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Up Pops the Devil

  • 1931
  • 1h 14min
NOTE IMDb
5,6/10
119
MA NOTE
Carole Lombard and Norman Foster in Up Pops the Devil (1931)
Comedy

Ajouter une intrigue dans votre langueThe marriage of an advertising man is jeopardized when he gets a chance to sell a novel he's been working on and quits his job to concentrate on writing. In order to support the family, the ... Tout lireThe marriage of an advertising man is jeopardized when he gets a chance to sell a novel he's been working on and quits his job to concentrate on writing. In order to support the family, the wife is forced to take a job as a dancer in a Broadway show. As the marriage begins to fal... Tout lireThe marriage of an advertising man is jeopardized when he gets a chance to sell a novel he's been working on and quits his job to concentrate on writing. In order to support the family, the wife is forced to take a job as a dancer in a Broadway show. As the marriage begins to fall apart, complications ensue when she discovers that she's pregnant.

  • Réalisation
    • A. Edward Sutherland
  • Scénario
    • Frances Goodrich
    • Albert Hackett
    • Arthur Kober
  • Casting principal
    • Richard 'Skeets' Gallagher
    • Stuart Erwin
    • Carole Lombard
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    119
    MA NOTE
    • Réalisation
      • A. Edward Sutherland
    • Scénario
      • Frances Goodrich
      • Albert Hackett
      • Arthur Kober
    • Casting principal
      • Richard 'Skeets' Gallagher
      • Stuart Erwin
      • Carole Lombard
    • 6avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos12

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    Rôles principaux18

    Modifier
    Richard 'Skeets' Gallagher
    Richard 'Skeets' Gallagher
    • Biney Hatfield
    • (as Skeets Gallagher)
    Stuart Erwin
    Stuart Erwin
    • Stranger
    Carole Lombard
    Carole Lombard
    • Anne Merrick
    Lilyan Tashman
    Lilyan Tashman
    • Polly Griscom
    Norman Foster
    Norman Foster
    • Steve Merrick
    Edward J. Nugent
    Edward J. Nugent
    • George Kent
    Theodore von Eltz
    Theodore von Eltz
    • Gilbert Morrell
    Joyce Compton
    Joyce Compton
    • Luella May Carroll
    Willie Best
    Willie Best
    • Laundryman
    • (as Sleep 'n' Eat)
    Eulalie Jensen
    Eulalie Jensen
    • Mrs. Kent
    Harry Beresford
    Harry Beresford
    • Mr. Platt
    Effie Ellsler
    Effie Ellsler
    • Mrs. Platt
    Claire Dodd
    Claire Dodd
    • Minor Role
    • (non crédité)
    Pat Moriarity
    Pat Moriarity
    • Kelly - Bootlegger
    • (non crédité)
    Paddy O'Flynn
    • Stagehand
    • (non crédité)
    Guy Oliver
    Guy Oliver
    • Waldo - Handyman
    • (non crédité)
    Matty Roubert
    Matty Roubert
    • Subscription Boy
    • (non crédité)
    Marguerite Warner
    Marguerite Warner
    • Minor Role
    • (non crédité)
    • Réalisation
      • A. Edward Sutherland
    • Scénario
      • Frances Goodrich
      • Albert Hackett
      • Arthur Kober
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs6

    5,6119
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    Avis à la une

    6boblipton

    Too Dated

    After a year of marriage, Carole Lombard takes a job in a chorus line so husband Norman Foster can quit his job and write full time. However, with the traditional roles of breadwinner and homemaker reversed, Foster gets cabin fever. They haven't the money to party with their old friends, and Foster finds it humiliating to have to ask his wife for money. Their marriage explodes.

    It's based on a play by Frances Goodrich and Albert Hackett, and director A. Edward Sutherland has not opened up the sets much; it almost all takes place in their one-bedroom apartment. Despite a good cast and some fine comic bits, particularly by Skeets Gallagher, it is far too old-fashioned to be more than a high-brow version of those slapstick two-reelers in which husband and wife swap roles.

    It was popular enough in its day. A musical version played on Broadway in the early 1930s and introduced the song "As Time Goes By."
    5planktonrules

    Fair...only fair.

    "Up Pops the Devil" is a film with a familiar theme...the incredibly longsuffering wife who gives up everything for her man. Such ridiculously longsuffering women were common in movies in this era...and usually they are mothers such as in "So Big" and "Madam X". Here, however, the woman babies her husband!

    When the film begins, Steve (Norman Foster) just got an advance on a novel he's writing. He'd love to be an author...but already has an exceptional job*. His girlfriend, Ann (Carole Lombard), at first refuses to marry Steve...as she thinks she'll get in the way when they marry...and he MUST finish the book. So, she offers him a plan...to marry BUT if he wants out after a year, she'll walk...no questions asked. And, during part of their marriage, money is tight...and Steve's ego cannot handle being a stay at home husband. Soon, not surprisingly, the marriage is on the rocks.

    There are a couple annoying things about the film...the dipsomaniac 'friends' who keep dropping by the apartment as well as 'Sleep 'n Eat'. Sleep 'n Eat was a sub-human name the studios gave to Willie Best, and fortunately the name did not stick. But like so many of his roles, he's not exactly an enlightened character, with this black man stealing chicken in one scene! Awful when seen today...pretty normal stuff for 1931.

    So should you watch it? Perhaps...though the current copy on YouTube has a huge problem...at about an hour into the film the sound cuts out completely!

    *Steve's job pays him about $5200 a year. In 2018 terms, this would be like an $80,000 job...though many married on salaries far, far lower back during the Depression.
    6bkoganbing

    Husband and wife exchange roles

    Up Pops The Devil was a Broadway play by Albert Hackett and Frances Goodrich which ran for 148 performances on Broadway, a most respectable run for the Depression years. It is most dated since it rigidly defines the gender roles of the day. I doubt will see the play revived or the movie remade.

    Norman Foster and Carole Lombard are husband and wife. He's an ad man who dabbles in writing, she's your typical homemaker. When he gets a nibble on one of his story ideas he can't work on that exclusively so she goes to work as a showgirl for nightclub owner Theodore Von Eltz. He stays at home and is real unhappy the wife is supporting the household.

    They used to entertain a lot, but it turns out Foster can't budget and manage money the way Lombard could. Parties are out, a lot of what they did is out. Both also spark interest from other parties for affairs.

    Best in the film is a cameo from Stu Erwin as an inebriated stranger who wanders in off the street because it looks like a good time is to be had.

    It's a good film, but it's a museum piece, terribly dated.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Although Carole Lombard was brought on board on the basis of her successful pairing with this film's co-star, Norman Foster, in It Pays to Advertise (1931), Nancy Carroll was initially set to play the film's female lead.
    • Connexions
      Referenced in Hollywood Hist-o-Rama: Carole Lombard (1961)
    • Bandes originales
      The Anvil Chorus,
      from "Il trovatore" (uncredited)

      Written by Giuseppe Verdi

      Sung briefly by Richard 'Skeets' Gallagher and Edward J. Nugent

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    Détails

    Modifier
    • Date de sortie
      • 20 mai 1931 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Vingança Diabólica
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 14 minutes
    • Couleur
      • Black and White

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