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En suivant la flotte

Titre original : Follow the Fleet
  • 1936
  • Tous publics
  • 1h 50min
NOTE IMDb
7,1/10
4,9 k
MA NOTE
En suivant la flotte (1936)
Official Trailer
Lire trailer1:24
1 Video
99+ photos
ComédieMusicalRomance

Ajouter une intrigue dans votre langueA Navy sailor tries to rekindle a romance with the woman he loves while on liberty in San Francisco.A Navy sailor tries to rekindle a romance with the woman he loves while on liberty in San Francisco.A Navy sailor tries to rekindle a romance with the woman he loves while on liberty in San Francisco.

  • Réalisation
    • Mark Sandrich
  • Scénario
    • Dwight Taylor
    • Allan Scott
    • Hubert Osborne
  • Casting principal
    • Fred Astaire
    • Ginger Rogers
    • Randolph Scott
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    4,9 k
    MA NOTE
    • Réalisation
      • Mark Sandrich
    • Scénario
      • Dwight Taylor
      • Allan Scott
      • Hubert Osborne
    • Casting principal
      • Fred Astaire
      • Ginger Rogers
      • Randolph Scott
    • 78avis d'utilisateurs
    • 37avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 2 nominations au total

    Vidéos1

    Follow the Fleet
    Trailer 1:24
    Follow the Fleet

    Photos113

    Voir l'affiche
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    + 107
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    Rôles principaux61

    Modifier
    Fred Astaire
    Fred Astaire
    • Bake Baker
    Ginger Rogers
    Ginger Rogers
    • Sherry Martin
    Randolph Scott
    Randolph Scott
    • Bilge Smith
    Harriet Nelson
    Harriet Nelson
    • Connie Martin
    • (as Harriet Hilliard)
    Astrid Allwyn
    Astrid Allwyn
    • Mrs. Iris Manning
    Betty Grable
    Betty Grable
    • Singer in Trio
    Harry Beresford
    Harry Beresford
    • Captain Hickey
    Russell Hicks
    Russell Hicks
    • Jim Nolan
    Brooks Benedict
    Brooks Benedict
    • David Sullivan
    Ray Mayer
    • Dopey Williams
    Lucille Ball
    Lucille Ball
    • Kitty Collins
    Jean Acker
    Jean Acker
    • Minor Role
    • (non crédité)
    Richard Alexander
    Richard Alexander
    • Paradise Ballroom Waiter
    • (non crédité)
    Constance Bergen
    Constance Bergen
    • Ticket Seller
    • (non crédité)
    Frederic Blanchard
    • Captain Jones
    • (non crédité)
    Lynton Brent
    Lynton Brent
    • Deck Officer
    • (non crédité)
    Phyllis Brooks
    Phyllis Brooks
    • Minor Role
    • (non crédité)
    Tom Brower
    Tom Brower
    • Policeman
    • (non crédité)
    • Réalisation
      • Mark Sandrich
    • Scénario
      • Dwight Taylor
      • Allan Scott
      • Hubert Osborne
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs78

    7,14.9K
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    Avis à la une

    movibuf1962

    Facing the music.

    This film is nice because there are two love stories-- something of a plot departure, and the second couple (Randolph Scott and Harriet Hilliard Nelson) are given the bulk of the dramatics, which allow our stars to be looser, more comical. Astaire chews the gum a little too severely, but he was anxious to make a departure from his customary tuxedoed playboy. Rogers is much more at ease in the role of struggling dancer-singer, and plays well opposite sister Hilliard. (The history is that Ms. Hilliard had to darken her naturally blond hair to distinguish her from Ms. Rogers. But wouldn't they better resemble sisters if they were both blonds?) The Irving Berlin numbers are quite good, ranging from light and airy ("Let Yourself Go," "I'd Rather Lead A Band") to elegant ("Let's Face The Music And Dance"). This final number is the film's bewitching finale, performed on a lovely Art-Deco rooftop and illustrates Astaire's penchant for full-frame, single-take dancing. It is, in a nutshell, singularly gorgeous. The trivia history goes that Rogers' metallic thread gown had weights in the sleeves and hem to make the skirt wind and unwind; the dress was unintentionally difficult to perform in because its flared sleeves hit Astaire across the face IN THE FIRST TAKE- and after many re-shoots trying to cover it up, they ended up printing that first take (we have to assume that was apparently the best performance of the dance, but you can see the sleeves brush across Astaire's face). It loses one-half point from me, because Randolph Scott says 'bebby' once too often.
    8Monica4937

    We joined the navy to see the world! And what did we see? We saw the sea...

    This is my all-time favorite Fred Astaire and Ginger Rogers film. The dialogue between the two is so cute and funny and very clever. Not to mention this film contains some of the best songs recorded by the two; like I'm Putting All My Eggs in One Basket and Let's Face the Music and Dance. If I remember correctly, this was the film that introduced me to Fred Astaire so I suppose because of that it will always hold a special place in my heart (sorry for the sentimental cr*p but I'm woman so get over it)All in all this film gets an 8/10 from me. The choreography was superb and also the fact that Lucille Ball is in it makes it even more awesome.
    7blanche-2

    a little long, but some beautiful dancing

    Had this film been put together a tad better, it would be up there with the best of Astaire and Rogers. As it is, it's a fine movie but overly long with a tedious subplot, i.e., Randolph Scott romancing Rogers' sister, played by Harriet Hilliard (that's Ozzie Nelson's wife to you baby boomers).

    Astaire and Scott are two Navy men. Scott meets Hilliard the first time when she looks like a stereotypical librarian, and later on after Ginger Rogers has asked her friend (a blond but unmistakable Lucille Ball) to glamor her up.

    Meanwhile, Astaire tries to pick up where he and his old dancing partner left off. The result is some wonderful dance numbers, with Astaire and Rogers as a team as well as separately: "I'm Putting All My Eggs in One Basket," "Let Yourself Go," and "I'd Rather Lead the Band."

    Hilliard is sweet but a little lethargic as a plain Jane turned glamor girl, although she sings her two songs well, "But Where Are You?" and "Get Thee Behind Me, Satan" - one poster didn't care for that song, but I love the title. Rogers is vivacious, and a youthful Astaire is a dynamo.

    The highlight of the movie comes at the end with "Let's Face the Music and Dance," one of the most achingly beautiful songs ever written and certainly one of the most brilliantly executed by Rogers and Astaire. In it, they epitomize '30s glamor and fantasy. It is truly to be treasured and watched again and again.
    drednm

    Let Yourself Go---Relax !

    One of the best of the Fred Astaire and Giner Rogers films. Great music by Irving Berlin. Solid support from Randolph Scott, Harriet Nelson, Lucille Ball, Betty Grable, Frank Jenks, and Astrid Allwyn.

    Terrific songs include "Let Yourself Go," "Let's Face the Music," and "Putting All My Eggs in One Basket." The last song is introduced by Astaire playing a jazzy piano and then a cute dance with Rogers. Rogers also sings "Let Yourself Go" with Grable among the backup singers.

    Harriet Nelson (then Hilliard) sings two nice songs and plays Rogers' mousy sister. "Get Thee Behind Me" is a song that sticks with you for days. She also sings "But Where Are You?" Snappy and fast paced, this entry in the Astaire-Rogers series is one of the better ones. The classic and amazing beautiful finale, "Let's Face the Music and Dance" is among the best-known of their numbers. Rogers wears one of the great dresses in movie history.... a shimmering sequined number that swirls around her legs as she dances (weighted hem) and is also slightly see through. Just gorgeous. This is the number that Steve Martin and Bernadette Peters re-created in Pennies from Heaven.

    Randolph Scott seems an odd choice as Astaire's pal but he also appeared in their Roberta with Irene Dunne. Luckily he does not attempt to sing or dance. It seems that Grable and Ball would have had bigger parts in 1936 but they have a few scenes and make little impact. Allwyn has the bigger role but is only OK.

    Rogers has one of her best solo numbers in the series with "Let Yourself Go".... Jazzy and thumping, it's a great song.

    Fun all the way, although I got tired of "We Joined the Navy" after the third time....
    8ccthemovieman-1

    One Of My Favorite Astaire-Rogers Films

    This is one of the best Fred Astaire-Ginger Rogers films, or at least one of my favorites. Most of the A-R movies feature great dancing but sappy romance stories. This still has the courtship corniness but not as pronounced as the other films.

    This movie features not just great dancing but likable characters and a bunch of good songs. The music is the central theme here and what's nice is the addition of a tap solo by Rogers. She not only was a super dancer but a very pretty woman and one with tremendous figure. She dances also with Fred, of course, and they're always a fun pair to watch on the dance floor.

    Growing up in the 1950s watching "Ozzie & Harriet" on television, it was a real kick the first time I saw this to see such a young Harriet Hilliard. No surprise than Ozzie fell for this beauty. Although she had that short early '30s hairstyle, I recognized her voice right away. Also in this movie are quick appearances by Betty Grable and Lucille Ball, but I have to admit that I have yet to out Ball. I can't find her, but I know she's in here.

    Astaire, except for some obnoxious gum-chewing in the first third of the film, was fun to watch and Randolph Scott - although better in westerns - is likable, too.

    This is simply a nice, feel-good film and good one if you want to to enjoy the great talents of Astaire and Rogers.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      During the fight scene between Fred Astaire and Randolph Scott, Astaire - not skilled in movie fight scenes - accidentally bloodied Scott's nose; Astaire was mortified, but Scott remained pointedly nonchalant.
    • Citations

      Sherry Martin: Look, why don't you let me try to fix you up? You'll be amazed how much better it will make you feel.

      Connie Martin: Even though I'm not a blonde, I could be dumb, couldn't I?

      Sherry Martin: And you'll probably do all right too. It takes a lot of brains to be dumb.

    • Connexions
      Featured in Fred Astaire: Puttin' on His Top Hat (1980)
    • Bandes originales
      We Saw the Sea
      (uncredited)

      Written by Irving Berlin

      Played during the opening credits

      Performed by Fred Astaire and chorus

      [Also played as dance music]

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    FAQ15

    • How long is Follow the Fleet?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 mai 1936 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Follow the Fleet
    • Lieux de tournage
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 747 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 50min(110 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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