Girls About Town

This one remains a favorite pre-Code with Kay Francis and Lilyan Tashman playing a couple of party girls who work with Alan Dinehart to bilk the out-of-town rubes who come to New York City for a good time. Lots of zippy one-liners as the "girls" parade around in plunging gowns and dripping with jewels. After they ditch the boys from Des Moines (George Barbier, Robert McWade) they go on a yachting party and get involved with Joel McCrea and Eugene Pallette from Lansing. While Kay falls for McCrea, Lilyan tangles with Eugene and his wife (Lucile Gleason) to wrest some needed jewelry from cheapo Eugene. Great fun. The film takes a dramatic turn toward the end when Kay's discarded husband (Anderson Lawler) shows up on the mooch. Louise Beavers has a funny role as the girls' maid and Frances Bavier appears as one of the party girls.

Not to be missed!

"Girls About Town" is a pre-code film with sensibilities that simply would not have been allowed once the toughened Production Code was enacted in mid- 1934. This is because although the film never said so in so many words, the picture is about some women of rather easy virtue who make a living off men. Wanda (Kay Francis) and Marie (Lilyan Tashman) are professional escorts who are often hired to hang out with old men and flatter them while the group is out on business dinners. It never exactly says it in the film, but most adults watching the film most likely assume that the ladies got all their furs, jewels, maid and other luxuries by sleeping with the men.

This film finds the girls paired up with a couple rich guys, Jim (Joel McCrea) and Benjamin (Eugene Palette). However, a couple odd things happen--Jim falls for Wanda and Benji turns out to be total cheapskate and Marie has to work very, very hard to get Benji to buy her anything. However, in a funny twist, Marie and Benji's wife work together--to get him to stop being so stingy. So what's to become of all this? Well, see the film and find out for yourself. It's well worth it, as the script is pleasant and fun. In particular, it's quite fun seeing Benji get his comeuppance!

Lilyan Tashman could sit and read the telephone book and make it funny. Someone needs to give this woman, and her tragically short career, a retrospective. This time she's got a sumptuous Paramount production, George Cukor at the wheel, everyone's favorite clotheshorse Kay Francis as co-star. Not enough? How about the great black actress Louise Beavers, whose entrance in the film is a scream (I'll say no more, lest I ruin it). It's a witty piece of art deco comedy, with Tashman and Francis as ermine-caped gold diggers, and Eugene Palette (not quite yet obese) and handsome Joel McCrea as the latest targets. Like so many Paramount films of the early 30s, its still fresh and contemporary, thanks to its grown up, pre-Code script. And those opening credits--couples dancing over the new york skyline--just icing on the cake. Don't miss this.

No one says it in the picture and it's not in anyone's review, but aren't the girls in the title hookers? Thought so. Of course, this is a pre-code film and I guess it was acceptable to depict them rather than actually come out and declare same. I wasn't alive in the 30's, but that's how I read it.

That said, "Girls About Town" is a very funny picture with a good script and an even better cast. Kay Francis is one of my favorites, very feminine and demure, even as a, well, I already covered that. She was ably assisted by Lilyan Tashman, a comedienne who had a tragically short career in movies. Lots of energy and not bad looking. Joel McCrea is window dressing as he sleepwalks through his part but Eugene Palette holds up the male side of the fun. Louise Beavers is on hand with a bigger role than she is usually given. Tough luck for her she was a black in Hollywood in the 30's.

The picture gets a little far afield towards the end. I always get the impression writers come up with a clever idea for a story but often can't figure out how to end it and go for a predictable lameness, Exhibit A being "Harvey". But in my book "Girls About Town" had already earned its spurs, to mix a metaphor.

This film is about two professional gold diggers - Marie has her heart in her work (Lilyan Tashman), Wanda doesn't (Kay Francis). The two women are paid handsomely to entertain men who are in town to do business with their employer and to soften them up so they are more receptive to striking deals with that employer. This film has more introspection than many precodes, possibly due to the presence of George Cukor as director. He really did a great job in "women's films" such as these. At any rate, Wanda is on the lookout for the love of her life and most improbably finds him during one of her "assignments" - Lansing businessman Jim Baker (Joel McCrea). However, she can't marry him until she obtains a divorce from her long estranged and lazy husband (Anderson Lawler). With experience in marriage to such a shady predatory character, you'd wonder why she would want to give matrimony another try.

Kay Francis has made many such films - the good girl in bad girl's clothing - but few films remain that show Lilyan Tashman and what she could do with a meaty precode role. This is one of them. As Marie she manages to look out for herself, be charitable to a friend in need, and even help the wife of a stingy client reunite with her husband (Eugene Palette). The two women even turn out to be great friends, trading fashion tips of all things. As always with Lilyan, there are the wonderfully delivered catty remarks. Sadly she died in 1934 of cancer at the age of only 37. Check this one out to see one of the biggest names in precode film in a pretty good movie (Kay Francis), and one star that did not shine quite so brightly, but added spice to any role she was given (Lilyan Tashman).