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IMDbPro

L'homme nu

Titre original : Love on a Bet
  • 1936
  • Approved
  • 1h 17min
NOTE IMDb
6,7/10
257
MA NOTE
Wendy Barrie and Gene Raymond in L'homme nu (1936)
ComedyRomance

Ajouter une intrigue dans votre langueIn order to raise money to produce a play (as well as prove that the plot isn't ridiculous), Michael McCreigh makes a bet with his Uncle Carlton that he can begin in Central Park in his unde... Tout lireIn order to raise money to produce a play (as well as prove that the plot isn't ridiculous), Michael McCreigh makes a bet with his Uncle Carlton that he can begin in Central Park in his underwear and, without paying or borrowing for transportation, get to California in 10 days wi... Tout lireIn order to raise money to produce a play (as well as prove that the plot isn't ridiculous), Michael McCreigh makes a bet with his Uncle Carlton that he can begin in Central Park in his underwear and, without paying or borrowing for transportation, get to California in 10 days with a decent suit, $100...and a fiance. If he wins, he gets $15,000 to produce the play; if... Tout lire

  • Réalisation
    • Leigh Jason
  • Scénario
    • Kenneth Earl
    • P.J. Wolfson
    • Julius J. Epstein
  • Casting principal
    • Gene Raymond
    • Wendy Barrie
    • Helen Broderick
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    257
    MA NOTE
    • Réalisation
      • Leigh Jason
    • Scénario
      • Kenneth Earl
      • P.J. Wolfson
      • Julius J. Epstein
    • Casting principal
      • Gene Raymond
      • Wendy Barrie
      • Helen Broderick
    • 8avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos6

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    Rôles principaux40

    Modifier
    Gene Raymond
    Gene Raymond
    • Michael MacCreigh
    Wendy Barrie
    Wendy Barrie
    • Paula Gilbert
    Helen Broderick
    Helen Broderick
    • Aunt Charlotte
    William Collier Sr.
    William Collier Sr.
    • Uncle Carlton MacCreigh
    Spencer Charters
    Spencer Charters
    • Plaza Ritz Hotel Owner
    Walter Johnson
    Walter Johnson
    • Stephen Dody
    Jack Randall
    Jack Randall
    • Jackson Wallace
    • (as Addison Randall)
    Eddie Gribbon
    Eddie Gribbon
    • Donovan - Escaped Convict
    Morgan Wallace
    Morgan Wallace
    • Morton - Escaped Convict
    Guinn 'Big Boy' Williams
    Guinn 'Big Boy' Williams
    • Undetermined Secondary Role
    • (scènes coupées)
    Irving Bacon
    Irving Bacon
    • Farmer on Hay Wagon
    • (non crédité)
    Eddie Borden
    Eddie Borden
    • Undetermined Secondary Role
    • (non crédité)
    Lynton Brent
    Lynton Brent
    • Reporter
    • (non crédité)
    Ray Cooke
    Ray Cooke
    • Reporter
    • (non crédité)
    Edith Craig
    • Miss Mannerly - Hutchinson's Secretary
    • (non crédité)
    Hal Craig
    • Motorcycle Policeman
    • (non crédité)
    William B. Davidson
    William B. Davidson
    • A.W. Hutchinson
    • (non crédité)
    Lester Dorr
    Lester Dorr
    • Reporter
    • (non crédité)
    • Réalisation
      • Leigh Jason
    • Scénario
      • Kenneth Earl
      • P.J. Wolfson
      • Julius J. Epstein
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    6,7257
    1
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    4
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    7
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    9
    10

    Avis à la une

    10mortycausa

    Deserves to be better remembered

    Superb comedy starring two underrated comedy performers, Gene Raymond and Wendy Barrie. Helen Broderick, she of many a stalwart supporting comedy roles, especially at her best in the Astaire/Rogers musicals. And here. Like many comedies, it's a road picture. Raymond makes a bet with his rich Uncle that he can cross the country without any money, or clothes for that matter. One of the incidental, but prime, delights of the movie, is that it serves as treasure trove of all sorts of little bits of Americana--traveling highways before interstates and four-lanes, motor courts, homemade preserves, the apparel of the time, etc. The banter among the three principles is of a high order, Raymond's line readings are on par with the best--Gable in It Happened One Night; Powell in a number of thirties comedies like Libeled Lady, The Thin Man, and My Man Godfrey. He especially reminds me of McCrea in Woman Chases Man and The Richest Girl in the World. And Barrie keeps up with him all the way--in later collaborations with Raymond (as in Cross Country Romance) she was a little too strident, but here she's perfect. Raymond would also team with Ann Sothern in some like comedies, some of which are quite good, but this is the best one Raymond made. The plot of Love on a Bet is loose enough for the movie to seem improvised, almost leisurely at times, yet tight enough to create real tension, and to threaten our hope that everything works out. But of course it does.
    10spinhead

    What a fun movie! Witty, snappy, quirky plot.

    One of the wittiest comedies I've ever seen. Intelligently written, every line is worth hearing. Delivery and timing are nearly perfect. The story is original; strange, but fun. Nice mix of comedy and romance, with a happy twist ending. Holds up very well against "It Happened One Night" which won all five major academy awards when it was released two years earlier. So many similarities: romantic comedy taking place in a very short span of time under very unusual, but somehow believable, circumstances. Not high art, but if you like the romantic comedies of the 30s and 40s, you'll love this movie.
    7ksf-2

    another guy chases girl caper from G. Raymond

    Ann Sothern must have been busy that week... SHE usually starred in these RKO, mid 1930's films with Gene Raymond. Guy pursues girl, Girl treats guy like crap, Guy and Girl FINALLY iron things out, similar to Fred Astair and Ginger films, but here, no dancing and singing. And at least the awesome, sarcastic Helen Broderick is in it, as always backing up Gene Raymond's underhanded character; she seems to want love to succeed, even when the young female lead is against it. In this one, Wendy Barrie is Paula, who is chased around the country by Michael (Gene Raymond) on some wild, silly caper, because he made a bet with someone. This one is just like all the other lightweight, fun, silly chases Raymond made in the 1930s. With the production code in full force, it had to be kept light and fluffy. Directed by Leigh Jason, who made three of these love stories with Raymond. Its a great 77 minutes of fun! FINALLY available on Warner Brothers Archives website.
    7csteidler

    Fun characters in entertaining cross country adventure

    Fast talker Gene Raymond wants to produce a play. His rich uncle refuses to back the play because its plot is ridiculous: A man leaves New York in his underwear and arrives 10 days later in Los Angeles with a new suit, $100 in his pocket, and a beautiful fiancée.

    It's not ridiculous, Raymond argues. He says that he could do it himself--and bets his uncle that he will. If Raymond wins the bet, his uncle finances the play. If Raymond fails, he takes a job in the uncle's meat packing plant.

    Meanwhile, Wendy Barrie and her aunt Helen Broderick discuss whether Barrie should marry wealthy Addison Randall. She would rather not but they're broke so, "All right, dear," she says, "I'll marry him." Barrie and Broderick set out on a cross country drive to Los Angeles to catch up with Randall; not at all surprisingly, on the way out of town, Raymond jumps on board as a travel partner and the unlikely trio set off together.

    Their adventures along the way include a lesson from Raymond on roasting marshmallows ("Just keep your head down, your eye on the marshmallow, follow through"), a cider drinking contest with a surprise winner, and an encounter with a couple of wanted criminals.

    Gene Raymond is brash and funny; Wendy Barrie is a good match, feisty and energetic. The plot is nothing too original, and for the most part this picture is a pretty standard entry in the cross country romance genre. However, the characters are well drawn and the stars are fun to watch. Overall this is a fun picture.
    6boblipton

    Pretty Good

    Gene Raymond has written a play. In it, the hero starts in Central Park in his underwear. Ten days later, he's in Los Angeles, with a good suit, a hundred dollars and a pretty fiancee. Producers have him thrown out of the office. But his uncle, William Collier Sr., wants him to come into the meatpacking business. He bets Raymond that it's impossible. If Raymond does it, he gets a $15,000 check to produce the play. If not, he goes into the meatpacking business. Soon enough, Raymond is on his way, hitch-hiking with Helen Broderick and her niece, Wendy Barrie, on their way for the younger woman to marry a rich man.

    It's a fun little film, despite some problems in the third act. Miss Broderick is always a delight, and Raymond is surprisingly good, with a glib manner and some nice small gestures that keep things interesting. In addition, there's the usual large troupe of character actors that turn up, from Marc Lawrence (for a change not playing a hoodlum) to Minerva Urecal. This one hasn't aged perfectly by any means, but for fans of studio era Hollywood, it has its pleasures.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      RKO borrowed Wendy Barrie from Paramount for this picture.
    • Gaffes
      As Michael and Paula are being driven through the streets of Los Angeles near the end of the film, they are depicted as driving past the same intersection twice in successive shots - once in a long shot from above, then in the next studio shot in front of a rear-projection screen. Note the Owl Drug store on the corner.
    • Citations

      Michael MacCreigh: Ah, Miss Mannerly, you're looking like a goddess.

      Miss Mannerly, Hutchinson's Secretary: You told me that yesterday.

      Michael MacCreigh: Oh, that was an ordinary goddess. This time it's a Greek goddess.

    • Connexions
      References Les enfants de la crise (1933)
    • Bandes originales
      California Here I Come
      (uncredited)

      Written by Al Jolson, Buddy G. DeSylva and Joseph Meyer

      Played as part of the score when Michael starts hitching to California

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    Détails

    Modifier
    • Date de sortie
      • 7 mai 1937 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Moins une!
    • Lieux de tournage
      • 833 South Spring Street, Los Angeles, Californie, États-Unis(Michael and Paula are depicted as racing past the 41 Club here)
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 17 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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