Le prince et le pauvre

Mark Twain's classic tale of a pair of look-alike boys in 16th century England is given the glossy Hollywood treatment in this very entertaining effort. Billy and Bobby Mauch, 12 year old twin brothers, star, one as the heir to the throne of England and the other as a street urchin. By accident, each is mistaken for the other and when the king dies, the pauper may be crowned instead of the rightful prince. Claude Rains is his usual steady self as the traitorous wretch who realizes his chance to seize power with the pauper in charge. Errol Flynn may be billed as the star, but he does not appear until halfway through the film. He becomes the prince's protector. Of course, he does not know that the young beggar is the prince. Flynn is good as always in this fun filled film.

"The Prince and the Pauper" is based on Mark Twain's novel of the same name. The story is a hypothetical situation where Edward VI exchanges places with a beggar that resembles him as he is about to become King of England.

The Mauch twins, Bobby and Billy, skillfully play the roles of Edward VI and the beggar Tom Canty. Errol Flynn is well-cast as the dashing hero Miles Hendon, who comes to protect Edward when he's taken for a beggar. Claude Rains was a perfect choice to play his oft-reprised role of a conniving man grasping for power which he plays so well. Also notable are Alan Hale as the captain of the guard, Barton MacLane as Tom Canty's despicable father and Montagu Love as the counseling Henry VIII.

The story is not meant as history, but rather an examination of social disparities. Twain's social commentary is, as usual, mixed with his clever humor. The story moves along well with this mix as well as the machinations at court. The only part that seemed somewhat drawn out was the coronation ceremony.

Excellent adaptation of Mark Twain's story about a young prince and a lookalike beggar boy who trade places. The duo are played by real-life twins Billy and Bobby Mauch. They're both very good. Despite receiving top billing, it's nearly an hour in before Errol Flynn shows up. He's lots of fun as you might expect. Claude Rains is great as the villainous Earl of Hertford. He doesn't really get to have scenes with Flynn, however. Fine WB supporting cast includes Alan Hale, Barton MacLane, Henry Stephenson, and Halliwell Hobbes. Spirited, fun adventure story. Despite the length, it never drags. Nice music score by Erich Wolfgang Korngold. Definitely worth checking out.

In 1937, the WB, capitalizing on Errol Flynn's spectacular performances in CAPTAIN BLOOD and THE CHARGE OF THE LIGHT BRIGADE, cast him in four films, with varying degrees of success. The best, by far, was William Keighley and William Dieterle's production of the Mark Twain classic, THE PRINCE AND THE PAUPER, where he supported new WB 'discoveries' Billy and Bobby Mauch, portraying London urchin Tom Canty and his look-alike, Prince Edward Tudor. The twins were gifted, young (12 at the time of the filming) actors, with a Freddie Bartholomew-like quality of engaging innocence, and they gave this version of the oft-filmed tale a sense of reality that split-screen performances by a single actor could never achieve.

The story is an engaging one, as young Canty, inspired by his mother and a local priest to dream of a finer life than his father, an ill-tempered beggar (Barton MacLane) could provide, sneaks onto the grounds of Buckingham Palace. There, he meets young Prince Edward, who is thrilled to meet a boy his own age...and, after cleaning him up a bit, is astonished to discover that the pair could pass as twins. Edward decides this is a golden opportunity to see what life outside the Palace is really like, so, against Canty's misgivings, the two exchange clothing, and the Prince leaves...creating far more of an uproar than either boy could ever imagine!

Canty is soon considered 'mad', as he insists he is not Edward, and the Prince, abused and ridiculed by Tom's father, is unceremoniously thrown off the Palace grounds when he attempts to return, by a disbelieving Captain of the Guards (Alan Hale, in the first of 11 films he'd make with his friend, Errol Flynn). The ambitious Earl of Hertford (the always brilliant Claude Rains) investigates Canty's claim, and realizes, after interviewing the Captain, that the boy is telling the truth, giving him a golden opportunity to seize power. Ordering the Captain to find and kill the Prince, the Earl then threatens to kill Canty if he doesn't obey his commands.

Things grow desperate for the young Prince, as he attempts to evade his murderous 'father' on the streets, until Miles Hendon (Flynn), a roguish but good-natured 'soldier-for-hire' comes to his aid. Offering his protection to the lad, Hendon thinks him a bit balmy, as well...until events (the child's obvious despair over the death of Henry VIII, the Palace search party, and a sword duel with the Captain, where Flynn KILLS Alan Hale!!!) convince him otherwise. Then it becomes a race against time to smuggle the real King into the Coronation, before Canty is crowned, and the Earl assumes "the Power behind the Throne".

Blessed with a gifted cast, including wonderful character actor Montagu Love as the dying Henry VIII, the film offers a truly exceptional film score by Erich Wolfgang Korngold (who would eventually expand the theme into a symphonic work). Audiences have always been surprised that Errol Flynn's role is not larger, but as a faithful Twain adaptation, the focus had to be on the two boys, and not on the impoverished soldier. Flynn had fun playing Hendon, and the Mauch twins were nothing less than superb as the leads.

With THE ADVENTURES OF ROBIN HOOD less than a year away, and Errol Flynn's star continuing to ascend, the WB had every reason to celebrate, and THE PRINCE AND THE PAUPER is a pleasure to watch, to this day!

The reign of Edward VI of England would be little remembered if it not were for the writing of this story by an American of all people, Mark Twain. In point of fact Edward Tudor ascended the English throne in 1547, the son of Henry VIII and died six years later, not even reaching his maturity. His reign, such as it was, was marked by a struggle for power by several factions of nobles. That story can be seen in the films Young Bess and also in Lady Jane. There was no happily ever after endings for young Tudor.

At first glance it wouldn't seem possible that Samuel Langhorne Clemens of Hannibal, Missouri could write a classic tale about medieval England. But thinking about it, is the poverty and young Tom Canty's dealing with it in Offal Court all that different from Huckleberry Finn? Is his father, a coarse and brutal man beautifully played by Barton MacLane, all that different from Huck Finn's pap?

Twain knew his characters well and it he had any trouble with getting the idiom just right he need only have looked to Charles Dickens who was writing about just such people a generation before.

The story is simply that Tom Canty, a beggar boy from Offal Court in London gets into the palace of the king and meets up with young Prince Edward. They look alike enough to be twins and in fact they are played by twin brothers Billy and Bobby Mauch. They exchange places and the switch works only too well.

Top billed in the film is Errol Flynn who plays the fictional Miles Hendon, soldier of fortune just returned from the continent. Flynn was the biggest name in the cast, but the film is half over before he makes his appearance. In point of fact, he's really in support of the Mauch twins. It's Flynn's third appearance with sword in hand for Warner Brothers after Captain Blood and Charge of the Light Brigade.

This film also marks Flynn's first film with Alan Hale who appeared in eleven films with Errol. A film wasn't official at Warner Brothers unless either Alan Hale or Frank McHugh was in it. Jack Warner kept both those guys real busy.

Also in the film are Henry Stephenson and Claude Rains who play competing nobles vying to be top man in their minority monarch's reign. As I said unfortunately that marked Edward VI's entire time on England's throne.

But we have Mark Twain in his classic story and the brothers Warner to thank for bringing Edward VI's story to life for generations to come. I wonder if during his short life, young Edward might really have wished to escape what he had, even if it meant a place like Offal Court.