Captain America

This serial has nothing to do with the original comic book Captain America but is still entertaining. Some people considered the star, Dick Purcell, to be pudgy but this is simply not so. He just had a more realistic body type than a male growth hormone guzzling freak like Sylvester Stallone. The men of Dick Purcell's era had survived the Great Depression and when they were hungry they ate meat and potatoes. Go take a look at your own gut sometime! Overall, Purcell made a pretty good serial hero, tough enough to do the job convincingly, a reasonably good actor, not wearing his angst and self doubt on his shirt sleeve like some modern sissy boy hero. While not as great as Buster Crabbe or Tom Tyler, he was better than Kirk Alyn (sorry, Kirk).

This serial has lots of excellent fight scenes and great cliff hangers. Also, there is a sequence where Captain America rides the Republic motorcycle, which was also seen in 'Spy Smasher.' The villain, Lionel Atwill, is probably one of the best serial villains, perhaps even better than Charles Middleton as Emperor Ming. Perhaps it would have been wiser to do this in the usual 12 chapters, as opposed to 15, but then again, if I minded wasting my time, why would I watch these old serials? Overall, this is a pretty good serial, and as such it has a higher value for escapist fun than most modern super-heroic cinema. One significant criticism I will make, however, is the inexplicable exclusion of all references to WWII. When it's WWII out there, and you have Captain America, a character created to fight WWII, yet the story has nothing to do with WWII, well, that is an awfully big elephant in the room. It would be akin, say, to a nation that spends $200 million a day for 10 years on a war, with the public having no reliable knowledge of the causes, progress, or effects of the war.

Captain America--the Star Spangled Avenger--minus the shield, his youthful sidekick, Bucky Barnes, and the Red Skull. The late Dick Purcell plays the crusading district attorney Grant Gardner in one of Republic's finest cliffhangers; who, attempts to uncover and stop the evil/cunning Scarab's "Purple Death" plot. Sadly, Purcell passed away before this serial's release. Lionel Atwill is great as the sinister Museum Curator, Dr. Cyrus Maldor. Maldor has been killing off members of his South American expedition to gain control of their wealth and stewardship of the museum. Lorna Gray is superb as Gardner's faithful assistant and the damsel in constant distress. The omnipresent George J. Lewis carries out the Scarab's evil plans as badguy, Bart Matson.

Cap must even combat Professor Dodge's (Hugh Southern) "Dynamic Vibrator"--ouch! Can Cap thwart the evil doctor's plans? Will Maldor manage to gain complete control of the scientific museum for his evil plans? Cap fights for truth, justice

In the words of the Oldsmobile commercials, "This is not your father's Captain America!" (well, at least my father). Shield-slinging, two-fisted Super Soldier battling Nazis? Nope, this is a pudgy DA battling ordinary criminals, with a revolver!

First off, let me preface this by saying there is a big difference between watching a serial in weekly installments and watching the whole thing on video. The repetition was necessary to recap the previous week's chapter. On video, it gets tiresome by the third chapter. Still, that's what the fast-forward button is for.

Poor Cap! He never got a break in 50 years. He's an orphan, 4F, Bucky is killed by Baron Zemo, the Red Skull just wont die, Nixon, Rob Liefeld, and September 11! On top of it all, he has never been done justice on the silver screen or the tv screen. Captain America should have been great; you have two-fisted action, that cool shield, Nazis, the Red Skull, and a great costume. So where is all of that in the film? The fights are there, but the rest of the package is missing. And these fights don't measure up to those in Spy Smasher, Masked Marvel, or the Adventures of Captain Marvel.

Republic's adaptation of comic book heroes were vastly superior to Columbia's, but this one just doesn't quite work. There's no hook to pull you into it. Still, it's better than "theatrical" effort, nearly 50 years later.

A crime wave is underway in the city, all masterminded by the Scarab, a sinister genius who is actually respected citizen Dr. Cyrus Maldor (Lionel Atwill). District attorney Grant Gardner (Dick Purcell) is determined to stop this rash of murders and robberies, and if he can't do it in the courtroom, he'll do it in costume as Captain America, a two-fisted crime fighter. He's helped by reporter girlfriend Gail Richards (Lorna Gray), and he'll need all the help he can get to stop the Scarab and his array of fantastic weapons.

I have to wonder why Republic licensed the Captain America comic book character if they had no intention of having the character resemble the print version, except in costume. The comic character was a puny young man named Steve Rogers who was eager to join the army to fight in WW2, but he was deemed physically unfit for duty. He volunteers for an experiment which turns him into the perfect human specimen, with strength, speed, agility and endurance at near superhuman levels. He's also outfitted with a shield made from an indestructible alloy, and he takes off for the war front, where he battles the Axis powers. Unfortunately, Republic changes the character into a lawyer with a different name and a bit of a paunch, no shield, no experimental super-fitness, only a revolver that he has no compunction about frequently using. Oh, and bizarrely enough, no Nazis or other Axis enemies to fight, only homegrown crooks.

Purcell is the central weakness of this serial. As I mentioned, he's not in good shape, and he has no screen charisma either in or out of his costume. He actually died the week after filming was complete, with the cause attributed to overexertion while filming this. There is a lot of action, even for a serial, with several car chases, jumping and falling stunts, and dozens of fistfights and shoot-outs. I think they throw about 7 dummies off of high places, and use a crate of explosives to simulate grenade attacks or gunpowder explosions. Our hero Captain America is not above killing his foes, either, shooting several, throwing a few out of skyscraper windows, or forcing them off the side of a cliff during a high-speed chase.

Lionel Atwill is fun as the villain, whose secret identity is never secret from the audience, only from the film's good guys. He utilizes various high-tech devices, including a resurrection machine and a lightning generator. My favorite though, and a source of much unintentional hilarity early on, is an earthquake machine that its inventor refers to as his "giant vibra-tor". When Atwill demands the plans, the inventor swears that "you'll never get your hands on my vibra-tor!". Later, when a test of the device is planned, Gray's reporter character arrives with big eyes and a smile, declaring, "I can't wait to see a demonstration of your vibra-tor!" Indeed.

In the 1940s, every studio had at least one genre they excelled at. Universal had horror films, Warner Brothers had crime dramas and social commentaries, MGM had lavish musicals and costume dramas. Republic Studios was near the bottom of the barrel, but they had something they did better than anyone else: serials, weekly chapterplays where the heroes faced a deadly peril at the end of each episode. No one did them better than Republic. They had the best writing, music, special effects, stuntmen, and these factors added up to the best serials of all time: `Zorro's Fighting Legion,' `The Lone Ranger,' `The Adventures of Captain Marvel,' `Spy Smasher,' and others.

But by 1944, the Republic formula had become just that, formula. `Captain America' is a product of a studio and a genre in decline. While the movie is technically proficient and slickly produced, the thrill and excitement is gone.

Any Captain America fan seeing this movie without prior warning is in for a shock: Republic was notorious for making arbitrary changes to characters, and Captain America had it worse than anyone. Instead of being Private Steve Rogers of the United States Army, now he was Grant Gardner, District Attorney of an unnamed American city. His trademark shield was gone, replaced by a mundane .38-caliber revolver. His sidekick, Bucky, was also missing, so Cap was assisted by an efficient secretary, Gail Richards (Lorna Grey). Most bizarre was ignoring the whole World War II angle – instead of having Captain America battle spies and saboteurs like he did in the comics, they had him battling a run-of-the-mill criminal mastermind, Cyrus Maldor (Lionel Atwill), alias the Scarab. It strikes me as an odd choice for an overtly patriotic hero in the middle of a world war, but…

Dick Purcell does a good job as Grant Gardner / Captain America, although he wasn't the best physical match for the part. Most of the young, trim guys were off fighting the war, so instead you have the nicely-rounded Purcell in the tights. Sometimes he looks more like Captain Dad than Captain America, but Purcell still does a decent job. Lorna Grey makes a surprisingly sexy sidekick (I can imagine younger moviegoers in 1944 lamenting Cap hanging out with a girl instead of his pal Bucky, while the slightly older audience would see the improvement). Lionel Atwill is appropriately scheming and menacing, but his climactic fistfight with Captain America stretches credibility a little too much.

The two words that best describe `Captain America' are `competent' and `tired.' The serial goes through all the paces and delivers some excitement, but the classic Republic crispness, the snap, is gone. The serials would die slowly over the next twelve years, doomed to exhaustion and competition from television, but the glories of those years live on in memory.