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7,1/10
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Ajouter une intrigue dans votre langueThe boys and their wives are preparing for a drive to a Sunday picnic but infighting is ruining their plans and a sudden feud with a next-door neighbor completes the disaster.The boys and their wives are preparing for a drive to a Sunday picnic but infighting is ruining their plans and a sudden feud with a next-door neighbor completes the disaster.The boys and their wives are preparing for a drive to a Sunday picnic but infighting is ruining their plans and a sudden feud with a next-door neighbor completes the disaster.
- Réalisation
- Scénario
- Casting principal
Pete Gordon
- Neighbor
- (non crédité)
Charlie Hall
- Neighbor
- (non crédité)
Bobby Mallon
- Neighbor
- (non crédité)
Buddy Moore
- Neighbor
- (non crédité)
Charley Rogers
- The Parson
- (non crédité)
Grace Woods
- Friendly neighbor
- (non crédité)
Avis à la une
This Laurel & Hardy short feature has quite a variety of slapstick material. Most of it is rough physical humor - such as sore feet getting trodden upon and bricks being thrown through windows - but there are plenty of different, funny gags with a couple of subtle ones thrown in. Stan and Ollie are planning on taking their wives and their uncle (Edgar Kennedy) for a nice peaceful picnic, a "Perfect Day". They encounter difficulties even before getting out the door, and once they get into the car, the real chaos starts. Stanley has a very funny bit trying to change a tire, and there is a nicely done subtle joke when, in the midst of a heated 'tit-for-tat' battle with a neighbor, everyone suddenly jumps up and runs inside - what did they see? "Perfect Day" is a good comedy and worth a look.
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'Perfect Day' is not one of the best and funniest Laurel and Hardy short films up to this point of their output, but it is still great fun. Their filmography, apart from a few bumps along the way, was getting better and better and 'Perfect Day' exemplifies this.
Not a lot to criticise here, though the story is slight and takes time to get going.
Once again, 'Perfect Day' is non-stop funniness all the way when it gets going. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'Perfect Day's ' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Perfect War' we are far from robbed of that. Their comic timing is impeccable.
'Perfect Day' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, great fun. 9/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'Perfect Day' is not one of the best and funniest Laurel and Hardy short films up to this point of their output, but it is still great fun. Their filmography, apart from a few bumps along the way, was getting better and better and 'Perfect Day' exemplifies this.
Not a lot to criticise here, though the story is slight and takes time to get going.
Once again, 'Perfect Day' is non-stop funniness all the way when it gets going. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'Perfect Day's ' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Perfect War' we are far from robbed of that. Their comic timing is impeccable.
'Perfect Day' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, great fun. 9/10 Bethany Cox
Stan and Ollie decide to take their wives and their gout-ridden uncle Edgar on a picnic on a lovely Sunday afternoon. It's a good plan, but they never quite get their in this enjoyable, if slight, short.
It was refreshing to see that the new dynamics of making sound films didn't keep the boys completely studio-bound. The vast bulk of this film was shot outdoors and, as a result, doesn't suffer from the same claustrophobia as "Unaccustomed as We Are," "Berth Marks," and the upcoming "They Go Boom." The film also benefits from appearance of the always reliable Edgar Kennedy, a frequent and hilarious foil. Needless to say, his gout-ridden foot will take a great deal of abuse for the film fades out!
A nice short, reminiscent of Chaplin's "A Day's Pleasure." Not one of their classics, but well worth a look.
It was refreshing to see that the new dynamics of making sound films didn't keep the boys completely studio-bound. The vast bulk of this film was shot outdoors and, as a result, doesn't suffer from the same claustrophobia as "Unaccustomed as We Are," "Berth Marks," and the upcoming "They Go Boom." The film also benefits from appearance of the always reliable Edgar Kennedy, a frequent and hilarious foil. Needless to say, his gout-ridden foot will take a great deal of abuse for the film fades out!
A nice short, reminiscent of Chaplin's "A Day's Pleasure." Not one of their classics, but well worth a look.
So says Mrs. Hardy when itemizing the food items to bring for a picnic on this 'perfect day.' Spotting details like this is one of the charms of watching really old films. Who knew potato chips would be a common food staple already in 1929?
Plot In a Nutshell: Stan Laurel, Oliver Hardy, their wives and a reluctant "uncle Edgar" plan a picnic on a lovely Sunday afternoon. If you know Laurel & Hardy, you know that's not going to happen...
Why I rated it an '8': this was another very good short from L&H. Not among their very best I wouldn't say, but close enough. There are mishaps with the picnic sandwiches, mishaps with uncle Edgar's gout-ridden foot, mishaps with the family dog....and that's before they even get in their temperamental Model T car. Now the possibilities are endless. Flat tires, sputtering engines...add in incompetent Stan and you get the idea. There is even a small 'mutual destruction' sequence with a neighbor that only ends when a local minister's sudden appearance nips it in the bud. Overall a pretty amusing 20 minutes.
Favorite scene: the family dog vigorously attacking uncle Edgar's bandaged foot. I don't know how they got the dog to be so aggressive, but it was freakin' hilarious!
8/10. Would I watch again (Y/N)?: That's easy. Yes!
Plot In a Nutshell: Stan Laurel, Oliver Hardy, their wives and a reluctant "uncle Edgar" plan a picnic on a lovely Sunday afternoon. If you know Laurel & Hardy, you know that's not going to happen...
Why I rated it an '8': this was another very good short from L&H. Not among their very best I wouldn't say, but close enough. There are mishaps with the picnic sandwiches, mishaps with uncle Edgar's gout-ridden foot, mishaps with the family dog....and that's before they even get in their temperamental Model T car. Now the possibilities are endless. Flat tires, sputtering engines...add in incompetent Stan and you get the idea. There is even a small 'mutual destruction' sequence with a neighbor that only ends when a local minister's sudden appearance nips it in the bud. Overall a pretty amusing 20 minutes.
Favorite scene: the family dog vigorously attacking uncle Edgar's bandaged foot. I don't know how they got the dog to be so aggressive, but it was freakin' hilarious!
8/10. Would I watch again (Y/N)?: That's easy. Yes!
Another enjoyable Laurel & Hardy outing, as most of them indeed were, and this must have been one of their earliest talkies too. It's a 20 minute short which involves the boys and their spouses taking an injured relative out for a much-needed picnic, only to encounter endless trouble when they make it outside to their car. Sure, the gags are quite predictable here but it's the sheer number of them which make this work, as one running situation moves into another with endless slapstick, injury and bizarre scenarios. It's not huge on the FX but the addition of a cute dog and the classic final shot make it all worthwhile.
Le saviez-vous
- AnecdotesThe picnic was supposed to occupy the second reel, but the gags in the preparation and departure got so involved that they filled the entire two reels.
- GaffesThough Stan and Ollie never do manage to fix the flat tire, it's in good condition by the end of the film.
- Citations
Uncle Edgar: Oh, shit!
- Versions alternativesWhen released in a computer colorized version, the scene following Uncle Edgar getting the tireless wheel along with the car crashed down on his gouted foot was cut out. It featured Stan holding the flat tire and notices a nail. He yanks it out and Ollie takes the tire from him before Stan can get the spare so it shows why they put the flat tire back on the car.
- ConnexionsFeatured in The Crazy World of Laurel and Hardy (1966)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Joyeux pique-nique
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée19 minutes
- Couleur
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By what name was Une partie de plaisir (1929) officially released in Canada in French?
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