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Olivier le huitième

Titre original : Oliver the Eighth
  • 1934
  • Passed
  • 27min
NOTE IMDb
7,3/10
1,8 k
MA NOTE
Olivier le huitième (1934)
Comédie ScrewballComédieCourt-métrageFamille

Désireux de grimper dans l'échelle sociale en épousant une riche veuve, Oliver trouve le courage de tromper son partenaire Stanley. Ce qu'il ne sait pas, c'est que son passe-temps favori est... Tout lireDésireux de grimper dans l'échelle sociale en épousant une riche veuve, Oliver trouve le courage de tromper son partenaire Stanley. Ce qu'il ne sait pas, c'est que son passe-temps favori est le meurtre et il semble qu'il soit le prochain.Désireux de grimper dans l'échelle sociale en épousant une riche veuve, Oliver trouve le courage de tromper son partenaire Stanley. Ce qu'il ne sait pas, c'est que son passe-temps favori est le meurtre et il semble qu'il soit le prochain.

  • Réalisation
    • Lloyd French
  • Scénario
    • Jack Barty
    • Charlie Hall
    • Oliver Hardy
  • Casting principal
    • Stan Laurel
    • Oliver Hardy
    • Mae Busch
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    1,8 k
    MA NOTE
    • Réalisation
      • Lloyd French
    • Scénario
      • Jack Barty
      • Charlie Hall
      • Oliver Hardy
    • Casting principal
      • Stan Laurel
      • Oliver Hardy
      • Mae Busch
    • 25avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos54

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    + 47
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    Rôles principaux4

    Modifier
    Stan Laurel
    Stan Laurel
    • Stan
    Oliver Hardy
    Oliver Hardy
    • Oliver
    Mae Busch
    Mae Busch
    • Mrs. Fox - Widow
    Jack Barty
    Jack Barty
    • Jitters the Butler
    • Réalisation
      • Lloyd French
    • Scénario
      • Jack Barty
      • Charlie Hall
      • Oliver Hardy
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs25

    7,31.7K
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    Avis à la une

    10alain-james

    Masterful

    Jack Barty is hilarious and performs one of the best pantomime scenes I have ever seen.

    Stan, Ollie and Mae Busch all join in to create an incredible pantomime dinner party.

    Stan and Ollie are with perfect partners in this film.

    The interaction between all the characters is perfect. Barty's speaking voice is also hysterical. It has a bit of English sound, mixed with a deep rasp. His enunciation is sublime.

    Sublety abounds. "Madame" (Mae Busch) is perfect as she slides in and out of a sort of schizo-dementia.

    You will be glad to see this masterwork and to have in your collection when you need a lift. What great great actors.
    10Boba_Fett1138

    Perhaps the most perfect Laurel & Hardy comical short.

    I absolute adore this movie. It's quite a dark comical one but still features all of the typical humor and slapstick moments.

    Finally the boys meet some persons who are even crazier than they are. Mae Busch as the widow and Jack Barty as Jitters are some real good crazy and scary persons. They give the boys a hard time and the movie does actually succeed in making the movie tense and unpredictable. Normally it aren't the supporting actors who make a Laurel & Hardy short to be a classic and comical one but this movie is truly an exception to that.

    Honestly there isn't a thing that I dislike about this movie so that is why I regarded as the most perfect Laurel & Hardy short. A must-see!

    10/10

    http://bobafett1138.blogspot.com/
    10coltras35

    Pick a card, Pick a card

    When a wealthy widow advertises for a new husband both Stan Laurel and Oliver Hardy decide to compete for her hand, with hilarious and unexpected results.

    Absolute classic Laurel & Hardy, with the comedians at the top of their game, shelling out the non-stop slapstick humour amidst the rather dark elements (I. E. touches upon insanity and murderess) and there are too many great jokes such as the 'pick a card' and the bit when Oliver is trying to nap while Laurel is keeping an eye for the murderess who wants to slit Oliver's throat. There's a nice twist at the end.
    bob the moo

    Funny but a weird feel to the final third and poor ending

    Oliver and Stanley own and run a barbershop. When Stanley sees an advertisement for male company from a rich woman he tells Ollie and they both write letters. Ollie posts his but hides Stanley. When the woman sees Oliver's letter she plans to take revenge on him for her first love – also Oliver – who broke her heart, just as she has killed seven other Olivers before. Oliver and Stan arrive assuming that they have it made but begin to suspect something afoot.

    Can I ever get enough Laurel and Hardy? Probably not! This entry starts really well and is very funny despite tailing off a bit in the final 10 minutes or so. The opening is classic banter between the two men and with some really funny lines and the invisible food etc is all good. However the ending is more physical comedy that doesn't work as well as what went before. And the ending is a real cop out and just felt like they ran out of ideas for what to do next.

    The two leads are very funny no matter what and are at their best when exchanging equally foolish dialogue. Barty is OK as Jitters but the whole `invisible' card thing didn't really grab me. Likewise no-one could accuse Busch of giving a subtle, comic or measured performance and just goes all out to leave the audience in no doubt as to her character.

    Overall this is still funny but the ending didn't work very well for me and the last 5 odd minutes suffered in the same way. But for the most part I was laughing out loud and was happy to see service as normal.
    7Theo Robertson

    A Very Dark Comedy

    This was made in 1934 ! One thing I hadn`t realised untill I saw this film again on BBC 2 a couple of days ago was that a lonely hearts column is used to kick start the plot , a lonely hearts column in 1934 ?Here`s me thinking sad anoraks and wall flowers sending off ads to publications in order to meet equally desperate people was a relatively recent concept . Mind you I thought the same about post modernism untill I saw the Bing and Bob ROAD TO... movies so what do I know ?

    Anyway as some of the other reviewers on this page have noted this has a very strange , very dark feel to it . In many ways it feels like Stan and Oliver have walked into a film based on a work of Edgar Allan Poe , and for the first time watching the season of L&H shorts on BBC 2 I couldn`t help noticing gaps in logic in the story , watch OLIVER THE EIGHTH and I promise you that you`ll be saying " Hey , why didn`t they ....? " . Despite these criticisms this certainly one of the better shorts , the bedroom scenes had me laughing out loud , but not for the first time we`re treated to a really bad cop out ending . Oh well nothing is perfect

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Stan Laurel's actual brother Edward Jefferson (Teddy) died in a dentist's chair during the filming of 'Oliver the Eighth'. He went in to have some teeth extracted and died of heart failure after receiving the anesthetic. He was 33.
    • Gaffes
      When Stan is eating the "soup", he unbuttons some of his vest buttons, but in subsequent shots they are buttoned and unbuttoned.
    • Citations

      Stanley: [reading newspaper] Listen to this: "Wealthy young widow with large fortune wishes to communicate with congenial young man. Object: matrimony. Reply Box 204J."

      Oliver: Probably some old crab with a face that would stop a clock! I wouldn't want to marry her no matter how much money she had.

      Stanley: Well, I'd marry her.

      Oliver: You would!

      Stanley: Well, after all, beauty's only skin deep. I'd take some of the money and I'd have her face lifted. Then I could settle down and I wouldn't have to scrape chins any more - wouldn't have to work hard any more.

      Oliver: Tell me that again.

      Stanley: Huh?

      Oliver: Let me hear that again.

      Stanley: Well, if beauty was only knee--skin deep, I could take some of the money and I could have her skinned. Then she'd be able to look at a clock without having to work hard any more. Then we could settle down and I could scrape her chin and congenial, if-if I didn't have to work hard anymore.

      Oliver: That's a good idea.

    • Versions alternatives
      There is also a colorized version.
    • Connexions
      Featured in Omnibus: Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy (1974)
    • Bandes originales
      I'm Sitting on Top of the World
      (1925) (uncredited)

      Music by Ray Henderson

      Lyrics by Sam Lewis and Joe Young

      Sung a cappella briefly by Oliver Hardy

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    Détails

    Modifier
    • Date de sortie
      • 13 janvier 1934 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Gai, gai, marions-nous!
    • Lieux de tournage
      • Hal Roach Studios - 8822 Washington Blvd., Culver City, Californie, États-Unis(Studio)
    • Société de production
      • Hal Roach Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 27min
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.33 : 1

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