1996

    life of a country Doctor

    Lionel Barrymore played a country Doctor who healed bodies as well as hearts. He helps Dorothy Jordan and James Bush and than later, Joe McCrea ( as his son) and Frances Dee. He played a character who was good hearted & hard working & was often only paid with potatoes as recompense. Sentimental, up-lifting, self-sacrifice & nobility all figure into the picture. It was remade in 1938 as A Man to Remember with Edward Ellis in the Barrymore role. The roles of Dee & Bush were dropped & in this case the son ( lee Bowman) falls in love with Anne Shirley--as the Jordan character. Acting was good all around. Jordan is pretty much forgotten today. She made several films in the early '30's and then married Merian C.Cooper. McCrea & Dee married shortly after making this picture. James Bush was in many films up to the early '50's, mostly in small, uncredited roles.
    6inspectorfernack

    McCrea had a lot to learn...

    Lovely movie from an earlier time. Incredibly well-acted by most concerned. Except for McCrea, who, it seems to me, is as stiff as a board. While I realize he was supposed to exude a sort of heartless diffidence, I don't think that's the problem; I just don't think he had really come into his own yet. Of course he was a tall, handsome guy with a good voice and, with time, he became a solid actor -- but it's interesting to see him upstaged by almost everyone in this early entry.

    And while the film can feel "dated," what is one to expect from a bit of art that was made so long ago? Perhaps that sense of "datedness" comes from the fact that today we are just so "aware" and cynical. Personally, I like the tone of the film....

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    Centres d’intérêt connexes

    Orson Welles in Citizen Kane (1941)
    Drame épique
    Patrick Dempsey and Ellen Pompeo in Grey's Anatomy (2005)
    Drame médical
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Merian C. Cooper had accused RKO of not paying him all the money contractually due for six RKO films he produced in the 1930s. In 1946, a settlement was reached, giving Cooper complete ownership of the RKO titles: Idylle sous les toits (1933) with Ginger Rogers, La femme aux gardénias (1933) with Ann Harding and William Powell, The Right to Romance (1933) with Ann Harding and Robert Young, One Man's Journey (1933) with Lionel Barrymore, Living on Love (1937) and A Man to Remember (1938).

      In 2006, Turner Classic Movies, which had acquired the rights to the six films after extensive legal negotiations, broadcast them on TCM in April 2007, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints.
    • Gaffes
      Early in the film, Lionel Barrymore's character bends to pick up the contents of his medical bag which have fallen to the ground. During the close-up of those contents, a voice can clearly be heard saying "camera" from offscreen.
    • Citations

      Eli Watt: I don't know much about doctoring but I know my own people, I brought Letty into this world, saw her mother go out; same strain, something's made her want to stop living.

    • Connexions
      Featured in TCM: Twenty Classic Moments (2014)
    • Bandes originales
      Down By the Old Mill Stream
      (1910) (uncredited)

      Written by Tell Taylor

      In the score during the opening credits and at the end

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    Détails

    Modifier
    • Date de sortie
      • 8 septembre 1933 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El viajero solitario
    • Lieux de tournage
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 12min(72 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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