L'agent N° 13

Marion Davies is unbelievable as a spy behind Confederate lines who falls for Confederate spy Gary Cooper.

The black stereotypes are normal for the time, but now hard to take. The main interest to me are the women's costumes by Andre, especially those in the ball scene.

Let's understand one thing before talking about Operator 13. It is a Cosmopolitan Picture meaning it is a Marion Davies film first and foremost. And it's the kind of film that William Randolph Hearst wanted her to be seen it, as he saw her, the brave little heroine, in this case during the Civil War.

Operator 13 is the kind of story that would have been popular on stage at the turn of the last century. It's also the kind of story that Cecil B. DeMille would have found appealing to do. I'm guessing that Hearst and DeMille would never have worked in tandem on any project given their egos.

Marion is an actress and in the beginning of the story as the north is badly defeated at the second battle of Bull Run, Davies is appearing on stage in a play with one John Wilkes Booth. She's recruited by Union spy-master Allan Pinkerton played by Sidney Toler to accompany Katherine Alexander playing Union Spy Pauline Cushman as her octoroon maid. The term 'octoroon' was used back in the day to describe a person who was 1/8 black and has deservedly fallen out of fashion.

Of course the various black stereotypes are present in force in Operator 13, however in Marion's case it can be forgiven somewhat as she is a spy on a mission and disguising herself. You might remember that in Going Hollywood she did the same thing to avoid the attention of Fifi D'Orsay.

One person she does attract the attention of is Confederate Major Gary Cooper who is intrigued by her. Later on not in disguise, Davies is sent on another mission and she meets up again with Cooper. Once again he's suspicious, but by that time they're in love.

If some of this sounds familiar you might recognize certain plot elements from MGM's later success, the musical The Firefly which starred Allan Jones and Jeanette MacDonald. That story is also about two rival espionage agents during the Peninsular War.

In fact Operator 13 almost qualifies for a musical. Between the songs that Walter Donaldson and Gus Kahn wrote, and the traditional Civil War era melodies sung by Davies, a campfire chorus and the Mills Brothers a lot of songs are packed into the 85 minute running time of the film.

Operator 13 was old fashioned even in 1934. However the battle scenes are done quite well and director Richard Boleslawski does make the characters somewhat interesting.

And apparently managed to work within the parameters of W.R. Hearst.

"Operator 13" is an early Civil War film with a fine cast. It's also one of the early Hollywood films in which a white performer plays a role of another race. Marion Davies impersonates a Black woman in disguise to infiltrate the Confederacy and spy for the Union forces.

Davies plays Gail Loveless who soon meets and falls for a Confederate spy, Capt. Jack Gailliard. Gary Cooper plays that part. Of course, she doesn't let on to who she is. It's only after the war that the truth comes out.

A number of other known actors of the day have roles, including Jean Parker, Douglas Dumbrille, and Sidney Toler. The plot is interesting but the screenplay is a little choppy in places. This isn't a movie about the actual battles and destruction, but a behind-the-scenes film about spying during the Civil War.

Many may not find it that great a story, but I give it six stars on the strength of the fine cast.

Although there are some blinkered reviews here,this is actually an enjoyable Civil War movie.Marion Davies acquits herself well as an Union spy in two guises:Initially as a mixed-race maid(Of French lineage from Martinique!),and latterly as a supposed Northern Sympathiser of the Confederacy.She is appealing in both roles. Gary Cooper also gives a decent performance as the Confederate Captain/ Counter-Spy who seeks to apprehend her and becomes her Paramour.Even though this is not exactly his strongest career role! Add to this a stalwart supporting cast(including Jean Parker as a Southern Belle),and some fine atmospheric cinematography:Note the early morning "fishing" scene,and also the Romantic interlude with Gary Cooper pushing Marion Davies on a sizeable swing as she sings the nice "Once In A Lifetime".This is one of several songs sung by her or the Mills Brothers. Approach this Film with an open mind and you may well find it entertaining!

Civil war story with Marion Davis as a Confederate spy disguised as a slave. Not politically correct by today's standards ("Negroes always gossip" is one of the more controversial lines from the script), but it does prove that Marion Davies was a competent actress when given the chance.