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Ride, Ranger, Ride

  • 1936
  • Approved
  • 1h 3min
NOTE IMDb
4,9/10
224
MA NOTE
Gene Autry, W.J. Blair, Cecil Campbell, Dick Hartman, Kay Hughes, Happy Morris, Elmer Warren, The Tennessee Ramblers, and Champion in Ride, Ranger, Ride (1936)
DrameMusiqueOccidental

Ajouter une intrigue dans votre langueGene Autry enters the Cavalry, where he attracts the Colonel's daughter. When a jealous Lieutenant conspires to send Gene into an ambush, Gene loses a man and his group is ousted from the ar... Tout lireGene Autry enters the Cavalry, where he attracts the Colonel's daughter. When a jealous Lieutenant conspires to send Gene into an ambush, Gene loses a man and his group is ousted from the army.Gene Autry enters the Cavalry, where he attracts the Colonel's daughter. When a jealous Lieutenant conspires to send Gene into an ambush, Gene loses a man and his group is ousted from the army.

  • Réalisation
    • Joseph Kane
  • Scénario
    • Dorrell McGowan
    • Stuart E. McGowan
    • Bernard McConville
  • Casting principal
    • Gene Autry
    • Smiley Burnette
    • Kay Hughes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,9/10
    224
    MA NOTE
    • Réalisation
      • Joseph Kane
    • Scénario
      • Dorrell McGowan
      • Stuart E. McGowan
      • Bernard McConville
    • Casting principal
      • Gene Autry
      • Smiley Burnette
      • Kay Hughes
    • 12avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos7

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    Rôles principaux62

    Modifier
    Gene Autry
    Gene Autry
    • Texas Ranger Gene Autry
    Smiley Burnette
    Smiley Burnette
    • Frog Millhouse
    Kay Hughes
    Kay Hughes
    • Dixie Summeral
    Monte Blue
    Monte Blue
    • Duval, aka Chief Tavibo
    George J. Lewis
    George J. Lewis
    • Lieutenant Bob Cameron
    • (as George Lewis)
    Max Terhune
    Max Terhune
    • Rufe Jones
    Robert Homans
    Robert Homans
    • Colonel Summeral
    • (as Robert E. Homans)
    Lloyd Whitlock
    Lloyd Whitlock
    • Major Crosby
    Chief Thundercloud
    Chief Thundercloud
    • Little Wolf
    The Tennessee Ramblers
    The Tennessee Ramblers
    • Ranger Musicians
    Philip Armenta
    • Great Bear
    • (non crédité)
    Marie Astaire
    Marie Astaire
    • Goldie
    • (non crédité)
    Silver Tip Baker
    • Civilian
    • (non crédité)
    Joan Barclay
    Joan Barclay
    • Wagon Trail Girl
    • (non crédité)
    Pinkey Barnes
    • Soldier
    • (non crédité)
    W.J. Blair
    • Member The Tennessee Ramblers
    • (non crédité)
    Frederic Blanchard
    • Governor Morris
    • (non crédité)
    Al Boles
    • Cavalryman
    • (non crédité)
    • Réalisation
      • Joseph Kane
    • Scénario
      • Dorrell McGowan
      • Stuart E. McGowan
      • Bernard McConville
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    4,9224
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    10

    Avis à la une

    3planktonrules

    Despite having TWO sidekicks, this is one stinkeroo!

    This Gene Autry film has two distinctions. First, it's one of the few westerns I've seen with TWO sidekicks--Max Terhune and Smiley Burnett. I've never seen this before and doubt I ever will again, as it's completely against the usual formula. Second, the film has the distinction for begin the most anti-American Indian film I've ever seen--and I've seen a lot.

    The film begins with Gene and Max leaving the Texas Rangers and joining up to help the Cavalry. However, it soon becomes clear that the Colonel is a complete potato-head--with the brains to match. He loves the Indians and refuses to accept the idea that any of them could be in any way bad. Gene and Max (particularly Max) think the only good Indian is a dead one--and they are sure to say this again and again. In their estimation, Indians are an evil that needs purging--and they sound like they are about to go on some ethnic cleansing. So guess who is proved right in the end?! Aside from having a hate-filled and historically inaccurate script in regard to Indians, the film repeats the myth of the attack on the wagon train and circling the wagons--things that, despite being in films, didn't happen in the old west. An accurate view of the tribes would have been that SOME are pretty hostile and some are not--much like what you would say about any group of people. I don't say all this because I am Mr. Political Correctness but as a retired history teacher, I just like to see the facts straight. Overall, a stupid and terribly written film that is sure to ruffle a few feathers!
    3frankfob

    Dull, slow-moving Autry vehicle

    Although made in 1936, this film has the stodgy, choppy, primitive look of a B western of 1930 or 1931. I'm not particularly an Autry fan, but I've seen far better examples of his work than this. The script is forced, the "humor" involving an Indian repeatedly trying to scalp Frog (Smiley Burnette) to collect on a bet is not only unfunny but insulting and degrading, even for the 1930s. The songs are uninspired and leaden, Autry's delivery of both dialogue and lyrics are even more wooden than usual, and the tinny, uneven sound quality is reminiscent of the worst of PRC. Republic's westerns are usually much more technically proficient and accomplished, and director Joseph Kane has done far, far better work both before and after this film came out, so I'm not quite sure what the problem was with this picture, but it had more than its share of them. On the other hand, there's a somewhat exciting horse race, and Kay Hughes, as the girl fought over by rivals Autry and George J. Lewis, is ravishingly beautiful, much more so than many of Autry's other Republic leading ladies, and that goes a long way toward making up for the film's deficiencies, both technically and otherwise. But it's not quite enough to cover the fact that this picture is definitely one of Autry's weakest efforts. Skip it; you won't be missing much.
    3Chance2000esl

    Dull, Routine, and Not Worth it

    A good Western film is built around the Good Guy- Bad Guy conflict and their eventual Showdown. Here, that showdown is there, but it's not the major focus of the film.

    It's mainly about how we must fight against Indians. Gene and his Texas Rangers know about Indians; the cavalry does not. ("Make your peace sign with one hand, and keep a gun in the other.") We get that awful 'Tarzan talk' in the way the White Man speaks to the Indians. We get the cliché (it was used in John Ford's 'The Iron Horse' in 1924!) of a white man masquerading as a warlike Indian -- except this time he's a saloon owner.

    There is the throwaway of a love interest (surprisingly, Gene marries her and rides off into the off screen). There is Republic's 'comic relief' of Smiley Burnette and Mex Terhune (he is actually good in this film!); and the dreadful running gag of Chief Thundercloud, who was so evil in the serial 'Custer's Last Stand' (1934), trying to scalp Frog Millhouse; but there's really nothing of substance going on in this picture. It seems too have been made from the "let's crank out another one" mode as part of the new Republic formula of cheapie B pictures.

    There are much better Gene Autry films that seem more authentic, such as 'Yodelin' Kid From Pine Ridge' (1937) than this third rate formulaic cranked out film. Gene is genial, but overall this movie is worth only a 3.
    Snow Leopard

    Rather Routine & Dated

    Gene Autry doesn't get much of a chance to stand out in this routine and rather dated feature. The plot had potential, with Autry leading a group of Texas Rangers who are trying to stop an Indian attack while working against the skepticism of a cavalry commander.

    But what follows is not very entertaining, and most of the problems can probably be blamed on the script. The characters remain one-dimensional, with little or no justification for their actions, and none of them really appears in a very good light. It does not help that the Indians are portrayed in a rather dated and cartoonish fashion, even for the 30's.

    Nothing at all against the talented and very likable Autry, but this one just does not work very well at all. Even the most devoted fans probably won't find much here to get excited about.
    1I_Ailurophile

    Gene Autry made some swell films. This isn't one of them.

    While Gene Autry, like Roy Rogers, is known for his Singing Cowboy westerns, not every such title carries the same elements in the same proportions. In some instances the song is notably deemphasized, bringing stunts and action to the fore, or maybe the narrative. That this one picture gives us two songs within the first five minutes says a lot, including not least about how direct and briskly paced the feature is. That goes as well for the fact that, before those first five minutes have ended, we're also informed in no uncertain terms that this tarries with horribly outdated racist notions about Native Americans - a fact only ever accentuated more thereafter, and even employed for comedic effect. Egads - it's not the best start for 'Ride, ranger, ride,' is it?

    Solid writing in other regards should help to compensate for the unsavory flavors here. Indeed, there are some swell scene and story ideas on hand, and a little bit of cleverness. It's too bad that this is better about communicating its racism than it is about communicating its plot. Advancement of the narrative is meager next to poor attempts at humor (whether racist, or just otherwise falling flat), overbearing scenes of zip and zest and yelling, and tunes that in this case especially feel like empty filler, or an attempt to distract from wanting execution. Even scenes of action suffer as sped up footage is overused to try to foster artificial excitement. Moreover, while director Joseph Kane and the cast have demonstrated fine capability elsewhere, somehow in this instance the acting plainly struggles to feel authentic - from one to the next, it's either dull or overcooked, but never really on point.

    All the ingredients are here for what should be another fun little western flick. Somewhere between the screenplay and the realization of it, however, all its best potential goes to waste, which would be bad enough without its worst aspects being brought front and center. Of all the features Autry made over his career, no few are pretty well made and enjoyable; I struggle to say the same of this one, as what light value it does have to offer is weighed against severe detractions. To be frank, there are far better movies you could be watching, and you don't need to spend time with this one. 'Ride, ranger, ride' - ride away, and never return.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Film debut of Max Terhune.
    • Citations

      [first lines]

      Texas Ranger Gene Autry: Well, boys, here's where Rufe and I leave you.

      Frog Millhouse: Aren't you goin' to San Antone with us?

      Texas Ranger Gene Autry: Nope. We're ridin' to Fort Adobe. I've been made a lieutenant in the United State cavalry.

      Frog Millhouse: What did they make out of you, Rufe?

      Rufe Jones: They made me plain sick to talkin' about Texas bein' better off without us rangers and givin' our jobs to the United States cavalry.

    • Connexions
      Featured in Hollywood Singing and Dancing: A Musical History - The 1930s: Dancing Away the Great Depression (2009)
    • Bandes originales
      Ride Ranger Ride
      (1936) (uncredited)

      Music and Lyrics by Tim Spencer

      Played during the opening credits and Sung by Gene Autry and The Tennessee Ramblers

      Reprised by them when the rangers are recommissioned

      Reprised again near the end

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    Détails

    Modifier
    • Date de sortie
      • 30 septembre 1936 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Gränsriddarna från Texas
    • Société de production
      • Republic Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 3min(63 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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