Ajouter une intrigue dans votre langueA struggling circus finds salvation in the form of an exciting new twist on their high-wire act.A struggling circus finds salvation in the form of an exciting new twist on their high-wire act.A struggling circus finds salvation in the form of an exciting new twist on their high-wire act.
- Réalisation
- Scénario
- Casting principal
William Hartnell
- Jim Powers
- (as Bill Hartnell)
Elsie Wagstaff
- Eve Wainwright
- (as Elsie Wagstaffe)
Patricia Laffan
- Nurse
- (non crédité)
Peter Noble
- Circus Worker
- (non crédité)
Jack Sharp
- Circus Worker
- (non crédité)
Cecil Ayres Trio
- Skaters
- (non crédité)
Victor Wood
- Journalist
- (non crédité)
Avis à la une
In the 1930s, several major studios opened studios in the UK in order to comply with a British law mandating that a specific percentage of the movies shown in the country be made there as well. So, studios like MGM and Warner Brothers opened up British branches...and "The Dark Tower" is from Warner's British studio.
The story begins at a nearly bankrupt circus. Receipts are poor and so it's not surprising that the manager tells Torg (Herbert Lom) to go away when he comes looking for a job. However, shortly after this a lion breaks loose and Torg miraculously is able to get the animal under control using his hypnotic ways. The circus agrees that Torg is pretty amazing and they hire him. His job is an odd one, however. He coaches a lady trapeze artist to give her the ability to do amazing stunts without a trace of fear. However, he soon has so much control over her that their relationship seems much like Svengali and Trilby. Torg also begins behaving like a nasty jerk--treating everyone in the circus like they are beneath him. Where will all this end?
The best thing about this film is Herbert Lom's wonderful performance. He is well mannered but menacing...almost like a malevolent version of Charles Boyer. The story is good, though VERY similar to the Svengali movies which preceded it...but has enough different about it that both stories are well worth seeing.
By the way, this is an odd film because the war is never mentioned...yet it came out in 1943...during the height of WWII.
The story begins at a nearly bankrupt circus. Receipts are poor and so it's not surprising that the manager tells Torg (Herbert Lom) to go away when he comes looking for a job. However, shortly after this a lion breaks loose and Torg miraculously is able to get the animal under control using his hypnotic ways. The circus agrees that Torg is pretty amazing and they hire him. His job is an odd one, however. He coaches a lady trapeze artist to give her the ability to do amazing stunts without a trace of fear. However, he soon has so much control over her that their relationship seems much like Svengali and Trilby. Torg also begins behaving like a nasty jerk--treating everyone in the circus like they are beneath him. Where will all this end?
The best thing about this film is Herbert Lom's wonderful performance. He is well mannered but menacing...almost like a malevolent version of Charles Boyer. The story is good, though VERY similar to the Svengali movies which preceded it...but has enough different about it that both stories are well worth seeing.
By the way, this is an odd film because the war is never mentioned...yet it came out in 1943...during the height of WWII.
Murder under the big top has often been a favorite topic for the screen, especially when you add jealousy and rivalry to the mix. This is a British film made during the war years at a studio that was later bombed and put out of use.
HERBERT LOM has a key role as a hypnotist hired by the circus to give one of their high wire performers (ANNE CRAWFORD) the nerve to perform a dangerous act while under his positive spell. She's married to David FARRAR but soon attracts the hypnotist with her blonde beauty. BEN LYON is manager of the circus troupe. Lom wants respect and tells the circus manager he has the power to command success.
The plot ambles along rather pleasantly with just enough tension to keep the interest up as Lom soon becomes important to the circus because he has complete control over Crawford, much to her husband's dismay. There are a few surprises later on, when the high wire act under the hypnotist's guidance goes awry with tragic circumstances. An additional surprise is the twist given the ending.
Lom really steals the film as the hypnotist with magnetic eyes. David Farrar and Anne Crawford are both perfect as the husband and wife team torn apart by his interference.
Better than average circus drama from the U.K.
HERBERT LOM has a key role as a hypnotist hired by the circus to give one of their high wire performers (ANNE CRAWFORD) the nerve to perform a dangerous act while under his positive spell. She's married to David FARRAR but soon attracts the hypnotist with her blonde beauty. BEN LYON is manager of the circus troupe. Lom wants respect and tells the circus manager he has the power to command success.
The plot ambles along rather pleasantly with just enough tension to keep the interest up as Lom soon becomes important to the circus because he has complete control over Crawford, much to her husband's dismay. There are a few surprises later on, when the high wire act under the hypnotist's guidance goes awry with tragic circumstances. An additional surprise is the twist given the ending.
Lom really steals the film as the hypnotist with magnetic eyes. David Farrar and Anne Crawford are both perfect as the husband and wife team torn apart by his interference.
Better than average circus drama from the U.K.
Financially strapped circus manager Ben Lyon (as Phil Danton) hires hypnotist Herbert Lom (as Stephen Torg) after the latter helps capture an escaped lion. Fortunes turn when Mr. Lom is asked to use his hypnotic prowess to enhance stunts performed by trapeze artist Anne Crawford (as Mary). Her high-flying partner and boyfriend David Farrar (as Tom) becomes an obstacle when Lom wants to control Ms. Crawford. We assume Lom wants to romance Crawford, but the story seems to stall in this area, just as it gets going. Poor Mr. Lyon is easy to control without hypnotism. Perceptive Josephine Wilson (as Dora Shogun) lives up to her name. The characters and production make it an engaging melodrama.
****** The Dark Tower (10/18/43) John Harlow ~ Herbert Lom, Ben Lyon, Anne Crawford, David Farrar
****** The Dark Tower (10/18/43) John Harlow ~ Herbert Lom, Ben Lyon, Anne Crawford, David Farrar
Herbert Lom plays a hypnotist in this thrilling British film noir. The young Lom seems an uneasy cross between Peter Lorre and Charles Boyer. The plot is gripping. It's familiar but beautifully executed here. As an audience of one, I was on the edge of my chair.
The entire cast is excellent. The feel of a circus is real: It reminded me from time to time of an earlier great movie about a circus: "Freaks." And even the props are good: The laughing sailor is horrifying. When the circus owner shows this device off, members of his troupe laugh. But I was horrified by the grotesque laugh and jerky moments.
The main draw is Lom's brilliant performance. He is meant to be creepy, and he is. But, often shown in close-up, he is also handsome. And that too is part of what makes the beautiful tightrope walker fall under his spell.
He is a force of evil. Yet we are not, I think, meant to despise him. He has a few lines about the unhappy childhood that made him yearn to be taken seriously.
This little known movie deserves a wide audience and great a critical acclaim
The entire cast is excellent. The feel of a circus is real: It reminded me from time to time of an earlier great movie about a circus: "Freaks." And even the props are good: The laughing sailor is horrifying. When the circus owner shows this device off, members of his troupe laugh. But I was horrified by the grotesque laugh and jerky moments.
The main draw is Lom's brilliant performance. He is meant to be creepy, and he is. But, often shown in close-up, he is also handsome. And that too is part of what makes the beautiful tightrope walker fall under his spell.
He is a force of evil. Yet we are not, I think, meant to despise him. He has a few lines about the unhappy childhood that made him yearn to be taken seriously.
This little known movie deserves a wide audience and great a critical acclaim
Enjoyed this British film which is about a Circus called the Danton Empire Circus which is having some financial problems and has to create some new acts in order to keep in business. A drifter, Stephen Torg, (Herbert Lom) appears one day and is able to calm a lion which has broken loose and out of control around the circus grounds. Stephen is looking for work and is hired by the circus manager and meets up with Mary, (Ann Crawford) who is a high wire artist and her partner Phil Danton. Stephen Torg uses hypnosis on Mary and permits her to take some very daring tricks on the high wire act and it becomes an instant success. Stephen becomes very popular with the audiences and is very resented by the circus company, however, Mary is in his complete control and he steals her from her boyfriend Phil Danton. Great entertaining film, don't miss this one. Enjoy.
Le saviez-vous
- Anecdotes"The Dark Tower" was a play by George S. Kaufman and Alexander Woollcott which ran for 57 performances on Broadway between November 1933 and January 1934. Warner Brothers bought the rights and made it as a vehicle for Edward G. Robinson later that year under the title "The Man with Two Faces". Nine years later Warner Brothers U.K. remade the film under the original title "The Dark Tower". The two films have very little resemblance to each other in their plots and backgrounds except for the heroine falling under the spell of a demonic fiend who controls her mind. The Hollywood version is faithful to the original with a Broadway actor trying to rescue his sister from her Svengali husband; the British version has an aerial artist in the power of a hypnotist against a circus background.
- GaffesWhile Tom and the other members of the troupe are packing; at one point the hidden overhead lighting used on the set begin to blink.
- Citations
Willie Wainwright: Ladies and gentlemen, once more we bring to your town the thrill of a lifetime. The unparalled, the inimical, unrivalled Empire Circus. Come in your thousands and enjoy this feast of equine dexterity and acrobatic marvels we shall place before your astounded gaze. Never before in the history of this town has such a gay galaxy of talent and of beauty been set before you.
- ConnexionsRemake of Vengeance d'artiste (1934)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Dantonmysteriet
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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