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IMDbPro

La revue des revues

Titre original : The Show of Shows
  • 1929
  • Passed
  • 2h 8min
NOTE IMDb
5,7/10
495
MA NOTE
La revue des revues (1929)
Comédie

Ajouter une intrigue dans votre langueIn 1929, the studio gave the cinema its voice and offered audiences a chance to hear their favorite actors and actresses from the silent-screen era. For the first time, they can be heard in ... Tout lireIn 1929, the studio gave the cinema its voice and offered audiences a chance to hear their favorite actors and actresses from the silent-screen era. For the first time, they can be heard in a gaudy, grandiose musical-comedy revue. But also appearing are actors and actresses from ... Tout lireIn 1929, the studio gave the cinema its voice and offered audiences a chance to hear their favorite actors and actresses from the silent-screen era. For the first time, they can be heard in a gaudy, grandiose musical-comedy revue. But also appearing are actors and actresses from the first 'talkies', stars from Broadway, and, of course, German shepherd Rin-Tin-Tin. Fra... Tout lire

  • Réalisation
    • John G. Adolfi
  • Scénario
    • J. Keirn Brennan
    • Frank Fay
    • William Shakespeare
  • Casting principal
    • Frank Fay
    • William Courtenay
    • H.B. Warner
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    495
    MA NOTE
    • Réalisation
      • John G. Adolfi
    • Scénario
      • J. Keirn Brennan
      • Frank Fay
      • William Shakespeare
    • Casting principal
      • Frank Fay
      • William Courtenay
      • H.B. Warner
    • 29avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Photos49

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    Rôles principaux95

    Modifier
    Frank Fay
    Frank Fay
    • Master of Ceremonies
    William Courtenay
    William Courtenay
    • The Minister - Guillotine Sequence
    H.B. Warner
    H.B. Warner
    • The Victim - Guillotine Sequence
    Hobart Bosworth
    Hobart Bosworth
    • Executioner - Guillotine Sequence
    John Barrymore
    John Barrymore
    • Richard III in 'Henry VI Part III'
    Harry Akst
    • Pianist Accompanying Irene Bordoni
    Armida
    Armida
    • Performer in 'Meet My Sister' Number
    • (as Mimi Vendrell)
    Johnny Arthur
    Johnny Arthur
    • Hero - Performer in 'The Pirate'
    Mary Astor
    Mary Astor
    • Performer in 'The Pirate' Number
    William Bakewell
    William Bakewell
    • Performer in 'Bicycle Built for Two' Number
    Richard Barthelmess
    Richard Barthelmess
    • 'Meet My Sister' Presenter
    Noah Beery
    Noah Beery
    • Performer in "The Pirate" Number…
    Sally Blane
    Sally Blane
    • Performer in 'Meet My Sister' Number
    Monte Blue
    Monte Blue
    • Condemned Man (segment "Rifle Execution")
    Irène Bordoni
    Irène Bordoni
    • Performer in 'Just for One Hour of Love' Number
    Joseph A. Burke
    • Joe Burke
    • (as Joe Burke)
    Marion Byron
    Marion Byron
    • Performer in 'Meet My Sister' Number
    Georges Carpentier
    Georges Carpentier
    • Boulevardier in 'If I Could Learn to Love' Number
    • Réalisation
      • John G. Adolfi
    • Scénario
      • J. Keirn Brennan
      • Frank Fay
      • William Shakespeare
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    5,7495
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    Avis à la une

    jimjo1216

    Warner Bros. players and all their friends put on a show

    Two years after the success of THE JAZZ SINGER (1927), Warner Bros. released this all-talking, all-singing, all-star revue to capitalize on the popularity of sound pictures. THE SHOW OF SHOWS (1929) features a wide variety of acts from a roster of famous stars of stage and screen. There are lots of songs and lots of mass choreography, but also comedic bits and a dramatic scene.

    The movie is quite a spectacle, though nowadays its value is mostly as a curiosity for hardcore film buffs. The songs generally aren't that great and the performances aren't always polished, though everybody seems to be having fun. Much of the cast is made up of largely forgotten stars of the late silent/early sound era that most modern viewers wouldn't recognize. But it's a real treat for film historians.

    I'm a big fan of old movies and classic Hollywood, and many of the featured stars are obscure even to me. Most of the stars are identified at some point in the film, though countless others are mixed into scenes with little fanfare. Without identification I was able to spot Myrna Loy, Ben Turpin, Chester Morris, Richard Barthelmess, Douglas Fairbanks Jr., John Barrymore, and Monte Blue. And I'm familiar, to varying degrees, with people like Frank Fay, Winnie Lightner, Louise Fazenda, Dolores Costello, Noah Beery, and Tully Marshall.

    Frank Fay emcees the proceedings, tying the various acts together and introducing the stars. His verbal comedy shtick is a good fit for talkies and he does a pretty good job.

    An early highlight is Winnie Lightner's upbeat comedy song "Ping Pongo". Louise Fazenda, Fay, Lloyd Hamilton, and Beatrice Lillie do a recitation sketch that's pretty funny, though it stretches a little too long. There's a number featuring notable screen villains as pirate versions of themselves (singing pirates, naturally). Another features several pairs of movie star sisters, including Loretta Young and Sally Blane, who look freakishly alike. Lightner also sings "Singin' in the Bathtub", a tune I know from old Looney Tunes cartoons. John Barrymore hams it up with a Shakespeare soliloquy as Richard III.

    I was surprised and delighted halfway through to see an exotic number in two-strip Technicolor. Apparently most of the film was shot in color, but the surviving print is in black & white with the exception of this segment.

    It's great seeing so many Hollywood personalities doing fun little acts and musical numbers. Everybody seems to be having a good time, putting on a big show. Some names and faces are more recognizable than others, but the film is a fascinating glimpse at the stable of Warner Bros. talent at this transitional point in cinema history.

    A musical spectacular from the infancy of the sound era, THE SHOW OF SHOWS is literally presented as a stage production, with fairly static cameras and sometimes clunky framing. Sometimes the closed stage curtain fills the top three-quarters of the frame while a chorus line dances along the bottom edge. In one song voices drop out of range of the microphone as the singers move across the stage. Some of the extended crowd choreography gets tiresome, but the comedy is good for a few laughs. And it's always fun trying to identify the stars in the ensemble scenes.

    6/10 for entertainment value, but 7/10 as a historical curiosity.
    7doc-55

    An intermittently entertaining showcase for current stars

    It is difficult to evaluate this or any other comparable film of the early sound era in terms that one might use for ordinary film commentary. At times there is almost a desperation, as many film personalities of the silent era try their wings at sound, surely fearing that they will be left by the wayside (as did happen to some), Rin-Tin-Tin. however, was pertfectly natural. In such a vaudeville of unrelated sequences, some were sure to stand out John Barrymore's soliloquy from Richard II is a moment certainly worth preserving. By and large, only those with earlier stage training exuded confidence. However, this is over all reasonably entertaining, and a must for "film buffs" especially interested in the silent to sound transition
    themarzipanfiend

    Real entertainment

    An amazing Moulin Rouge style film, with great songs and cameos from Myrna Loy and Beatrice Lillie. Amazing songs, including "Singing in the Bathtub", A good old-fashioned film, vaudeville at its best. It is well produced, and if they had added a storyline, it would have detracted from the entertainment. However, this film is impossible to find on video
    summamaxima

    Fifteen Years later this M.C. rode Mary Chase's Rabbit into Broadway's Hall of Fame

    Although dismal as cinema (static wide-angle camera records acts performed on a large theatre stage) it is great notstalgia to see (in a few rare close-ups) stars of the 20's, many of whom were yet to become famous. Particularly, as Master of Ceremonies, Frank Fay, who, 15 years later in 1944, would be cast on Broadway in a role which had already been offered to (and turned down by) 4 famous stars: Harold Lloyd, Edward Everett Horton, Robert Benchley, and Jack Haley. Frank Fay then originated in his greatest role the character Elwood P. Dowd in the Mary Chase play "Harvey" (the name of his imaginary 6-foot-tall rabbit friend). When the producers later sent Fay to take the National Touring Company cast on the road, the play then continued on Broadway with the remaining cast, but with role of Elwood P. Dowd played by James Stewart, who had just finished his movie characterization of George Bailey (It's Wonderful Life). Another road show cast I saw in 1947 at San Francisco's Geary Theatre starred Joe E. Brown, who would recommend Stewart for the movie version.
    GManfred

    Attention Movie Fans

    But not just any movie fans, I'm talking to hard core movie fans, movie historians, movie archaeologists and those who want to understand early Hollywood. If you are one of these, this Hollywood antique is for you. It is somewhat entertaining and most of the stars and specialty acts are long gone and mostly forgotten. Comedy has evolved and what's here is old and stale, but nevertheless "The Show Of Shows" is a fascinating 2-plus hours of the way things used to be, entertainment-wise, in the early part of the 20th Century. Ever heard of Frank Fay, Irene Bordoni or Lupino Lane? Thought not. Maybe your parents have and surely your grandparents did. This picture is like a Who's Who of oldtime entertainers, and if you fall into one of the categories mentioned at the beginning of this review, this one is a must.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      At its New York City premiere at the Winter Garden Theatre, some musical numbers were projected on a larger, wider screen by a system called Magnascope, which had been in occasional use since 1924.
    • Citations

      Executioner - Guillotine Sequence: Prologue is Dead! On with the Show of Shows!

    • Connexions
      Featured in The Voice That Thrilled the World (1943)
    • Bandes originales
      Military March
      (uncredited)

      Music by Edward Ward

      Performed by the marching cadets

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    FAQ15

    • How long is Show of Shows?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 avril 1931 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Français
      • Anglais
    • Aussi connu sous le nom de
      • Show of Shows
    • Lieux de tournage
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis(Studio)
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 850 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 2h 8min(128 min)

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