NOTE IMDb
7,2/10
3,4 k
MA NOTE
Lorsque la principale contribuable d'un petit royaume part pour Paris, son roi envoie un fringant comte pour regagner son allégeance.Lorsque la principale contribuable d'un petit royaume part pour Paris, son roi envoie un fringant comte pour regagner son allégeance.Lorsque la principale contribuable d'un petit royaume part pour Paris, son roi envoie un fringant comte pour regagner son allégeance.
- Récompensé par 1 Oscar
- 1 victoire au total
Louis Adlon
- Wide Eyed Admirer
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesDuring a recent showing on TCM, it was stated that Jeanette MacDonald and Maurice Chevalier did not get along on this film. He called her a "prude" and she called him "a bottom pincher". Their relationship had been deteriorating for some time, and this was the last film they appeared in together.
- GaffesWhen Sonia tears off a calendar sheet, it reads "Thursday, May III, 1885". However, May 3, 1885 was actually a Sunday.
- Versions alternativesA French version of this film, also starring Maurice Chevalier and Jeanette MacDonald, was filmed at the same time as this one.
- ConnexionsFeatured in Monsieur Cinéma: Épisode datant du 23 janvier 1972 (1972)
- Bandes originalesGirls, Girls, Girls
by Franz Lehár
Commentaire à la une
This film is nothing short of glorious. Before films decided they had to be realistic they had style, and Lubitsch was the style king. Everything about this film is sumptuous and beautiful, and the Oscar winning art direction of Cedric Gibbons and Fredric Hope is truly magnificent. Not bad either are the gowns of Adrian.
MacDonald and Chevalier are excellent together, there is great support from Edward Everett Horton - and who will ever forget the magic scenes between Chevalier and the king and the queen - irresitably played by Una Merkel and George Barbier. The script is witty and a little naughty ("I know what to do with her but I'm too old"), the cinematography breath-taking and the music gorgeous.
But the star of the show is Lubitsch - the mass waltz scene is magnificent, the depiction of MacDonald's mourning clothes (all black - even the dog!) and their transformation into white is astonishing and, just when you think the plot is running out of steam, he gives us an hilarious ending that is unforgettable.
If you ever get a chance to see this on the big screen, run don't walk to the cinema. A perfect 10.
MacDonald and Chevalier are excellent together, there is great support from Edward Everett Horton - and who will ever forget the magic scenes between Chevalier and the king and the queen - irresitably played by Una Merkel and George Barbier. The script is witty and a little naughty ("I know what to do with her but I'm too old"), the cinematography breath-taking and the music gorgeous.
But the star of the show is Lubitsch - the mass waltz scene is magnificent, the depiction of MacDonald's mourning clothes (all black - even the dog!) and their transformation into white is astonishing and, just when you think the plot is running out of steam, he gives us an hilarious ending that is unforgettable.
If you ever get a chance to see this on the big screen, run don't walk to the cinema. A perfect 10.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 329 180 $US
- Montant brut mondial
- 6 014 620 $US
- Durée1 heure 39 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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