Ride Him, Cowboy

This film was the first of a series of B westerns that John Wayne did for Warner Brothers and it was decided to give him a horse companion named Duke. Duke the horse was fine, the film left a lot to be desired.

A horse is the only witness to a robbery where another witness was beaten unconscious and lies in a coma. He went after the villain and the villain who is masked bandit known as the Hawk says the horse is a mankiller who attacked him for no good reason. Since by day the villain is a respectable town citizen everyone believes him, almost.

One of the almost is young cowpoke John Wayne who says he can tame the stallion and proceeds to do so. He even offers to track down the Hawk.

It starts to get a little ridiculous here especially in the way that the villain gets the drop on Wayne. Of course in the tradition of Trigger, Champion, Topper, and Robert Taylor's horse Varick in Knights of the Round Table, Duke rescues his friend John Wayne. Doesn't that sound a little odd.

Otis Harlan has a very funny bit as the country judge before whom Wayne is tried when he's accused of being the Hawk. And the villain does get a poetic ending.

Still it's hardly one of John Wayne's best.

Let's see, this picture was made in 1932 and my parents were just about ten years old. As this was the depression and my dad was one of six kids, I doubt if he had a nickel to spend. As I watch this, as an old, old man; I see it as a pretty good oater. Lots of action, last minute rescues, and a smattering of adult humor. At least, I hope the humor was adult aimed for I know I wouldn't have gotten it. John Wayne got top billing although he shared it with Duke, his horse.

The action moves quickly enough for kids to follow it to see if Wayne caught the bad guy or at least exposed him to the law. I thought the film held up over the years. Solid supporting cast with both Harry Gribbon and Otis Harlan providing the humor; a little gallows at times but no doubt that was for any adult who wandered in.

You have to feel sorry for Wayne's character, John Drury, who goes from horse saving hero to wanted outlaw in the blink of an eye. I think after all was done with, I would have just moved on and left these people to themselves.

But, all in all, a decent oater for its time.

It is fascinating to see the breadth of the 20 reviews for "Ride Him, Cowboy," with the ratings ranging from a two to a nine. However, no matter what the ratings viewers for the most part agree that the film is entertaining.

The production values are professional, the acting is clean and competent, and the story is fresh in its variation and quite captivating. The scene where the camera pans around the room during the dance while the unpolished and authentically rustic sounds of "Till We Meet Again" play is highly affecting and had to have been carefully composed and choreographed ahead of time.

The largest problem with the film is that the subtle and often wry humor with which the seriously-toned story develops jarringly and uncomfortably turns a little too farcical toward the end; continued subtlety would have worked better. The final five minutes seem to have been edited in a rush and slapped-together, as well.

John Wayne presents a unique persona here in the early 1930s with his amiable, relaxed, cool, considerate, and, above all, pleasant character. And at this early career stage I can't see how he can be faulted for his acting work, as he seems already relatively smooth and fluid and appropriately reactive (some of his facial reactions during his courtroom trial were endearingly right on).

Contrast Wayne with other early 1930s heroes including Buck Jones (serious and measured), Harry Carey (fatherly and thoughtful), Bob Steele (scrappy but tender), Tim McCoy (resolute and regal), Hoot Gibson (satirical and self-deprecating) and Ken Maynard (down home action figure) and one realizes Wayne had already developed his own niche (did Johnny Mack Brown channel a little of Wayne when he settled for, on, and into his own western film career in 1935?)

Overall, "Ride Him..." is fun, competent, historically notable, and a tad different...and should be seen by anyone actually taking the time to look over these reviews.

I figured this would be a very dated, corny and dumb B-cowboy movie, but was wrong. It was a very interesting short film that was done very well.

It had action, comedy, romance and suspense all packed into a movie less that lasted only 55 minutes. It had a convincing nasty villain, a pretty girl, a talented horse named "Duke," and a crooked-but-funny judge. The horse was able to untie rope and acted almost human.

The only thing that looked a bit dated - but applied to all classic westerns - is when they broke chairs over the good guy's head and it never seemed to faze him. Only in the movie can a guy get punched flush in the jaw and have a wooden chair broken over his skull, and the victim is no worse for the wear!

An American Action, Western; A story about a Texan cowboy who rides into an Arizona town, rescues a horse, and winds up being blamed for a recent spate of barn-burnings, a crime he did not commit. This 'B' movie is a remake of the 1926 silent film The Unknown Cavalier (1926) and based on a 1923 novel by Kenneth Perkins. This light-humoured film has its stock characters and a well-worn story about a man falsely accused. There is a satirical aspect too, about frontier justice, the rush to judgement in trial when logic suggests otherwise, and a prominent citizen who turns out to be a wrong 'un. Duke the clever horse steals the show in some instances. John Wayne fits his part nicely as the young stranger who can goof with the rest of them but has the fortitude to bring miscreants to justice.