Shirley aviatrice

Shirley Blake (Shirley Temple) lost her pilot father in a crash. She likes to hang out at the airport with her godfather Loop Merritt and all of their friends. Her mother Mary is a live-in maid working for the Smythes. Mrs. Smythe disapproves of her flyboy friends and plans to fire her after Christmas. The family hates cranky uncle Ned Smith but Mr. Smythe hopes to get the inheritance. The only person Ned likes is Shirley whom he calls Bright Eyes. Mary is killed by a car and Ned wants to adopt Shirley. This sets up a legal battle for the little girl between the Smythes and Loop.

This has the super cute and spunky Shirley Temple who delivers the song On the Good Ship Lollipop. She's a million watts light bulb. The rest of them are perfectly fine although the other girl Joy is awkwardly bratty. In the end, the battle is between two people who both love Shirley and there is limited drama in the lack of danger. That may be why a dangerous situation had to be manufactured.

Even though there is very little singing and dancing, which is a big part of the appeal of Shirley Temple, it's still a solid film.

This was the first movie in which was Shirley was the big star, I believe, and you can see why she quickly won the hearts of Americans.

Although there is only one song, it's perhaps her most famous: "On the Good Ship Lollipop." The rest of the film is almost as charming as that song with many sweet, touching moments that made her films so endearing.

It also helped to have James Dunn as the male lead. Dunn was one of the more likable guys in classic Hollywood, on and off the screen. He and Shirley make a great pair.

Other interesting people to watch in this movie are the crabby old grandfather, played by Charles Sellon; the spoiled brat played by Jane Withers, who is so bad she's funny and an assortment of other characters from fliers to cooks to old girlfriends.

The only negative is the ending. It looked like they didn't know how to end this, so they rushed to finish it without much thought. Oh, well, the main thing is Shirley's charm.....and that's there in abundance.

Reasons why this film is worth seeing:

1. Bright Eyes stars Shirley Temple. What an appropriate title. Shirley is too cute for words. If you look at her filmography you will see that she had plenty of roles under her belt by the time she made this film, but this is one of the early films that put her on the map.

2. Shirley's performance was so popular, it put her on the cover of "Time" and won an Academy Award.

3. The canine star of the film is Terry, who later played Toto in The Wizard of Oz.

4. Jane Withers nails her performance of the bratty spoiled kid who terrorizes Shirley and everyone else. Only The Bad Seed has a better juvenile villain.

5. Shirley sings her signature song: "On the Good Ship Lollipop".

Jane Withers, at age four, started as one of the deep South's most popular radio stars on Aunt Sally's Kiddy Club. She was so small she had to be lifted up to reach the microphone. She was the mischief-maker of the Kiddy Club program, called "The Little Pest". Like Mitzi Green, she had an uncanny ability to imitate the voices and facial expressions of actors, actresses and other people, something she learned playing with the mirror. On stage by age five, she became a famous actress throughout the South, finally moving to Hollywood at five-and-a-half. In Hollywood, Jane began by playing in a weekly radio-revue and gave numerous stage performances for beneficial organizations.

"Bright Eyes" was Jane's first credited movie role and led to a long-term contract with Twentieth Century-Fox. She stared in numerous movies of the thirties, and was Shirley Temple's main competition. Jane was one of the great child actresses of all times, very popular with the children of her era, and after watching Shirley's goodie two-shoes act in Bright Eyes playing against Jane's power-house comedy performance, I can see why. Shirley Temple was her usual cute, sugar-coated, man-worshiping self with everyone giggling politely at her jokes except the audience. In contrast, Jane Withers had my daughter and I laughing our heads off until we had stomach-aches. Jane in Bright Eyes was bratty, adorable and hilarously funny. Her brat act has seldom, if ever, been equaled in the annals of film.

It is really a shame, and I hope the studios who own Jane Withers' many films as a child take note, that Bright Eyes is the only Jane Withers performance to survive to contemporary video. What ever happened to her movies "Ginger", Paddy O'Day", "Gentle Julia", "Little Miss Nobody", "Can This be Dixie?" and "Pepper"? In a published chat-room article Jane, who is still very much alive, says that she will eventually finish her book on her child star days. Like the kids of Our Gang, she remembers a fun, privileged childhood and has nothing in the way of sob stories. Let's hope that the studios will stop suppressing her films and release them on video soon, perhaps coinciding with her book.

When tragedy befalls a curly topped toddler, her care is assumed by a familiar but dysfunctional family, her spirits buoyed by the crusty old patriarch and a crew of friendly commercial fly boys. So funny, so precious (On the Good Ship Lollipop), so fantastic (parachute drop) and, at times, so poignant (Mom's cake run), that I rate Bright Eyes the most sacred cinema in the Temple of Shirley.

Co-stars James Dunn as the kid's godfather and personal pilot, Charles Sellon is Ned Sparks on wheels, the hard-shelled uncle with a soft center, and little Jane Withers amuses as baby Blake's nemesis, cleverly named, Joy. Directed for 20CF by Temple believer, David Butler (4) (Leave It to Beaver), I think Mr Spade would've agreed, this one has all the "stuff(ing) that dreams are made of (3/4)."